The Mirror and the Light
The Wolf Hall Trilogy, Book 3
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Narrated by:
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Ben Miles
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By:
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Hilary Mantel
About this listen
Shortlisted for the Women's Prize for Fiction 2020
Longlisted for the Booker Prize 2020
The long-awaited sequel to Wolf Hall and Bring Up the Bodies, the stunning conclusion to Hilary Mantel’s Man Booker Prize-winning Thomas Cromwell trilogy.
‘If you cannot speak truth at a beheading, when can you speak it?’
England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him?
With The Mirror and the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion and courage.
©2020 Hilary Mantel (P)2020 W. F. Howes LtdCritic reviews
“You’ll frequently hit the rewind button to fully appreciate the many, many perfect passages.” (Irish Times)
“Actor Ben Miles played Cromwell in the Royal Shakespeare Company’s adaptations of Hilary Mantel’s Wolf Hall and Bring Up the Bodies, making him the perfect choice to narrate the remarkable final instalment in the Man Booker Prize-winning trilogy.” (Vogue)
What listeners say about The Mirror and the Light
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- The listener
- 07-03-20
So engrossing
A huge undertaking for Ben Miles, and every credit to him for his flexible multicoloured interpretation of this complex man, Thomas Cromwell, and his world.
At first, I found it hard to accustom myself to the story but persevered, and I’m very glad I did. This book has kept me totally engaged from start to tragic finish. I’m sad this is the end of Ms.Mantel’s interpretation of the Tudor story, but thank her for ensuring these books have been committed in their entirety with such understanding and integrity by the excellent actor, Ben Miles. Obviously, a very rewarding collusion.
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23 people found this helpful
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- C. Petherbridge
- 08-03-20
The Final Instalment.
I was scared to death about this being published having loved both Wolf Hall and Bring Up The Bodies, what if this was a disappointment? I need not have worried and whilst I’m still in the middle I’m loving every minute the characters, plot and overall feel are as well written, believable and enthralling as the previous two episodes. The only thing left to wonder about is if Hilary Mantel will make it a hat trick of prizes, as of this moment I cannot see why she wouldn’t.
Having pre ordered the title I was dismayed at the reviews of the reader, so much so if it hadn’t been the final instalment of an outstanding/much anticipated story I might not have bothered. As it is I have to say I’m a little surprised at all the hate. While there are several people I could think of that would have done a better job it’s not nearly as bad, thankfully, as some reviews would’ve led me to believe and certainly not bad enough to put me off.
NB. Having now listened through till the end, I’m glad to take the opportunity to revise my view of the narration - up. And indeed my only regret is they didn’t use Ben throughout the trilogy because I now believe his delivery to be masterly and I’m not surprised to hear Hilary herself say that when she thinks of Cromwell it’s Ben’s voice she hears.
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9 people found this helpful
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- maria howard
- 16-03-20
Good Narrator
I actually loved the book, the narrator was very easy to listen too I like to listen to my Audiobooks at night in bed ,so do not like a too graphic narration, so if you love Wolf Hall and you want a gentler narrator this is the one for you.
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5 people found this helpful
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- Debbie Seymour
- 23-03-20
Wonderful storytelling and sympathetic reader
I'm about a third of my way into this. The story is even more compelling than the other two books; the 16th century world is extraordinarily present and the characters are vivid and complex. Beautiful writing and very well read by Ben MIles. Occasionally odd character voice choices, but in the main masterful and full of exquisite detail and heart. Mantel is theatrical : having a clear characterisation of individual voices really makes this an easier listen than a read!
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4 people found this helpful
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- Dominic Cahalin
- 10-04-20
Masterful prose and masterful narration
There is so much wisdom, poetry and humour packed into this book that it would probably require several re-reads to appreciate its true genius. Like Mantel's two preceding "Cromwell" novels, this book shines with intelligence, sublime turn of phrase and searing insight into human behaviour. The vast majority of action in these books takes place in closed rooms, and in the form of the intellectual and emotional tussles between the main protagonists. Mansel takes this core approach (often more like a play, than a conventional novel) and uses it as a canvas on which to paint her story.
Her characters reveal themselves in subtle and wholly believable ways, allowing us to see each one as a multifaceted three dimensional human, with hopes, fears, weaknesses and idiosyncrasies. We see Cromwell, caught like a fly in a spiders web - well aware that his path is treacherous, but unable to escape. Buried too deep into his career and position to change course. It is emotionally and intellectually thrilling stuff, and resonates in the mind days after each listening session.
Mantel frequently breaks up the character interactions with gorgeously written "interludes" that place events in context, forward the story, and explore the philosophical ramifications of unfurling events. Here again she illustrates her peerless intellectual grasp of human nature, striking deep into the truth of what makes the characters (and humanity at large) tick.
The narration is excellent, it is a shame there are so many negative reviews. In many ways Ben Miles provides a more visceral and truthful rendition of tudor life than the narrators of the previous novels in the series. Cromwell in particular has a more believable presence, sounding more like the astonishingly capable working class man he was, rather than the more refined and reserved character that earlier narrative portrayals suggested.
Thoroughly recommended.
