Just in time for spooky season, Jack Sommerby and I list our picks of the 17 best horror films of all time, from the most iconic to to the slightly obscure. We're covering slashers, body-horror, sci-fi horror and more. So take a listen and see if you agree with our choices, and tell us your favorites in the comments.

Prong are an eternally underrated metal act, but their fervent underground following has fueled them since forming in NYC in 1986.

Over 13 albums and revolving lineups, frontman/guitarist Tommy Victor has unleashed his patented brand of working class angst on classic tracks like 'Prove You Wrong', 'For Dear Life', 'Whose Fist Is This Anyway', and their best-known hit, 'Snap Your Fingers, Snap Your Neck' off 1994's 'Cleansing'.

In addition to that body of work, he pulls double duty as the guitarist for Danzig, and has also lent his talents to the likes of Rob Zombie, Ministry and Teenage Time Killers.

Prong are back with their 13th album, 'State of Emergency' (click here for my review), out now on Steamhammer SPV Recrds, and on today’s episode I talk to Tommy about the new album, from its songwriting genesis to recording on his home turf of NYC, the inspiration behind key tracks, covering Rush's 'Working Man', fatherhood, plans for touring, his tenure with Danzig, the band’s legacy and more.

So take a listen to the episode via the embed above or on your podcast platform of choice (located at the bottom of this post) and stick around afterwards where I’ll be playing the single 'Non Existence', my favorite tune off the new album.

On our latest podcast episode we're doing a genre double-dip when I talk to director Mike Schiff about his informative new documentary, The History of Metal and Horror, which features notable luminaries from the worlds of film and metal discussing why the two genres feel so interlinked.

The film is a treasure trove of genre trivia, with Schiff picking the brains of the likes of Rob Zombie, John Carpenter, Kirk Hammett, Corey Taylor, Kane Hodder, Richard Christie, Dave Mustaine, Phil Anselmo, John 5, Bill Mosely, Johnathan Davis and Alice Cooper (and that's just scratching the surface).

It's a fun deep dive of all things scary and rocking, and in our interview Schiff discusses why this film took over five years to get released, what he found most illuminating from the interviews, cancel culture, remembering the late Gunnar Hansen, Sid Haig and , plans to release more material, a possible sequel, and much more.

So take a listen, and if you want to buy or rent the doc, you can do so directly from the ⁠filmmakers website⁠ or via the Amazon link at the bottom of the blog post for this episode.

Emily Whitehurst first rose to prominence under the alias Agent M, lead vocalist for late 90's/early 00's punk act Tsunami Bomb.

After leaving the group in 2005, Whitehurst would go on to form indie-electronic project Survival Guide alongside guitarist Jaycen McKissick, but she's been the sole creative force behind the project since McKissick's departure in 2015.

Whitehurst/Survival Guide is gearing to release her new album Death Dreams (due October 19 on Double Helix Records), and it continues her unique miasma of 80’s New Wave and contemporary indie rock.

On today's podcast, Whitehurst discusses how the creative process behind her new album got her out of her comfort zone, what it’s like working as a solo project vs a group dynamic, how mortality played a crucial role to the lyrical process, what makes a great Bond theme, and much more.

So take a listen and stick around afterwards, where I’ll be playing Lady Neptune, a single off of the new album.

You can listen to the latest episode via the Spotify embed below, or via the major podcasting platforms links at the bottom of the post. And if you'd like to buy her new single, click here.

Last week lovers of intense cinema were saddened by the passing of director William Friedkin, who died on August 7 at the age of 87.

Friedkin was a true force of nature, an uncompromising director known primarily for two of the greatest films of the 1970's (and of all time): hardboiled crime drama 'The French Connection' (starring Gene Hackman) and 'The Exorcist', one of the most iconic and terrifying films ever made (and that celebrates its 50th anniversary this year).

While his career waned in ensuing decades, he remained a fascinating filmmaker, and on today's podcast, Jack Sommersby and I cover it all, from the two award winning films that gave him his notoriety, along with some reviled flops ( 'Cruising' and 'Jade) and other films that became cult classics despite failing at the box office ('To Live and Die In L.A.', 'Sorcerer') along with some 21st century films like 'Bug' and 'Killer Joe' that garnered him a new audience.

So take a listen as we do a deep dive into a singular filmmaker's body of work, and why his like will never come again.

Royal Thunder are back with Rebuilding The Mountain, their first album in 5 years, out June 16th via Spinefarm.

Like past efforts including Wick and Crooked Doors, it sees the group continue their unique marriage of classic rock and 90’s alternative with a contemporary edge. It also marks the return of drummer Evan DiPrima, who left the group in 2018.

It’s also one of their most direct and immediate efforts, reflecting the group’s recent sobriety and renewed focus of their musical vision. And front and center is Mlny Parsonz, the powerhouse vocalist with an inimitable voice and delivery that is alternately fierce and introspective.

In today’s interview, I speak to Parsonz about the band's personal struggles, how conquering her demons rejuvenated her dedication to Royal Thunder, how the group’s songwriting process has changed, reuniting with DiPrima and much more. Be sure to stick around afterwards, where I’ll be playing the song Cut off the new album.

You can check out the interview via Spotify, Apple Podcasts or the various platforms listed at the bottom of the page, and you can pre-order Rebuilding The Mountain via the Amazon link below.

The Church have been brewing up their unique blend of psychedelia, post-punk, alternative and prog-rock ever since they formed in 1980. Over four decades, various lineup changes and 26 studio albums, their prolific streak has brought them an adoring cult following on albums including (to name but a few) The Blurred Crusade, Heyday, Starfish, Priest=Aura and Man Woman Life Death Infinity, (and the hit singles Under The Milky Way, Reptile and Metropolis).

And shepherding them along the way has been been frontman/bassist/primary songwriter Steve Kilbey. And how The Church have returned with The Hypnogogue (click here for my review), their first proper concept album, and first release with guitarist Ashley Naylor and multi-instrumentalist Jeffrey Cain.

On today's podcast, I speak with Kilbey about the new album, from its conception as a concept record, to the studio process and how Naylor and Cain have rejuvenated the band (which also includes longtime drummer Tim Powles and guitarist Ian Haug (who joined in 2013).

In addition, we discuss the band's current U.S. tour, what the future holds for the group, Kilbey's other various projects in the works and much more. This is the fourth time I've had the pleasure of chatting with him, and he's always a pleasure to talk to (click here for my interview with him in 2020).

So take a listen to our chat, and stick around afterwards when I'll be playing the band's new single There's No Other You. And you can purchase the new album on the band's website.

The Toadies have been a Texas music staple ever since the hit the scene in 1989, with their unique mix of alternative rock with a Southern twist. They broke through to the masses with 1994's 'Rubberneck', thanks to hits like 'I Come From The Water', 'Tyler' and 'Possum Kingdom'.  

Now the group are hitting the road for that album's 25th anniversary. In addition, they've also just released 'Damn You All To Hell,' a four song EP of new material, including a cover of David Bowie's 'Sound and Vision.' In this week's episode I talk to Toadies drummer Mark Reznicek about the highlights of celebrating 'Rubberneck' on the road, his memories of making the album and the DFW alternative music scene of the 90s, the band’s new EP (and why they chose a Bowie cover), future plans, and much more. 

So check out the interview, and stick around afterwards when I’ll be playing  a track off the new EP. And you can get concert tickets and purchase the EP via the group's official website: thetoadies.com  

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