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All Among the Barley cover art

All Among the Barley

By: Melissa Harrison
Narrated by: Helen Ayres
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Summary

Winner of the EU Prize for Literature

The autumn of 1933 is the most beautiful Edie Mather can remember, although the Great War still casts its shadow over the fields and villages around her beloved home, Wych Farm. Constance FitzAllen arrives from London to document fading rural traditions and beliefs. For Edie, who must soon face the unsettling pressures of adulthood, the glamorous and worldly outsider appears to be a godsend. But there is more to the older woman than meets the eye. As harvest time approaches and pressures mount on the entire community, Edie must find a way to trust her instincts and save herself from disaster.

Book of the Year New Statesman, Observer, Irish Times, BBC History Magazine

©2018 Melissa Harrison (P)2018 W. F. Howes Ltd

Critic reviews

“A masterpiece.” (Jon McGregor, author of Reservoir 13)

"Impossible to forget." (The Times)

"Astonishing." (Guardian)

What listeners say about All Among the Barley

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Not Cider with Rosie

There is no story line to this work. It is self-serving nonsense. The heroine herself says, at one point, “Who would want to read about me?” Who indeed? Not I.
The narrator was reading in what I realised was meant to be a Suffolk accent, though I had to recheck the description to check it wasn’t set in Australia!

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5 people found this helpful

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Great book

Loved the story. I personally prefer more understated reading rather than acting the parts so wasn't hugely keen on the narration style but the book was worth it anyway.

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5 people found this helpful

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A fascinating view into rural life in the thirties

Helen Ayers narration brings this story to life. Young Edith is believably naive and innocent, her outlook, her gaucherie and insight into how she is perceived felt very real. The descriptions of farming in 1934 beautiful, the wildlife that has been lost due to progress heartbreaking. What a lovely book.

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3 people found this helpful

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    4 out of 5 stars
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Beautiful story let down by the narration

I adored this lyrical, bucolic tale. It pulls you in with it's gentle rural beginning before the dramatic end with it's unnerving echoes of today's brexit/immigration debate.

However, the narration badly lets it down with a portrayal of the people of Suffolk which is so bad it's offensive. It baffles me how a narrator who has read the passages about the nameless disquiet of the villagers who sense middle class Connie’s patronising of them can then break into a Pythonesque ‘rat bag woman’ voice when portraying those same villagers.

It's beyond being bad at a particular, notoriously elusive accent; the overall effect is an othering of working class people, portraying them as cartoonish and not quite real.

Helen Ayres is palpably much more comfortable with middle class accents.

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1 person found this helpful

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Beautiful writing

slow burning story, really bought to life by the performance of Helen Ayres. some beautifully drawn characters

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Insightful

Beautifully written historical novel. Insightful depiction of characters and how they relate to each other.

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A wonderful story

The story twists and turns. With believable characters and great description of everything in the country . The narrator was excellent So glad I have it. Really enjoyed it

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1 person found this helpful

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    3 out of 5 stars
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Excessively flowery and rather depressing

Yes, it made me think. It was dark and mysterious at times, as well as evocative and well-researched. Did I enjoy reading it? No.

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Beautiful observations of the natural world

I really enjoyed this book . The story was beautifully written and was interesting from a social and political perspective during a time of dramatic change in rural lives and landscape. The detailed observations of the natural world are poignant and the sense of the natural rhythms setting the pace of life is immersive in its detail.

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  • Overall
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Beautiful writing let down by narration.

This is a beautiful book - sensuous, evocative writing. However it was let down by a choice of narration that gave it too much of a twee, sugared Enid Blighton feel. The contrast between the cultured accent of the first person narrator and her remembered rural narratives is odd. I will buy this book and imagine it in more down-to-earth, less sacharine tones because I think the writing is worth it….

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