Tantalising, yet explicitly unexciting.

This is possibly the hardest work of fiction to describe. A book I haven't been able to stop referencing to my partner throughout listening. If you can pick up on the consistencies, throughout the obvious lack of narrative structure, it will conjour up many questions and feelings about the mundanity of our existence, how and where we find our pleasures and excitement, and, the vague sense of something profundly beyond sadness within sadness itself. I would recommend this book to anyone with an open, introspective and inquisitive mind. If you're looking for a straightforward story as a means of distraction and enjoyment, don't bother.

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Petkoff does this remarkable book justice!

A remarkable book that it’s difficult to grade. But five stars because the best of the writing is so good. The characterisation and dialogue are nothing short of brilliant! Equally the flashes of baroque humour, "Almost anything that you pay close, direct attention to becomes interesting." (Pure Wallace, at his best).

Some of the sections are tedious and – dare I say it repetitive – but overall this is a book that I will want to read again, because I find myself quite haunted by the vivid and the philosophical conundrums the author explores.

"Enduring tedium over real time in a confined space is what real courage is… The truth is that the heroism of your childhood entertainments was not true valour. It was theatre. The grand gesture, the moment of choice, the mortal danger, the external foe, the climactic battle whose outcome resolves all – all designed to appear heroic, to excite and gratify an audience… Gentlemen, welcome to the world of reality – there is no audience. No one to applaud, to admire… actual heroism receives no ovation, entertains no one. No one queues up to see it. No one is interested."

Bravo to Michael Pietsch who compiled this version of an incomplete novel. An unenviable task, to say the least.

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2 people found this helpful

listening to this masterpiece made me smile

Having the luxury of listening rather than reading, for me personally made this even more enjoyable. a truly amazing look at life. writing and how we approach the world. Much is almost meaningless and yet it is all magnificient and magical. my words can't do it justice. recommend

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Fragmented but captivating

Best approached as a collection of loosely related short stories, but brilliantly written. There are parts that will definitely stick with me

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Fantastic.

Where does The Pale King rank among all the audiobooks you’ve listened to so far?

Since this is such a long listen, it can be difficult to dip in and out of. However, it is a fantastic book, and full of some incredible moments. The format of the novel works incredibly well as an audio adaptation.

What does Robert Petkoff bring to the story that you wouldn’t experience if you had only read the book?

Due to the nature of the story, a personable voice brings a different level of engagement to it.

Any additional comments?

Whilst it is a long listen, and it can be difficult to find your place if you lose it, The Pale King is a stunning read, which I have very much enjoyed.

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sublime

an amazing text narrated with incredible skill, and only a really great reader/actor could do it.

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Pale, but interesting

Despite the fact this book is chiefly about boredom (and we are given some very in-depth accounts of the kind of tedium its characters experience), it somehow manages to be one of the funniest books I've read or listened to for quite a while. Much of this comes from the way the author has injected humour in the most unexpected places, and from his wholly original approach to characters and situations. In this it is reminiscent of "Catch 22", although the two are very different books in most respects.

Robert Petkoff makes a marvellous job of reading the text, managing to handle multiple voices in very impressive fashion. If you enjoy the book as much as I did, you may also want to get hold of a copy of the print edition which includes numerous footnotes which it would have been impossible to include in the audiobook version. These add some interesting insights, as do a selection of notes that give an indication of David Foster Wallace's intentions for the final shape of the book.

Famously incomplete at the author's death, what we have here feels like only about 80-90% of the intended work, but, largely due I am sure to the excellent job the editor has done in assembling drafts, fragments etc, and above all to DFW's supreme gift of being able to delineate the human condition extraordinarily precisely, what we are presented with in this form is very close to being a hugely successful whole.

If it gets boring, stick with it - it'll get hilarious soon enough.

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5 people found this helpful

Stellar writing

I'm writing this after my second listen to The Pale King, maybe a year after the first. This time I was better prepared for the abrupt cliff edge where it runs out. I have to ask: how many novels have really good endings anyway?

There are a number of extended 'set pieces' here which alone make the work absolutely worth the effort. Many other vignettes, of which some seem completely unconnected to the main narrative but I enjoyed them anyway. Incredibly skilful writing, often very funny, sometimes just dazzling in its minute precision.

Robert Petkoff's reading is outstanding, with a virtuosic command of pace and quick changes of persona.

Such a sad loss of talent in DFW's death.

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Boring, I'm afraid

I taught Beckett's Waiting for Godot and En Attendant Godot for years, solemnly telling my pupils that 'it dealt with the theme of boredom, but it wasn't boring', then I saw it on stage.....it was dreadful.
Similarly, The Pale King is proclaimed in the same terms and David Foster-Wallace heralded as a lost genius; 'fraid not, in this reviewer's humble opinion, the Emperor has no clothes. It deals with boredom and IS mind-numbingly boring as a result.

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3 people found this helpful

Talking to Gramps

Poor old gramps! But this audiobook was like a prolonged conversation with him - it stopped and started and then went back to things once you'd thought you'd covered them.



I really didn't understand this book at all, there was no flow to it whatsoever. I can only deduce from the foreword that the editor putting it together after the author's death, got his chapters mixed up. Shame.

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1 person found this helpful