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  • The Dangerous Kingdom of Love

  • By: Neil Blackmore
  • Narrated by: Philip Stevens
  • Length: 11 hrs and 5 mins
  • 4.4 out of 5 stars (29 ratings)
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The Dangerous Kingdom of Love

By: Neil Blackmore
Narrated by: Philip Stevens
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Summary

Brought to you by Penguin. 

England, 1613. At the dazzling but brutal court of King James I, politician and philosopher Francis Bacon, the cleverest person in England, the inventor of the modern world, has a fight to survive. A life-threatening alliance of his enemies has formed around the king's exquisite but noxious lover, Carr. Bacon, always the outsider and the plotter, goes to his friend, James' neglected queen, and together they come up with a plan. They will find their own beautiful young man to supplant Carr in the king's bed and so defeat their enemies. Bacon then meets the thrillingly beautiful, mysteriously unreadable Villiers, whom he trains to entrance the king, but against all good sense, the two start a secret love affair. But when a shocking murder scandal rocks the English court, new battle lines are drawn at court and the question asked: what if the beautiful boy is the cleverest person of all?

A twisting tale of court intrigue and forbidden love in the palaces, taverns and theatres of Jacobean London, with a cast of kings and queens, philosophers and playwrights, high-born aristocrats and low-born poisoners and an astonishing suite of historical characters like Ben Jonson and William Shakespeare, James I and Anne of Denmark, the murderess Frances Carr and even Pocahontas, all told through the funny, ironic, self-aware voice of the world-changing Francis Bacon himself, The Dangerous Kingdom of Love is both a darkly funny satire on liberalism and a tragic love story about the corrosive effect of power.

©2021 Neil Blackmore (P)2021 Penguin Audio

What listeners say about The Dangerous Kingdom of Love

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  • Overall
    5 out of 5 stars
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    4 out of 5 stars

Bawdy but brilliant!

I bought this after reading an excellent review in the Times and I wasn't disappointed. It was fun, using real characters from history and weaving an intimate tale around their interactions. The narration can make or break a good book and the narration here was perfect, with a great performance by Philip Stevens. The language can be eye watering at times but is entirely in keeping with the story and the characters. Just don't listen on loudspeaker when great aunt Mabel is around.

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    5 out of 5 stars
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    5 out of 5 stars

An entrancing book, wonderfully narrated

This is a brilliant book, by turns funny and dark set in the court of the course James I. The narrator is Francis Bacon who narrates his own story with wry self-awareness.
If you are offended by crude words, this is not the book for you. But, although sex plays a major part in the book, the descriptions are never graphic.

The story of love and power is intriguing and characters rise and fall with stunning rapidity. The relationship between Francis Bacon and George Villiiers which is at the heart of the book is very believable and the denoument is genuinely moving,

I cannot imagine how the narration could be improved upon - its briliant. Philip Stevens uses an impressive array of voices for the characters, male and female. The voice that he gives to George Villiers is absolutely pitch perfect. It fits 'the perfect boy, the beguiling boy' to perfection.

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    5 out of 5 stars
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    5 out of 5 stars
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    5 out of 5 stars

Good story, based on sketchy historical facts

Good story, based on sketchy historical facts: racy, raunchy but persuasively so, and thus convincing. Superbly narrated.

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  • Overall
    5 out of 5 stars
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    5 out of 5 stars

Great story

A Net For Small Fishes tells this story from another side, but this is so much better written! I really enjoyed the story (could do without a few erotic details, but was ok with them), the narrator has done a brilliant job.

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  • Overall
    3 out of 5 stars
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    4 out of 5 stars
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    3 out of 5 stars

Uncomfortable mix of homoerotica and history

The narration was superb. But I really struggled with the graphic homosexual descriptions which felt very out of place. I don't consider myself a prude, and perhaps if I was that way inclined, I'd have enjoyed them. But I found myself fast-forwarding through them to get back to the historical narrative, which is why I bought the book.

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