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The Sellout
- Narrated by: Prentice Onayemi
- Length: 9 hrs and 36 mins
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Summary
Winner of the 2016 Man Booker Prize for Fiction
Born in Dickens, Los Angeles, the narrator of The Sellout spent his childhood as the subject in his father's racially charged psychological studies. He is told that his father's memoir will solve their financial woes. But when his father is killed, he discovers there never was a memoir.
Fuelled by despair, he sets out to right this wrong with the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.
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- bookylady
- 25-10-16
A clever, enjoyable satire on racism in todays USA
Any additional comments?
To be honest, I would never have read this novel if it had not been shortlisted for the 2016 Man Booker Prize. But don't, whatever you do, be put off by the curse of the 'prize-nominated 'literary fiction' moniker. This is an absolute gem, to be savoured and read slowly, for the pleasure of clever, witty, thought-provoking prose and a plethora ( a word highlighted in the novel) of bittersweet and some downright nasty characters. The narration is excellent and the plot is well developed taking the notion of post-modern slavery/racism and running with it, in all sorts of directions. I'm so glad I listened and I will listen to it again.
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33 people found this helpful
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- Cian
- 22-04-17
Well written but a little disappointing
Before reading this book, I knew only a few things about it. I know it won the Booker prize and was the first American novel to do so. I had also been given a gist of the story that turned out to be highly misleading. The most common way I heard it described was that it was about a black man who runs a watermelon and weed farm and who brings back slavery to run it, which leads to him going to the supreme court to defend his case, and that the entire thing was a racial satire. While all of that is technically true, it's not in any way what the story is really about and is more a series of minor details.
The protagonist of the book is a black man and his occupation is being a farmer of watermelons and weed (which he is very good at) but the story is about his entire life, not about the farm. A large portion covers his childhood in the fictional town of Dickens (somewhere in the Los Angeles metropolitan area and could be considered analogous to places like Compton or Watts) with his well-educated, black supremacist father. For the most part, the plot is just the day-to-day life of the comical cast of characters. The part about the protagonist bringing back slavery isn't really true. He owns one slave, but it's a person who wants to be a slave and doesn't do any work. The Supreme Court segments are exclusively at the start and end of the book and there are no court battles or arguments on the subject.
I do think the book was funny. It's definitely got some pretty original takes on the idea of race in America that don't fall squarely into what anyone could call "liberal" or "conservative" and the lead character is quite idiosyncratic. He's also highly skeptical and cynical of pretty much everyone around him, and a lot of the humour comes from his sardonic opinions on other characters, which were always enjoyable.
I feel like I might have enjoyed this more if I had different expectations on what the story was about, so I'm hoping to dispel these common misleading descriptors for anyone else. Just be aware that there is little in the way of plot and that it's a story first and foremost about its characters and you'll probably enjoy it a lot more.
I do have to commend the reader though, who I thought did an excellent job. The narration is from the point of view of the central character and I really felt like he brought that character to life in his performance.
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27 people found this helpful
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- Wras
- 16-02-17
Racism has no humor or race it is just racist
306 pages of racist talk and racist ideas is not my idea of humor, I know many loved this book specialty identity politics promoters that would swallow sewage to make a point that is the reverse of what they consider to be racist if said by a person of a different colour: for me that is the test if any one race and only that race can speak or write it, it is racist, language and expression belongs to all and is not to be compartmentalized by race but by humanity.
If a writer of other ethnicity had written this she or he would have been accused of all kinds of crimes. I find it uncomfortable and ugly no matter who wrote it, the funy never even touched me.
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23 people found this helpful
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- Mordecai
- 12-12-16
Self-absorbed and rambling with no real focus
This was a chore from start to finish. Some fascinating points about race in America were addressed but sadly in a convoluted and demented way. The absurdist / surreal approach used to tell the story was at once both unfocused and unnecessarily longwinded.
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21 people found this helpful
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- William Douglas
- 09-02-17
Sorry
Writing is super creative and funny but story is quite boring - and yes I get that it's satire. Just not great. Couldn't wait for it to be over, but occasional hilarious lines keep it going, barely.
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17 people found this helpful
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- Gabe Fleming (Audible staff)
- 14-08-17
A hilarious must-listen for the ages
Genuinely one of the funniest things I have ever listened to, and all wrapped up in Booker-winning package of vicious satire and a rollercoaster history of racial tensions in America. There are so, so many laugh out loud moments, by my highlight was the main protagonist’s memory of his father’s open mic ‘comedy’ routine – heavy on black heritage but almost completely void of humour – which ends with a long and meticulously detailed set of verbal references and footnotes that go on longer than the act itself.
‘Mr. Me’ himself is a truly unique creation – a laid back African American, accidental provocateur, terrible lover and dedicated stoner, whose internal monologue features a gripping commentary on the intertwining histories of his country, race and family. Oh, and he is on trial at the US Supreme Court, charged with reintroducing slavery and racial segregation. It’s impossible to describe: just listen!
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13 people found this helpful
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- Ruben
- 16-01-17
Does not work too well as an audiobook
Would you say that listening to this book was time well-spent? Why or why not?
Well, I wanted to read it and now I have. But apart from a few good laughs I cannot say it enriched me very much (but perhaps I am not the ideal audience for this book).
If you’ve listened to books by Paul Beatty before, how does this one compare?
No.
What does Prentice Onayemi bring to the story that you wouldn’t experience if you had only read the book?
He has the perfect voice to be the main character: fast, witty, arrogant and careless. It just
Was The Sellout worth the listening time?
see question 1
Any additional comments?
It somehow did not work for me as an audiobook. It is clearly very well written and perhaps with a hard copy I could have followed the storyline better, but now I felt lost quite often and at the same time had the feeling that nothing much was happening...as if it was a collection of anecdotes rather than a clear story (which I like audiobooks to be).
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10 people found this helpful
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- B. Whelan
- 26-02-17
Disappointed
The narrator was excellent and some funny moments but a weak story with no sound narrative
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8 people found this helpful
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- Jane
- 19-01-17
Not exactly a page turner
Not my thing really. Though I dare say clever, I found it hard work, slow, and the voice miserable. I was tempted to give up after an hour but for some reason I continued to the end. I had to listen in small chunks because I would often find after a while I'd realise I hadn't been listening for ages and was lost in thought.
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8 people found this helpful
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- S. White
- 20-02-17
Too much
Too much swearing, too many words. Sentences too long with too much unnecessary detail so the reader lost the point of the comment, sentence, paragraph and entire chapter. Too much trying to be clever ........ I disliked it SO much, on so many levels.
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7 people found this helpful