The 20th century should make sense. It's the period of history that we know the most about, an epic geopolitical narrative that runs through World War One, the Great Depression, World War Two, the American century and the fall of the Berlin Wall. But somehow that story doesn't quite lead into the world we find ourselves in now, this bewildering 21st century, adrift in a network of constant surveillance, unsustainable competition, tsunamis of trivia and extraordinary opportunity.

At some point in the 1980s we gave up on the future. Before then, we imagined wonderful days to come, free from disease, work and want, in television series like Star Trek or events such as the 1939 Futurama World Fair. When we look ahead now, we tell dystopian stories of environmental collapse, zombie plagues and the end of civilisation. If it is true that we have to imagine the future before we build it, then this is deeply worrying. 

The visionary poet and painter William Blake is a constant presence throughout contemporary culture - from video games to novels, from sporting events to political rallies and from horror films to designer fashion. Although he died nearly 200 years ago, something about his work continues to haunt the 21st century. What is it about Blake that has so endured? In this illuminating essay, John Higgs takes us on a whirlwind tour to prove that far from being the mere New Age counterculture figure that many assume him to be, Blake is now more relevant than ever.

A journey along one of Britain's oldest roads, from Dover to Anglesey, in search of the hidden history that makes us who we are today. Long ago a path was created by the passage of feet tramping through endless forests. Gradually that path became a track, and the track became a road. It connected the White Cliffs of Dover to the Druid groves of the Welsh island of Anglesey, across a land that was first called Albion then Britain, Mercia and eventually England and Wales. Armies from Rome arrived and straightened this 444 kilometres of meandering track, which in the Dark Ages gained the name Watling Street.

Northampton. The center of England. Twelve extraordinary characters transport you through 6,000 years of astonishing history. As Alan Moore’s place-writing masterpiece reaches its 25th anniversary, New Perspectives brings this expansive work to life through twelve immersive audio journeys. 

Why are we here? Human beings have asked themselves this question for centuries. Modern science largely argues that human beings are chance products of a purposeless universe, but other traditions believe humanity has an essential role and responsibility in creation. Lachman brings together many strands of esoteric, spiritual and philosophical thought to form a counter-argument to the nihilism that permeates the twenty-first century.

A study of the spiritual provocations to be found in the work of Philip K. Dick, Terence McKenna, and Robert Anton Wilson, High Weirdness charts the emergence of a new psychedelic spirituality that arose from the American counterculture of the 1970s. These three authors changed the way millions of readers thought, dreamed, and experienced reality - but how did their writings reflect, as well as shape, the seismic cultural shifts taking place in America?

Sometime religious outsider and social disaster, sometime celebrity preacher and establishment darling, John Donne was incapable of being just one thing. He was a scholar of law, a sea adventurer, an MP, a priest, the Dean of St Paul's Cathedral—and perhaps the greatest love poet in the history of the English language. He converted from Catholicism to Protestantism, was imprisoned for marrying a high-born girl without her father's consent, struggled to feed a family of 10 children and was often ill and in pain.

Monolithic Undertow alights a crooked path across musical, religious and subcultural frontiers. It traces the line from ancient traditions to the modern underground, navigating archaeoacoustics, ringing feedback, chest plate sub-bass, avant-garde eccentricity, sound weaponry and fervent spiritualism. 

London. A city apart. Inimitable. Or so it once seemed. Spiralling from the outer limits of the Overground to the pinnacle of the Shard, Iain Sinclair encounters a metropolis stretched beyond recognition. The vestiges of secret tunnels, the ghosts of saints and lost poets lie buried by developments, the cycling revolution and Brexit. An electrifying final odyssey, The Last London is an unforgettable vision of the Big Smoke before it disappears into the air of memory.

Dante Alighieri was early in recognizing that our age has a problem. His hometown, Florence, was at the epicenter of the move from the medieval world to the modern. The Divine Comedy was born in a time of troubling transition, which is why it still speaks today. In this narrative retelling and guide, from the gates of hell, up the mountain of purgatory, to the empyrean of paradise, Mark Vernon offers a vivid introduction and interpretation of a book that, 700 years on, continues to open minds and change lives. 

Volume Two of the series presents the metaphor of the Bridge and the lessons of Bob’s early life that brought him to the wisdom of the Model Agnostic’s perspective. In Bob’s typical wide-ranging narratives, we learn, among other mind-blowing anecdotes, about the similarities between the Pope of Rome and the Wizard of Oz. Don’t miss this explosion of thought, when for the second time, Bob pulls the Cosmic Trigger. 

Christianity is in crisis in the West. The Inkling friend of C.S. Lewis and J.R.R. Tolkien, Owen Barfield, analysed why. He developed an account of our spiritual predicament that is radical and illuminating. Barfield realized that the human experience of life shifts fundamentally over periods of cultural time. Our perception of nature, the cosmos, and the divine changes dramatically across history.

William Morris was a giant of the Victorian age, and his beautiful creations and provocative philosophies are still with us today: but his wife, Jane, is too often relegated to a footnote. In truth, Jane and William's personal and creative partnership was the central collaboration of both their lives. The homes they made together were works of art in themselves, and the great labour of their lives was life itself: through their houses and the objects they filled them with, they explored how we all might live a life more focused on beauty and fulfilment.

In 1913, the Viennese aristocracy is gathering to celebrate the 17th jubilee of the accession of Emperor Franz Josef, even as the Austro-Hungarian Empire is collapsing and the rest of Vienna is showing signs of rebellion. At the centre of this social labyrinth is Ulrich: a veteran, a seducer and a scientist, yet also a man 'without qualities' and therefore a brilliant and detached observer of his changing world.