For the Life of the World / Yale Center for Faith & Culture

By: Miroslav Volf Matthew Croasmun Ryan McAnnally-Linz Drew Collins Evan Rosa
Listen for free

  • Summary

  • Seeking and living a life worthy of our humanity. Theological insight, cultural analysis, and practical guidance for personal and communal flourishing. Brought to you by the Yale Center for Faith & Culture.
    2020-2028 Yale Center for Faith & Culture
    Show More Show Less
Philosophy Social Sciences Christianity Spirituality
Show More Show Less
activate_samplebutton_t1
Episodes
  • Love's Braided Dance / Norman Wirzba

    Love's Braided Dance / Norman Wirzba
    Sep 20 2024
    Problem-solving the crises of the modern world is often characterized by an economy and architecture of exploitation and instrumentalization, viewing relationships as transactional, efficient, and calculative. But this sort of thinking leaves a remainder of emptiness.Finding hope in a time of crises requires a more human work of covenant and commitment. Based in agrarian principles of stability, place, connection, dependence, interwoven relatedness, and a rooted economy, we can find hope in “Love’s Braided Dance” of telling the truth, keeping our promises, showing mercy, and bearing with one another.In this episode, Evan Rosa welcomes Norman Wirzba, the Gilbert T. Rowe Distinguished Professor of Christian Theology at Duke Divinity School, to discuss his recent book Love’s Braided Dance: Hope in a Time of Crisis.Together they discuss love and hope through the agrarian principles that acknowledge our physiology and materiality; how the crises of the moment boil down to one factor: whether young people want to have kids of their own; God’s love as erotic and how that impacts our sense of self-worth; the “sympathetic attunement” that comes from being loved by a community, a place, and a land; transactional versus covenantal relationships; the meaning of giving and receiving forgiveness in an economy of mercy; and finally the difficult truth that transformation or moral perfection can never replace reconciliation.About Norman WirzbaNorman Wirzba is the Gilbert T. Rowe Distinguished Professor of Christian Theology at Duke Divinity School, as well as director of research at Duke University’s Office of Climate and Sustainability. His books include Love’s Braided Dance: Hope in a Time of Crisis, Agrarian Spirit: Cultivating Faith, Community, and the Land;This Sacred Life: Humanity’s Place in a Wounded World; and Food & Faith.Listen to Norman Wirzba on Food & Faith in Episode 49: "God's Love Made Delicious"Show NotesNorman Wirzba, Love’s Braided Dance: Hope in a Time of CrisisHow the crises of the moment boil down to one expression: whether young people want to have kids of their own.How Norman Wirzba became friends with Wendell BerryWendell Berry, The Unsettling of America“Love’s Braided Dance” from “In Rain”, a poem by Wendell Berry“You shouldn’t forget the land, and you shouldn’t forget your grandfather.”Return to agricultural practicesSacred gifts“An agricultural life can afford doesn't guarantee, I think, but it affords the opportunity for you to really handle the fundamentals of life, air, water, soil, plant, tactile  connection that has to, at the same time, be  a practical connection, which means you have to to bring into your handling of things the attempt to understand what you're handling.”AnonymityNorman Wirzba reads Wendell Berry’s “In Rain”Hyperconnectivity and the meaning of being “braided together”Love as Erotic Hope—”the first of God’s love is an erotic love, which is an outbound love that wants  something other than God to be and to  flourish. And that outbound movement is generated by God's desire for For others to be beautiful, to be good, and I think that's the basis of our lives, right?”Audre Lorde and patriarchyAffirming the goodness of ourselves and the world as created and loved by GodHow the pornographic gaze distorts the meaning of erotic loveDancing as a metaphor for God’s erotic loveDeep sympathy and anticipation, and the improvisational movement of danceWoodworking: taking time and negotiation“Sympathetic attunement” and improvisationManaging the unpredictable nature of our worldRevelation of who you are and who the other is—it’s hard to reveal ourselves to each otherHonesty and depth that is missing from relationshipsLearning the skill of self-revealingBelonging and Robin Wall Kimmerer’s sense that a people could be “loved by the land”Physiological, material reality of our dependence on each other, from womb to tomb“The illusion that we could ever be alone or stand alone or survive alone is so dishonest about our living.”Denying our needs, acknowledging our needs, and inhabiting trust to work through struggle together“It’s not about solutions.”“Some of the needs  are profound and deep and they take time and they are  never fully resolved. But it's this experience of knowing that you're not alone, that you're in a context where you are going to be cared for, you'll be nurtured, and you'll be forgiven when you make mistakes means that you can carry on together. And that's often enough.”Transactional vs covenantal approach to relationshipsGranting forgiveness and receiving forgivenessTransformation is not a replacement for reconciliationRather than denying wrongdoing or seeking to eliminate it, focusing on a renewed effort to be merciful with each other.Economy and architecture“So how is the land supposed to love you back if it has in fact been turned into a toxic dumping zone?...
    Show More Show Less
    1 hr and 5 mins
  • Music & Joy / Daniel Chua

