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Glory Road

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Glory Road

By: Robert A. Heinlein
Narrated by: Bronson Pinchot
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About this listen

E. C. “Scar” Gordon was on the French Riviera recovering from a tour of combat in Southeast Asia, but he hadn’t given up his habit of scanning the personals in the newspaper. One ad in particular leapt out at him: "Are you a coward? This is not for you. We badly need a brave man. He must be 23 to 25 years old, in perfect health, at least six feet tall, weigh about 190 pounds, fluent English with some French, proficient with all weapons, some knowledge of engineering and mathematics essential, willing to travel, no family or emotional ties, indomitably courageous and handsome of face and figure. Permanent employment, very high pay, glorious adventure, great danger. You must apply in person, 17 rue Dante, Nice, 2me étage, apt. D."

How could you not answer an ad like that, especially when it seemed to describe you perfectly? Well, except maybe for the “handsome” part, but that was in the eye of the beholder anyway. So he went to that apartment and was greeted by the most beautiful woman he’d ever met. She seemed to have many names but agreed he could call her Star. A pretty appropriate name, as it turned out, for the empress of twenty universes. And she sends him on the adventure of a lifetime.

Robert A. Heinlein’s one true fantasy novel, Glory Road is as much fun today as when he wrote it after Stranger in a Strange Land. Heinlein proves himself as adept with sword and sorcery as with rockets and slide rules, and the result is exciting, satirical, fast-paced, funny, and tremendously readable - a favorite of all who have read it. Glory Road is a masterpiece of escapist entertainment with a typically Heinleinian sting in its tail.

Robert A. Heinlein (1907–1988) was the dominant science fiction writer of the modern era, a writer whose influence on the field was immense. He won science fiction’s Hugo Award for best novel four times.

©1963 Robert A. Heinlein; renewed 1991 by Virginia Heinlein; 2003 by the Robert A. & Virginia Heinlein Prize Trust; Afterword 1979, 1984 by Samuel R. Delany (P)2012 Blackstone Audio, Inc.
Classics Fantasy Fiction Historical Science Fiction Witty Adventure France
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Critic reviews

“A triumph.”( Chicago Tribune)
Glory Road maintains a delicacy, a bravura, and a joy that not only are notable, but clearly consign it to his heptology of major SF novels.” (Samuel R. Delany, American author and literary critic)

What listeners say about Glory Road

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  • Overall
    3 out of 5 stars
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    3 out of 5 stars

Real Old School Sc-Fi

One of Heinlein's best stories but now so out of it's time it quite difficult to listen to without flinching at some of the attitudes expressed.
I always found this story difficult to put down because the universe described is so alluring it was almost a culture shock to come back to reality.
Sadly, (or fortunately) this narrator cured me of that problem - the most irritating French accent I've ever had to suffer. Strange and poor choice for this performance.
Try reading the book yourself first perhaps.

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    4 out of 5 stars
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A good book

A well read version of a well written novel. Not my favourite book by R.A.H. but a good one

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  • Overall
    4 out of 5 stars
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    4 out of 5 stars

Enjoyable story

I was not sure what to expect for this one as the review score average is a bit low. I was pleased to find it perfectly enjoyable. As well as being a nice story, I found the interactions and relationships between the three main characters to be interesting. I also found that the circumstances they faced to be thought provoking to some extent. As usual, there was quite a lot of comparing different cultures, including alien ones, which I find interesting thinking food.

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  • Overall
    4 out of 5 stars
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    4 out of 5 stars

Classic Playboy Era Sci-fi

I read this for the first time back in the seventies and it seemed the height of sophistication to the spotty adolescent I was then. Now it seems a bit chauvinistic and the end unnecessarily drawn - out. Despite this it remains a sexy adventurous romp, far superior to most of the modern day sword and sorcery stuff and is undoubtedly one of Heinlein's best.

