The Super 70 Podcast

By: Dylan Davis
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  • Summary

  • The Super 70 Podcast is a commentary you play along with the film for scene by scene analysis, or you can just listen in your car. Dylan Davis is the author of "FLYNN!", Dating Virginia, Buffalo Seine, and Threshold. He is a reader, listener, and appreciator of culture. Find him at www.thatdylandavis.com and on Twitter @thatdylandavis #super70podcast
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Episodes
  • 36.2 Joker 2- Wahnsinn Für Zwei

    36.2 Joker 2- Wahnsinn Für Zwei
    Nov 24 2024
    Luke is going to school in Berlin this semester and there’s no good reason why he can’t keep up with the release schedule. In between Brewmaster classes, history classes, and yes, a true to form Deutch Kino Class, Luke has been streaming Prime and heading down to you guessed it, Berlin Alexanderplatz, or Zoo Station to see what it is the rest of the world says is great... or sucks. A little background if you hear us toss around a few terms. An OV in German cinemas is the Original Version. This screening will have no changes whatsoever. No dubbing, no subtitles (unless they’re part of the original film). OmU is Original Mit untertiteln, Meaning ‘original with subtitles’, OmU films have the original audio* along with subtitles. Unless otherwise specified, assume these subtitles are German. OmdU stands for Original mit deutschen Untertiteln. This is the film in OV with German subtitles. Then there is OmeU or Original mit englischen Untertiteln. Films with English subtitles since there are so many English speakers in Germany. Last is DF for Deutsche Fassung meaning German Version. This is the first one German audiences look for, meaning it has been dubbed into German. Most Hollywood film are dubbed into German, and most theatres in Germany carry both the DF and the Omdu. This episode we catch up and find out what the other is seeing. Find Rozalind MacPhail’s music at www.rozalindmacphail.com Find Warren Hayes on Twitter @Warren_Hayes. You can find me, my books and my blog at www.thatdylandavis.com. You can email me at thatdylandavis@gmail.com. You can find the small, thermal exhaust port right below the main port. Thanks for hanging out with Luke and I while we talked about the Joker. You can find the Super 70 Podcast wherever you find podcasts. You can find me, my books and my blog at www.thatdylandavis.com. You can email me at thatdylandavis@gmail.com. You’ll see us next time at the Delphi Lux. Get off at Zoo Station.
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    25 mins
  • 36.1 Batman Schmatman

    36.1 Batman Schmatman
    Nov 16 2024
    Once again we are faced with the fact that sometimes the best conversations are the meandering ones we have after the commentary is over. I asked Warren Hayes and Paul Emig to stay over a little loner, have a couple of beers, and talk about our favorite caped crusader, why comic book films are fading, and why they still enthrall us. But first, David Lynch. And later, the English Patient. Find Rozalind MacPhail’s music at www.rozalindmacphail.com Find Warren Hayes on Twitter @Warren_Hayes. You can find me, my books and my blog at www.thatdylandavis.com. You can email me at thatdylandavis@gmail.com. You can find the small, thermal exhaust port right below the main port.
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    1 hr and 37 mins
  • 36 Batman (1989)

    36 Batman (1989)
    Oct 20 2024
    In one of the bravest acts of Cinema History, Warner Brothers decided to give Tim Burton, a former Disney animator with a whopping two directing credits to his name, the keys to the Batcave. One of Burton’s most controversial decisions, casting comedic actor Michael Keaton as the brooding millionaire Bruce Wayne. The cinema event of the summer, Batman 1989 touched pop culture in a way that exceeded even Richard Donner’s Superman of the previous decade. Launching a franchise that lasted almost a decade, Batman 1989 also launched several other comic book properties hoping to grab hold of a new audience buying an increasing amount of comic books. Much loved by a generation, it is also much maligned by those like me who feel the World’s Greatest Detective needs to be more like Frank Miller and less like Batman ‘66.
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    2 hrs and 10 mins

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