    Music & Joy / Daniel Chua
    Sep 11 2024
    Can music teach us how to live? In this interview Evan Rosa invites Daniel Chua—a musicologist, composer at heart, and Professor of Music at the University of Hong Kong—to discuss his latest book, Music & Joy: Lessons on the Good Life.Together they discuss the vastly different ancient and modern approaches to music; the problem with seeing music for consumption and entertainment; the ways different cultures conceive of music and wisdom: from Jewish to Greek to Christian; seeing the disciplined spontaneity of jazz improvisation fitting with both a Confucian perspective on virtue, and Christian newness of incarnation; and finally St. Augustine, the worshipful jubilance of singing in the midst of one’s work to find rhythm and joy that is beyond suffering; and a final benediction and blessing for every music lover.Throughout the interview, we’ll offer a few segments of the music Daniel discusses, including Beethoven’s Opus 132 and the Ode to Joy from Beethoven’s 9th symphony, and John Cage’s controversial 4’33”—which Daniel recommends we listen to every single day, and which we’re going to play during this episode toward the end.Show NotesMusic and Joy: Lessons on the Good Life by Daniel Chua (https://yalebooks.yale.edu/book/9780300264210/music-and-joy/)Can music teach us how to live?The emotional relationship we have with musicEveryone identifies with musicHow did you come to love music and write on it?MusicologistThe Sound of Music soundtrack (https://www.youtube.com/playlist?list=PLeSQLYs2U8X0nTi15MHjMAWim3PxIyEqI)Listening to music at a young ageLove of Beethoven as a childWhat about Beethoven in particular spoke to you? Do you have memories of what feeling or challenges or thoughts or kind of ambitions were there?Beethoven as harder to listen to and sit through as it is quite disruptive and intellectual in styleBeethoven and Freedom by Daniel Chua (https://www.barnesandnoble.com/w/beethoven-freedom-daniel-k-l-chua/1126575597)What pieces in particular, or what about Beethoven’s composition was particularly moving to you?Beethoven’s final string quartets (https://www.youtube.com/watch?v=7qaq881bwRI)“It’s very strange. It’s like the most complex and the most simple music. And somehow they speak very deeply to my soul and my heart. And you just want to listen to them all the time.”A Minor String Quartet, Opus 132 (https://www.youtube.com/watch?v=FUob2dcQTWA)A piece of thanksgiving to GodMessages sent by music as a young person about how things come togetherMusic interacts with usPlaying to understand how it is that a piece worksHow do we replicate what music communicates in our daily lives?Beethoven’s Ode to Joy (https://www.youtube.com/watch?v=q0EjVVjJraA)Stephen Pinker - music is auditory cheesecake“If music is joy, then what is it? What kind of joy is it?”Consuming music is not the same as joy; music is not simply entertainmentThe fanfare of terror in Ode to Joy“Humans are strange. We are very sinful creatures so we tend to weaponize whatever we have to weaponize and we weaponize music too.”“Whatever we do with music as humans, there is something more in music that speaks beyond out puny human point of view of music.”Our view of music and joy today are too human; music is cosmicWe tune ourselves, our virtues, our wisdom to the rhythm of the universe.Joy as something we obey, we listen to.“Music isn’t human. Music is actually creation.”Music, the Logos, and WisdomMusic as something that teaches us how to live.Wisdom taking delight, joy, in the universe.Music is deeply beautiful; there is profound goodness to itA lesson in flourishing found in music, in the tuning of ourselvesMusic is truthful; Christ as an instrument and salvation as being in tuneSheet music v performance as an analogy for incarnationMusic as an event that is happeningHarmony and coming together - finding one’s place within the turn; Taoist and Confucian traditions“Jazz offers this fantastic expression of a different kind of wisdom born through suffering and grief.”Improvisation in jazz; an exuberance - the weird and the spontaneous alongside the orderedMusic as an opportunity for emotion and a way to communicate and understand; spirituals and slave hymns“The order of the cosmos is basically tragic. It’s a bad, bad world. And music is a kind of consolation in that.”“Music can’t help but be meaningful.”4'33" by John Cage (https://www.youtube.com/watch?v=AWVUp12XPpU)Whatever we are, music is there.Using music to make sense of things; really attend to the world and its music.Augustine’s Book of Music “De Musica” (https://archive.org/details/augustine-on-music-de-musica/page/159/mode/2up)The spontaneous music of the worldDefiant joy in the music of slave hymns; a joy that will not be crushedA robust understanding of joyMusic tells us something about the world, the cosmos, of creation - Music reflects the heart of God.About Daniel ChuaDaniel K. L. Chua is the Chair...
    Show More Show Less
    57 mins
  • How to Read Genesis / Marilynne Robinson & Miroslav Volf

