A powerful and engrossing tale of extremes and extremists, D. H. Lawrence's Women in Love follows the passionate relationships of two sisters, Gudrun and Ursula Brangwen, with their respective lovers, the ominous Gerald Crich and the charismatic but fragile Rupert Birkin.

Lawrence explores love, sex, passion, and marriage through the eyes of two sisters, Gudrun and Ursula Brangwen. Intelligent, incisive, and observant, the two very different sisters pursue thrilling, torrid affairs with their lovers, Rupert and Gerald, while searching for more mature emotional relationships. Against a haunting World War I backdrop of coal mines, factories, and a beleaguered working class, Gudrun and Ursula's temperamental differences spark an ongoing debate regarding their society and their inner lives.

Written in 1926...and published posthumously [without the authors customary revision] in 1930, The Virgin and the Gypsy is a minor masterpiece in short story writing. It provides an excellent introduction to Lawrence’s work, being a succinct distillation of his ideas about sexuality and its ability to transcend class barriers. Yvette and her sister Lucille come back from finishing school in Lausanne with a much broader outlook on life than the inhabitants of the cloistered world to which they return.

Sons and Lovers, Lawrence's third published novel, was written by the author at the height of his literary powers. The story of class differences (the relationship between a middle-class woman and a miner) in the tough world of coal mining brought a refreshing realism to literature. It remains a challenging text and is studied widely. It is particularly effective on audiobook in the hands of Nottinghamshire reader Paul Slack.

Two women isolated on a lonely Cornish farm face an evil greater than all others: A fox has begun carrying off hens and roosters, and nothing they do seems to stop him. And then one day, a mysterious young man appears at the door. Now the women have to fend off not one, but two foxes.

The story of Lady Chatterley and her love for her husband's gamekeeper outraged the sensibilities of Edwardian England. Lawrence had already been dismissed as a purveyor of the obscene for the attitudes to sex that he had shown in The Rainbow, which had been fiercely suppressed on its publication in 1915. Chatterley, written in several versions around 1928 in Italy in the final part of Lawrence's life, was a deliberate choice on the author's part to address sex head on.

Crowned ‘the greatest imaginative novelist of our generation’ by EM Forster, DH Lawrence has an undisputed place in England's canon of great authors. In this wide-ranging collection, dramatisations and readings of some of his major works are brought together, exploring themes such as romantic love and sexual desire, individual freedom, class division, war, the beauty of nature and the ugliness of industrialisation.

Vanessa Paris is besotted with Benji, the devil-may-care son of John and Elizabeth Herries. Despite returning her all-consuming passion, Benji will not commit himself to marriage because he fears he can never remain constant and will eventually betray her. Benji's actions finally prompt Vanessa to leave Cumbria and seek a life in London. She stays at Hill Street with the ever persistent Ellis, who worships her.

Jude Fawley, the stonemason excluded not by his wits but by poverty from the world of Christminster privilege, finds fulfilment in his relationship with Sue Bridehead. Both have left earlier marriages. Ironically, when tragedy tests their union it is Sue, the modern emancipated woman, who proves unequal to the challenge. Hardy’s fearless exploration of sexual and social relationships and his prophetic critique of marriage scandalised the late Victorian establishment and marked the end of his career as a novelist. Part of a series of vintage recordings taken from the Penguin Archives.

Howards End is the story of the liberal Schlegel sisters and their struggle to come to terms with social class and their German heritage in Edwardian England. Their lives are intertwined with those of the wealthy and pragmatic Wilcox family and their country house, Howards End, as well as the lower-middle-class Basts. When Helen Schlegel and Paul Wilcox's brief romance ends badly the Schlegels hope to never see the Wilcoxes again.

The Moonstone, a priceless yellow diamond, is looted from an Indian temple and maliciously bequeathed to Rachel Verinder. On her 18th birthday, her friend and suitor Franklin Blake brings the gift to her. That very night, it is stolen again. No one is above suspicion, as the idiosyncratic Sergeant Cuff and the Franklin piece together a puzzling series of events as mystifying as an opium dream and as deceptive as the nearby Shivering Sand. 

The wellsprings of desire and the impediments to love come brilliantly into focus in Evelyn Waugh's masterpiece - a novel that immerses us in the glittering and seductive world of English aristocracy in the waning days of the empire. Through the story of Charles Ryder's entanglement with the Flytes, a great Catholic family, Evelyn Waugh charts the passing of the privileged world he knew in his own youth and vividly recalls the sensuous pleasures denied him by wartime austerities.

Hans Castorp is, on the face of it, an ordinary man in his early 20s, on course to start a career in ship engineering in his home town of Hamburg, when he decides to travel to the Berghof Santatorium in Davos. The year is 1912 and an oblivious world is on the brink of war. Castorp’s friend Joachim Ziemssen is taking the cure and a three-week visit seems a perfect break before work begins. But when Castorp arrives he is surprised to find an established community of patients, and little by little, he gets drawn into the closeted life and the individual personalities of the residents.

This audiobook is about the rise and fall of Michael Henchard. While out-of-work he gets drunk at a fair and impulsively sells his wife and baby for five guineas to a sailor. Eighteen years later he is reunited with his wife and daughter, who discover that he has gained wealth and respect and is now the most prominent man in Casterbridge. Though he attempts to make amends he is no less impulsive and once again loses everything due to bad luck and his violent, selfish and vengeful nature.

When Catherine Morland, a country clergyman's daughter, is invited to spend a season in Bath with the fashionable high society, little does she imagine the delights and perils that await her. Captivated and disconcerted by what she finds, and introduced to the joys of "Gothic novels" by her new friend, Isabella, Catherine longs for mystery and romance. When she is invited to stay with the beguiling Henry Tilney and his family at Northanger Abbey, she expects mystery and intrigue at every turn.