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    5 out of 5 stars
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    5 out of 5 stars

an old friend revisited

story as remembered but characters sounded different to my imagination. just a problem of media.

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  • Overall
    5 out of 5 stars

Enjoyable reading of perhaps Heinlein’s best book

I first read “Glory Road” in 1963 when it was serialized in “The Magazine of Fantasy & Science Fiction”. I subsequently bought the book in paperback and, carrying it with me around the world, reread it several times. I think “Glory Road” is one of the few Heinlein books that doesn’t suffer quite so much from the author’s penchant for taking a story so far and then not knowing what to do with it while his sometimes obstreperous libertarianism is not quite so grating here. “Glory Road” consists of two distinct parts: the first is a thoroughly fabulous, swashbuckling “Quest”; the second is a rather insightful examination of the mundane, “real-world” consequences of having undertaken and completed The Quest. It spoke directly to me both before and after becoming an expat.

I know the book very well in other words (I have parts of it memorized) and it was with some trepidation that I bought the audiobook version. I was not disappointed. Bronson Pinchot is an accomplished voice actor. (How many people know/remember that he played “Balki Bartokomous” in the mid-80s/early-90s US sitcom “Perfect Strangers”?). His characterizations (especially of the supporting roles) are a joy to listen to. Admittedly his “Star” is not what I imagined her (he makes her sound like a sultry Doris Day) and his Rufo wanders sometimes disconcertingly between Peter Lorre and Pepe Le Pew. Nevertheless his voice acting makes a huge contribution to the enjoyment of this production, which is much more satisfying that any straightforward reading could have been.

Highly recommended as an enjoyable reading of what may be Heinlein’s best book.

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    3 out of 5 stars
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Classic Fantasy from The Man

Read this book a few times over the years and looked forward to hearing it as I drive to work. The Story has held up well, although probably a bit none PC for modern tastes.
Whilst the reader made a decent fist of the narrator, he made STAR a simpering cry baby, RUFO a faux Frenchman and CYRANO DE BERGERAC Irish!!
Not exactly music to my ears!

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    5 out of 5 stars
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Yep, it's not "woke".

This is perhaps my favourite Heinlein novel, and this reading has only increased my respect for it. The pacing. the characterisation, the use of language, the intricate changes in the narrator's viewpoint, these all come through with renewed clarity when it's read out loud.

The voice acting was excellent, with Oscar Gordon sounding just right (with more than a touch of John Wayne!), although Rufo was a bit of a shock. I'd always heard him in my head as sounding quite a bit like Edward G Robinson. And the Eater of Souls, Irish? Wasn't he supposed to be....? The Rumormonger was a treat though.

What I can't understand is all the people who have come on here to complain that Heinlein, or even the Hero Gordon, didn't have the same worldview and sense of ethics as, say, your average TikTok subscriber. I could say thank God. I will say this; I was surprised, on hearing them read out loud, at some of the things Gordon came out with. IT DID NOT SPOIL MY ENJOYMENT. Any more than similar pronouncements spoiled my enjoyment of Dumas, or Kipling, or Tennyson.

Why on Earth (or Nevia, or Center) would anyone whose judgment of literature depends purely on the political complection of the author choose a book by Heinlein, of all people?

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    3 out of 5 stars
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    3 out of 5 stars

Old fantasy

I don’t feel like this has aged as well as some other fantasies, there were some interesting plot points like the phoenix but a lot of it came across as churlish wish fulfilment

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    1 out of 5 stars
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    2 out of 5 stars

Good start, bad middle, could not face the end

Definitely a story of its time which would not be so sexist if the voice of the heroine was not so quiet and simpering. She is meant to be an multi-universe empress, but sounds like a mid-western housewife who wouldn't say boo to a goose. The way the story is rendered loses all the humour that the words imply. Eventually I found I could listen no longer, my mind just switched off and had no interest in the outcome of a story which had a good and original start. Shame, I used to like Heinlein's work a lot.

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