All three BBC radio dramatisations of the best-selling fantasy trilogy - plus bonus material. A breathtaking epic spanning multiple worlds, His Dark Materials follows the adventures of Lyra Belacqua and Will Parry, two children catapulted into a life-or-death struggle to save the future of the Cosmos. 

Lyra and her daemon Pantalaimon have left the events of His Dark Materials far behind. In this snapshot of their forever-changed lives they return to the North to visit an old friend, where we will learn that things are not exactly as they seem.... The perfect re-entry for fans of His Dark Materials and a wonderful companion to The Book of Dust, Serpentine is a brand-new special listen for Pullman fans old and new.

You may be aware that G. K. Chesterton authored influential Christian biographies and apologetics. But you may not know the larger-than-life Gilbert Keith Chesterton himself - not yet. Equally versed in poetry, novels, literary criticism, and journalism, he addressed politics, culture, and religion with a towering intellect and a soaring wit. Chesterton carried on lively, public discussions with the social commentators of his day, continually challenging them with civility, humility, erudition, and his ever-sharp sense of humor.

Lyra's Oxford opens two years after the conclusion of Philip Pullman's The Amber Spyglass in the comfort and familiarity of Jordan College, where Lyra and her daemon, Pantalaimon, sit on the sun-drenched roof looking out over all of Oxford. But their peace is shattered when a strange bird - a witch's daemon, on it's own - tumbles out of the sky, in search of a healing elixer to cure his witch of a strange new disease. Lyra and Pan decided to help - witches are friends, of course - but the closer their winding walk leads them towards the infamous Oxford alchemist.

In this beautiful book of classic fairy tales, award-winning author Philip Pullman has chosen his 50 favourite stories from the Brothers Grimm and presents them in a 'clear as water' retelling, in his unique and brilliant voice.

What Lila wants to be more than anything else in the world is...a Firework-Maker! But firework-making is not just about being able to make Crackle-Dragons and Golden Sneezes. There is also one special secret: every Firework-Maker must make a perilous journey to face the terrifying Fire-Fiend! Not knowing that she needs special protection to survive the Fire-Fiend's flames, Lila sets off alone. Her friends, Chulak and Hamlet - the king's white elephant - race after her. But can they possibly reach her in time?

Listening to Shaking a Leg is like spending time with the funniest, wisest friend you've ever had - a person whose breadth of interest ranges from food to feminism to science fiction and everything in between. Bursting with ideas, culturally astute and sparklingly witty, this comprehensive volume of Angela Carter's journalism is the most down-to-earth and entertaining companion to latter 20th-century thought you'll ever need.

What is the role of the writer? Prophet? High priest of art? Court jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as "gifted", who is doing the giving and what are the terms of the gift?

Piranesi lives in the House. Perhaps he always has. In his notebooks, day after day, he makes a clear and careful record of its wonders: the labyrinth of halls, the thousands upon thousands of statues, the tides that thunder up staircases, the clouds that move in slow procession through the upper halls. On Tuesdays and Fridays Piranesi sees his friend, the Other. At other times he brings tributes of food to the Dead. But mostly, he is alone.

Writing was the central passion of Emerson's life. While his thoughts on the craft are well developed in "The Poet", "The American Scholar", Nature, "Goethe", and "Persian Poetry", less well known are the many pages in his private journals devoted to the relationship between writing and reading. Here, for the first time, is the Concord Sage's energetic, exuberant, and unconventional advice on the idea of writing, focused and distilled by the preeminent Emerson biographer at work today.

In a disintegrating and increasingly lawless land, a young man is travelling north. Ben is a young painter from the crowded, turbulent city. For six months, his fiancée Cara has been living on the remote island of Sanctuary Rock, the property of millionaire philanthropist Sir John Pemberley. Now she has decided to break off their engagement and stay there for good. Ben resolves to travel to the island to win Cara back. But the journey there is a harsh and challenging one and when he does arrive, a terrible shock awaits him.

The View from the Cheap Seats draws together, for the first time ever, myriad nonfiction writing by international phenomenon and Sunday Times best-selling author Neil Gaiman. From Make Good Art, the speech he gave at the University of the Arts in Philadelphia that went viral, to pieces on artists and legends including Terry Pratchett, Lou Reed and Ray Bradbury, the collection offers a glimpse into the head and heart of one of the most acclaimed writers of our time.

Poet, artist, visionary and author of the unofficial English national anthem 'Jerusalem', William Blake is an archetypal misunderstood genius. In this radical new biography, we return to a world of riots, revolutions and radicals, discuss movements from the Levellers of the sixteenth century to the psychedelic counterculture of the 1960s, and explore the latest discoveries in neurobiology, quantum physics and comparative religion to look afresh at Blake's life and work—and, crucially, his mind. 

While writers might disagree over showing versus telling or plotting versus pantsing, none would argue this: If you want to write strong fiction, you must make your readers feel. The reader's experience must be an emotional journey of its own, one as involving as your characters' struggles, discoveries, and triumphs are for you. That's where The Emotional Craft of Fiction comes in. Veteran literary agent and expert fiction instructor Donald Maass shows you how to use story to provoke a visceral and emotional experience in readers.

It's every novelist's greatest fear: pouring their blood, sweat, and tears into writing hundreds of pages only to realize that their story has no sense of urgency, no internal logic, and so is a page-one rewrite. The prevailing wisdom in the writing community is that there are just two ways around this problem: pantsing (winging it) and plotting (focusing on the external plot).