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Enron

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Enron

By: Lucy Prebble
Narrated by: Gregory Itzin, Jon Matthews, Amy Pietz, Russell Soder, Greg Germann, Steven Weber, Matthew Wolf
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About this listen

Fasten your seatbelts for a rapid-fire, sophisticated thrill ride that propels you through one of the most infamous financial scandals in history! With a spicy blend of humor, pathos, and music, the big biz machinations of Kenneth Lay, Jeffrey Skilling, and Andy Fastow are laid bare as razzle-dazzle entertainment. Lucy Prebble’s Enron casts a shocking new light on today’s economy and how we got here.

Recorded before a live audience at the Skirball Cultural Center, Los Angeles, in October of 2010.

Director: Rosalind Ayres

Producing Director: Susan Albert Loewenberg

Chris Butler as Trader/Geek/Others

Jackie Emerson as Voice of the Daughter

Greg Germann as Andrew Fastow

Pamela J. Gray as Sheryl Sloman/Elyse Deluca/Irene Grant

Gregory Itzin as Kenneth Lay

Kasey Mahaffy as Trader/Employee/Others

Jon Matthews as Trader/Arthur Andersen/Lehman Brother/Judge

Julia Mcilvaine as Gayle Davenport/Others

Amy Pietz as Claudia Roe

Russell Soder as Trader/Grubman/Others

Steven Weber as Jeffrey Skilling

Kenneth Alan Williams as Lawyer/Others

Matthew Wolf as Employee/Trader/Others

Associate Producers: Christina Montaño, Jennifer Brooks

Recording Engineer/Sound Designer/Editor: Mark Holden for The Invisible Studios, West Hollywood

Foley Artist: Theresa Arrison

Music Supervisor: Scott Willis

Original music composed by Adam Cork and musical direction by Dale von Seggern

©2011 L.A. Theatre Works (P)2011 L.A. Theatre Works
Drama & Plays Entertainment & Performing Arts United States Witty Celebrity Employment
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What listeners say about Enron

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Thought provoking and concise

Does an excellent job at allowing a view into Enron and it's bizarre culture that made fraud seem reasonable.

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  • Overall
    3 out of 5 stars
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I was expecting more

I listened to this play as my daughter is studying it for A Level. I was expecting it to be much more interesting. I can imagine that the velociraptor metaphor would be effective on stage - maybe it has to be seen.

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