    How to Read Genesis / Marilynne Robinson & Miroslav Volf
    Aug 28 2024
    “The whole of human existence is like some sweet parable told in the most improbable place and circumstances. … God values our humanity. … One of the things that's fascinating about the Hebrew Bible is that it declared and was loyal to the fact that God is good and creation is good.”Novelist and essayist Marilynne Robinson joins Miroslav Volf to discuss her latest book, Reading Genesis. Together they discuss why she took up this project of biblical commentary and what scripture and theological reflection means to her; how she thinks of Genesis as a theodicy (or a defense against the problem of evil and suffering); the grace of God; the question of humanity’s goodness; how to understand the flood; the relationship between divine providence and working for moral progress; and much more.About Marilynne RobinsonMarilynne Robinson is an award-winning American novelist and essayist. Her fictional and non-fictional work includes recurring themes of Christian spirituality and American political life. In a 2008 interview with the Paris Review, Robinson said, "Religion is a framing mechanism. It is a language of orientation that presents itself as a series of questions. It talks about the arc of life and the quality of experience in ways that I've found fruitful to think about."Her novels include: Housekeeping (1980, Hemingway Foundation/Pen Award, Pulitzer Prize finalist), Gilead (2004, Pulitzer Prize), Home (2008, National Book Award Finalist), Lila (2014, National Book Award Finalist), and most recently, Jack (2020). Robinson's non-fiction works include Mother Country: Britain, the Welfare State, and Nuclear Pollution (1989), The Death of Adam: Essays on Modern Thought (1998), Absence of Mind: The Dispelling of Inwardness from the Modern Myth of the Self (2010), When I was a Child I Read Books: Essays (2012), The Givenness of Things: Essays (2015), and What Are We Doing Here?: Essays (2018). Her latest book is Reading Genesis (2024).Marilynne Robinson received a B.A., magna cum laude, from Brown University in 1966 and a Ph.D. in English from the University of Washington in 1977. She has served as a writer-in-residence or visiting professor at a variety universities, included Yale Divinity School in Spring 2020. She currently teaches at the Iowa Writers' Workshop at the University of Iowa. She has served as a deacon for the Congregational United Church of Christ. Robinson was born and raised in Sandpoint, Idaho and now lives in Iowa City.Show NotesGet your copy of Reading Genesis by Marilynne RobinsonMarilynne Robinson’s New York Times article, “What Literature Owes the Bible” (2011)Reading Genesis as the singular ancient literature that it isThe Bible (and Genesis) as theodicyHow Calvin and Luther influenced Robinson’s approach to GenesisThe benefit of reading Genesis as a wholeThe story of JosephThe fractal nature of the bibleUnsparing, honest descriptions of the characters“I think that the fact that they are recognizably flawed creatures is, what that reflects is the grace of God. He is enthralled by these people that must have been a fairly continuous disappointment, you know? We have to understand humankind better, I think, in order to understand what overplus there is in a human being that God loves them despite their being so human.”“An amazing little theater of domestic dysfunction.”Abraham and Isaac: “Poor Isaac … or he could just be a plain old disappointing child.”“The Bible is a theodicy.”God’s goodness, and a defense of GodGod’s value of humanity and the conservation of the human self“God stands by creation.”Humanism in Genesis“Humanity sinks so deep into evil. that they become near incarnations of evil.”Genesis 6: “Every inclination of the thoughts of their hearts was Only evil and continually.”Total depravity and the bleak view of humanityNoah and the Flood“… there's a kind of a strange lawlessness of Genesis.”“When God remakes the world after Noah, after the flood, he does not change human beings. He gives them exactly the same blessings and instructions that he did originally, which is simply another statement of his very deeply tested loyalty to us as we are.”“Finding a humane way to deal with the inhumanity of human beings.”Genesis 8: “Because human beings are evil, I will never destroy them.”Grace as a condition of possibility for all lifeThe similarities between Hebrew Bible as a philosophic text, drawing influences from cultures around them“what is a greater question of theodicy than the fact that populations are wiped off the face of the earth every so often—it must have been so common in the ancient world with plagues and wars and all the rest of it.”“Every human, every thought, all the time: evil.”“Genesis is a preparation for Exodus because the solution to human wickedness, which nevertheless does not violate human nature, is law.”What is the moral purpose of humanity?The roaring ...
    Show More Show Less
    54 mins

What listeners say about For the Life of the World / Yale Center for Faith & Culture

Average customer ratings

Reviews - Please select the tabs below to change the source of reviews.

Audible.co.uk reviews

Amazon reviews
No Reviews are Available