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3 people found this helpful
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- S. Morris
- 04-04-20
A Masterpiece of Writing
The Mirror and The Light is the long awaited final part in Hilary Mantel's epic trilogy covering the life of Thomas Cromwell. At times, I had wondered if Mantel would ever provide us with the conclusion to this trilogy, it had been so long. However, having read this massive work, I can appreciate that such a book is truly the work of a lifetime.
As with other long books, I found the best way to digest this, was to try long sessions of listening than dipping in and out as one can with much shorter stories. The Mirror and The Light is a truly epic work. Mantel's prose style is often akin to poetic narrative, sometimes abstract, but always trying to capture the essence, the very feeling of Cromwell's story. Most writers can paint a mental image of a scene, but Mantel's poetry woven into narrative prose places the listener into the very senses of Cromwell, the tiny nuances of how he perceives his world, the way his mind absorbs the world around him, the ineffable quality of his memories. It's not a style everyone will like as it will often prolong the progress of the base narrative, but adds an infusion of more than simple descriptive prose to the story that allows the listener to "feel" the moments of reflection inside Cromwell's mind. yes, on occasion, some of the poetic metaphors can wander off into rather odd and abstract places, but on the whole Mantel manages to really share Cromwell's experiences way beyond simply words on a page alone.
I read through several reviews before writing my own and was rather surprised to see how many people disliked the narration, going so far as to say that it ruined their experience of this book. One reviewer stated that it was hard to tell one character from another. I have to firmly disagree. Of course, whether one likes or dislikes a narrator is, for the most part, a highly subjective thing. Some have said they did not like the common accent Cromwell was given. To that, I say that Thomas Cromwell came from common stock, he was "base born" and throughout his young life, his formative years, lacked the graces and airs of the gentry. I see no reason why Cromwell should speak like a born and bred noble man and why he should turn to it after his elevation. Plus, I feel that Cromwell is better delineated amongst the multitude of courtiers, which is a good thing.
Furthermore, Ben Miles is able to render various foreign accents convincingly well, very well, in fact. He is also able to recite lines in French, Italian and Latin with aplomb. If I were to come up with any critique of his narration, it would be that he seems to affect, either purposefully or not, a lip smack like a tut from time to time and across multiple characters. It's as if he's wetting his mouth or lips. Other than that very minor observation, I do not share the view that Miles is a bad narrator, not at all. The problem, I feel, is when books within a series are narrated by different people. This never works well, in my opinion and so I have to wonder had Ben Miles narrated all three, would there be such an uproar about him. Lack of consistency within a series depicting the same characters is jarring, not Miles's narration. I had no trouble at all discerning what characters were speaking. Cromwell, Norfolk, Gardener, Henry, Christoph, Anna of Cleaves etc etc. All were distinct and if one follows the narrative closely, as I hope anyone would if choosing to listen to such an epic work, then I believe there is no issue. Oh, one other minor thing I did notice, Miles's rendering of Kingston, keeper of the tower, then promoted to the council, was his accent became more refined once elevated, which I thought inconsistent.
Cromwell's downfall was shockingly quick. I hadn't quite expected this, but then again, I haven't studied his life in other non fictionalised accounts. Mantel skilfully writes the initial interrogations and one can immediately see how Tudor "justice" was no justice at all. When it became convenient to bend the truth to fit their aims, this is what happened and Mantell portrays this so well.
I would be very interested to see how the great Alison Weir would handle Cromwell's life. She has included him as a periphery character in several of her fictionalized 'Six Queens' series, all excellent, by the way.
To me, The Mirror and The Light is a worthy, if long awaited, conclusion to the Wolf Hall trilogy and I marvel at the immense amount of effort that has gone into this truly masterful piece of work. This has to stand as a masterpiece of character writing and historical narrative. Surely, this has to be the ultimate fictionalized work on Thomas Cromwell ever written. Not everyone will like it, you can't please all of the people all of the time, but it's an epic work regardless.
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2 people found this helpful
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- Hudson
- 10-04-20
Fantastic
Worth waiting for. Completes the series brilliantly. Enjoyed it immensely. I didn’t want it to end.
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1 person found this helpful
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- TC
- 14-04-20
Brilliant reading.
I genuinely do not understand how anyone could find fault in this performance. Not just his Cromwell with the vocal edge of a harsh working class childhood, but the slightly effeminate Henry (light and ungrounded, yet dangerous).
As for the novel, it is of course a marvel. Get a hard copy also, it’s worth it.
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- Mrs Miggins
- 18-04-20
Wonderful book and excellent narration
I was nearly put off buying this book because of the poor reviews for the narrator, however I found the narration to be perfect for the book. The voice of Thomas Cromwell is exactly as I imagined. You are reminded throughout the book that Thomas Cromwell came from very humble origins in Putney and rose up to be the principal statesman in England and servant to Henry VIII.
The book itself continues the story from Wolf Hall and Bring Up the Bodies. This audio version is 38 hours long and so you find yourself completely immersed in the life of Cromwell and the court of Henry VIII.
I enjoyed the interview at the end of the book with Hilary Mantel and Ben Miles.
Absolutely recommended. Another classic in the Wolf Hall trilogy.
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- Sue
- 05-04-20
Excellent Third Act.
I think Thomas Cromwell, a man carefully unpicked from history, would be very content at the tapestry Hilary Mantel has stitched of his life.
Peacock feather wings and all.
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