For the past 13 years, as England became an increasingly unhappy and fearful place, Prince Charles has been living quietly on a bleak council estate with his wife and love of his life, Camilla. He enjoys gardening and poultry keeping while Camilla spends her days doing as little as possible. But life is about to change.

Sue Townsend, creator of the much-loved Adrian Mole series, tells a compassionate and gritty story of love and loss in Ghost Children. Seventeen years ago Angela Carr aborted an unwanted child. The child's father, Christopher Moore, was devastated by the loss and retreated from the world. However, when he makes a horrifying discovery on the heath, he finds that he is compelled to confront Angela about the past. As they start seeing each other again, can they avoid past mistakes? And will their future together be eclipsed by the mistakes of yesterday?

Maud Drennan - underpaid carer and unintentional psychic - is the latest in a long line of dogsbodies for the ancient, belligerent Cathal Flood. Yet despite her best efforts, Maud is drawn into the mysteries concealed in his filthy, once-grand home. She realises that Cathal, and the junk-filled rooms, are opening up to her. With only her landlady and a troop of sarcastic ghostly saints to help, Maud must uncover what lies beneath Cathal's decades-old hostility and the strange activities of the house itself.

Meet Adrian Mole, a hapless teenager providing an unabashed, pimples-and-all glimpse into adolescent life. Writing candidly about his parents' marital troubles, the dog, and his life as a tortured poet and 'misunderstood intellectual', Adrian's painfully honest diary is still hilarious and compelling reading thirty years after it first appeared.

Meet Clare Barker, the social worker who likes nothing more than sorting out other people's problems (while failing to deal with her own). Wracked with guilt over being white, middle-class and heterosexual, she has a dedicated social conscience (unless it's inconvenient for her) and lives to interfere in other people's lives—both on a personal and professional basis. Bearing the brunt of her control freakery and lack of self-awareness are her family, colleagues and long-suffering teacher partner, Brian—all of whom have their own frustrations, disappointments and dramas.

American Maggie Monroe is a journalist for New York's hard-hitting current affairs show Newsline. Independent and fearless, the more cutting-edge the story, the happier she is. But when her next assignment turns out to be an in-depth documentary on the decline of England's ruling classes, she's furious at being sent to cover a bloody tea party.

To Porterhouse College, Cambridge, famous for rowing, low academic standards. and a proud cuisine, comes a new Master, an ex-grammar-school boy, demanding Firsts, women students, a self-service canteen, and a slot-machine for contraceptives. There is considerable opposition to this challenge to the established order, in the form of Skullion, the intransigent porter at Porterhouse, who is determined that the hallowed traditions of the College will never change.

Well-meaning do-gooder Clare Barker is back, and dealing with more office politics, troublesome clients and domestic dramas. Secretly regarding herself as a cross between Mother Theresa and Wonder Woman, she's got all the right jargon for every problem, but never any practical solutions. However, in today's 'Big Society' there are plenty of challenges out there for an involved, caring social worker (or even Clare). These six series find her struggling once again to control both her professional and private life. 

Jen's hen party is going to be out of control. She's rented a luxury getaway on its own private island. The helicopter won't be back for seventy-two hours. They are alone. They think. As well as Jen, there's the pop diva and the estranged ex-bandmate, the tennis pro and the fashion guru, the embittered ex-sister-in-law and the mouthy future sister-in-law. It's a combustible cocktail, one that takes little time to ignite, and in the midst of the drunken chaos, one of them disappears.

Adam Scott listens to the reading of his father's will, aware that the contents can only be meagre. The Colonel, after all, had nothing to leave - except a letter he had never opened himself, a letter that can only bring further disgrace to the family name. Against his mother's advice, Adam opens the letter, and immediately realizes his life can never be the same again. The contents leave him with no choice but to follow a course his father would have described as a matter of honour.

Distraught when an author withdraws his manuscript from publication, the publisher, Lord Tilbury, sets about retrieving his fortunes, never guessing that his final obstacle would be in the rotund form of a prize pig.

Nine lives. Four generations. One family. The MacEntees are no ordinary family. Determined to be different to other people, they have carved out a place for themselves in Irish life by the sheer force of their own personalities. But when a horrifying act of violence befalls television star Alma, a chain of events is set in motion that will leave even the MacEntees struggling to make sense of who they are.

When philandering Sir Giles Lynchwood decides it's time to wriggle free of his monumentally unattractive wife, Lady Maud, he knows divorce is out of the question. He can't leave her and keep her cash; a reversionary clause on her ancestral home, Handyman Hall, has taken care of that. Lady Maud, for her own special reasons, is also dying to see the back of Sir Giles.

Meet Agatha Raisin, high-flying public relations boss turned village sleuth. After her many years of bullying and cajoling others, her early retirement to a picture-perfect village in the Cotswolds is a dream come true.

Musical-obsessed Hilary Metcalfe, abandoned by his lover Rufus on his birthday, gets drunk, discovers a baby and brings it home to his flat above a corner shop to provide comfort and company. Rufus, meanwhile, allows himself to be seduced by a frivolous young woman, who is actually Hilary's professional, high-powered sister, romancing under a pseudonym to escape the reality of her own loneliness. In this witty, bawdy slice of sex and lies, the trio will find themselves drawn together ever more tightly by the lures of hedonism, self-delusion and the inescapable desire to be needed.