Books and Authors

By: Hindustan Times - HT Smartcast
  • Summary

  • In this podcast, National Books Editor Manjula Narayan tells you about books, authors and their journeys. This is a Hindustan Times production, brought to you by HT Smartcast
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Episodes
  • The power and the glory
    Feb 7 2025
    "Because of the wealth of inscriptions that they have left behind, it is really possible to understand the Cholas as political figures. Not only are they masters of media strategy, they are brilliantly charismatic. They are innovators capable of mobilising vaster armies than ever before . They are capable of thinking out of the box about bureaucracy, administration, diplomacy, and logistics in ways that had not been seen in medieval India. But the reason the Cholas were able to strike with such speed at such distance [as they did in their campaign to Bengal and in South East Asia] is because of the partnership they had with Tamil merchant corporations. The merchants of medieval Tamil Nadu were some of the most remarkable commercial minds of South Asia. There is mention of these merchants in Thailand around the 9th century. When the Chola state was emerging, these merchants were already trading at the other side of the Indian ocean." - Anirudh Kanisetti, author, 'Lords of Earth and Sea' talks to Manjula Narayan about the vast Chola empire based in coastal south India that was the dominant power in the subcontinent in the early medieval period, about it's great monarchs like Rajaraja Chola, the dowager queen Sembian Mahadevi and the part she played in fashioning the dynasty as the foremost devotees of Shiva, the most popular of Tamil gods, and the many little people who played a part in the Chola story.
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    54 mins
  • Battling alternate reality
    Jan 31 2025
    "Savarkar was a great rationalist. The surprising thing is how such a rationalist went completely off the rails in regard to other matters. His writing is full of villains and among the villains are the Buddha, all Buddhists, whom he considered hereditary traitors, Ashoka, Akbar, Tipu Sultan, and then Gandhiji. On the question of Godse and Apte there was no doubt that they were his acolytes, they were his worshippers. Sardar Patel said the problem was that once you create an atmosphere then you don't have to tell anybody to go and assassinate; he reads your lips. You just have to see the publications Savarkar was patronizing... They were only penning hatred and it was all centered on one man -- Gandhiji. Savarkar felt that the Marathas were the real legatees of the Mughal empire and then the damn outsiders, the British, slyly took over. The same thing happens in his own life . He thinks he is the heir to Lokmanya Tilak and then this outsider Gujrati comes and takes the whole prize away. This great disappointment in his life gets centered on one man and becomes hatred. Today, Gandhiji is a great inconvenience because he embodies Hinduism, the collective memory of our people. If Savarkar's line is pursued, then India will become a dismembered nation like Pakistan; society will be riven by hate. This eternal search for purity always ends in that. The difference between Indic religions like Hinduism, Buddhism and Jainism from Semitic religions is that ours is an inner-directed search. Everything - pilgrimages, idol worship, mantras etc. is to aid this inner search. When you marry it to the State, religion becomes an instrument of the State. You only have to look at the Jewish religion when Gaza is to be bombed - it just becomes an instrument. Secularism is a way of keeping the purity of religion. It's not anti-religion. Keep religion and the State separate. That is why my book ends with this appeal - Save Hinduism from Hindutva" - Arun Shourie, author, 'The New Icon; Savarkar and the Facts' talks to Manjula Narayan on the Books & Authors podcast.
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    52 mins
  • Of flying yoginis, Trojan elephants, and kings who ghost their girlfriends
    Jan 23 2025
    "I do believe that literature is a very important source of knowledge complementary to history, epigraphy and archaeology. It is not easy to read drama at the best of times. It is even more difficult to read Sanskrit drama because it is quite out of the ordinary! But there is a lot of timelessness in these plays, however strange they may seem with their tigers, elephants and tantriks! The human elements are the ones we still completely recognize - love, jealousy and ambition. We haven't changed; we are laughing at the same things that people 2000 years ago were laughing at! One of the criteria for choosing the plays was that all the great playwrights had to be represented. And I didn't want to use plays based on the Ramayana and the Mahabharata because we already know those stories. This is a book about introducing different narratives to a lay public. Also, I wanted people to be aware that the millennium of classical Sanskrit drama does not come out of a Hindu universe alone. It comes out of a universe of political diversity, cultural diversity, religious diversity. But it's true that it is also a common universe however much people might have different ideologies and different religions; there are social mores that hold them all together" - Arshia Sattar, author, Vasanta; Stories from Sanskrit Plays talks to Manjula Narayan on the Books & Authors podcast about ancient plays like Shudraka's Mricchakatika ( The Little Clay Cart), Mahendravarman's The Holy Man and the Courtesan, and Harsha's Nagananda, among others, that continue to appeal to us
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    56 mins

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