Showing results by publisher "Audible Studios" in Anthologies

"Kalopsia", a word meaning "the delusion of things being more beautiful than they actually are", is what happens to us when we think we've fallen in love. Almost-love Stories is a collection of four short stories that almost ended well. Love isn't the way romance novels make it seem. Happily ever after doesn't exist and love is blind, but perhaps we should open our eyes.

Emily is 24 and trying to figure out, well, everything. She starts seeing Steve and falls for him instantly. Unfortunately, that requires conveniently pushing her longtime (and live-in) boyfriend Brian out of her mind. Not only does it ruin her relationship, but her secret boyfriend-situation drives a wedge between her and her best friend, Sam, as well. She turns to her co-worker and some new friends to try to figure it all out via text, chat, and email.

Leaving behind her strict Mennonite upbringing, Kathryn has moved west. America has just won victory in Japan, and a charming older man begins visiting the diner where Kathryn works, taking her out dancing and around town. With her old soldier boyfriends now scattered, and the country flush with postwar happiness, Kathryn takes a chance on her mysterious admirer and moves to Los Angeles with him. But how much does she really know about this new man?

"Newark Black" is a short story from the collection New Jersey Noir, featuring brand-new stories (and a few poems) by: Joyce Carol Oates, Jonathan Safran Foer, Robert Pinsky, Edmund White and Michael Carroll, Richard Burgin, Paul Muldoon, Sheila Kohler, C.K. Williams, Gerald Stern, Lou Manfredo, S.A. Solomon, Bradford Morrow, Jonathan Santlofer, Jeffrey Ford, S.J. Rozan, Barry N. Malzberg and Bill Pronzini, Hirsh Sawhney, and Robert Arellano.

Is the black man who sends his children to a very white private school "a sell out"? Is the black man with a good job and a white wife, a "race betrayer"? The nameless black narrator has done all the above, dragging himself from an impoverished urban ghetto to an upper middle-class life. He has done everything to assimilate into polite white English society, playing strictly by "their rules". As he attends a polo match with "society's finest"; his mask is slipping; cracks are beginning to appear in his apparently perfect life.

Speed: the most demonized - and misunderstood - drug in the land. Deprived of the ingrained romantic mysticism of the opiate or the cosmopolitan chic of cocaine or the mundane tolerance of marijuana, there is no sympathy for this devil. Yet speed - crystal meth, amphetamines, Dexedrine, Benzedrine, Adderall; crank, spizz, chickenscratch, oblivious marching powder, the go-fast - is the most American of drugs: twice the productivity at half the cost, and equal opportunity for all.

Pittsburgh has recently (and more than once) been called the most livable city in America; yet the old image of smoky skies and steel mills spewing forth grit has never quite disappeared. Its history as a dirty industrial center is a part of its residents, a part of their toughness. The people of the steel city fight.

Brand-new stories by: G. M. Ford, Skye Moody, R. Barri Flowers, Thomas P. Hopp, Patricia Harrington, Bharti Kirchner, Kathleen Alcalá, Simon Wood, Brian Thornton, Lou Kemp, Curt Colbert, Robert Lopresti, Paul S. Piper, and Stephan Magcosta. Early Seattle was a hardscrabble seaport filled with merchant sailors, longshoremen, lumberjacks, rowdy saloons, and a rough-and-tumble police force not immune to corruption and graft.

"Another Role" is a short story from the collection Indian Country Noir. Step into Indian Country. Enter the dark welter of troubled history throughout the Americas, where the heritage of violence meets the ferocity of intent.

"Taking on PJ" is a short story from the collection Dublin Noir. Brand new stories by: Ken Bruen, Eoin Colfer, Jason Starr, Laura Lippman, Olen Steinhauer, Peter Spiegelman, Kevin Wignall, Jim Fusilli, John Rickards, Patrick J. Lambe, Charlie Stella, Ray Banks, James O. Born, Sarah Weinman, Pat Mullan, Gary Phillips, Craig McDonald, Duane Swierczynski, Reed Farrel Coleman, and others.Irish crime-fiction sensation Ken Bruen and cohorts shine a light on the dark streets of Dublin.

Brand-new stories by: Thomas Adcock, Kevin Baker, Thomas Bentil, Lawrence Block, Jerome Charyn, Suzanne Chazin, Terrence Cheng, Ed Dee, Joanne Dobson, Robert Hughes, Marlon James, Sandra Kitt, Rita Laken, Miles Marshall Lewis, Pat Picciarelli, Abraham Rodriguez Jr., S.J. Rozan, Steven Torres, and Joe Wallace.

Brand-new stories by: Diana Gabaldon, Lee Child, James Sallis, Luis Alberto Urrea, Jon Talton, Megan Abbott, Charles Kelly, Robert Anglen, Patrick Millikin, Laura Tohe, Kurt Reichenbaugh, Gary Phillips, David Corbett, Don Winslow, Dogo Barry Graham, and Stella Pope Duarte.

San Francisco Noir lashes out with hard-biting tales exploring the shadowy nether regions of scenic "Baghdad by the Bay". In this superb collection, virtuosos of the genre meet up with the best of SF’s literary fiction community to chart a unique psycho-geography for a dark landscape. From inner city boroughs to the outlands, each contributor offers an original story based in a distinct neighborhood.

From the introduction to Philadelphia Noir: "America's first great city, first capital, and first industrial metropolis contained from the beginning the mix of poor workers and elite culture, of ethnic enclaves and religious intolerance, of easy skullduggery and flesh-pot possibilities, that led Lincoln Steffens in 1903 to famously rule it 'corrupt and contented'."

From the introduction by David L. Ulin: "For me, Cape Cod is a repository of memory: forty summers in the same house will do that to you. But it is also a landscape of hidden tensions, which rise up when we least anticipate. In part, this has to do with social aspiration, which is one of the things that brought my family, like many others, to the Cape. In part, it has to do with social division, which has been a factor since at least the end of the nineteenth century, when then summer trade began."

When they say that war changes a man, they're being euphemistic. War makes a man insane by civilian standards. When the man comes back, he may return to civilian norms again. After a while. I'm not proud of many of the things that happened in Nam. I'm not proud of some of the things I did myself. But the men I served with were, for the most part, doing the best job they could with the cards they'd been dealt. I'm proud of them, and I'm proud to have been among them.

Bill Buford spends a wild night in the park; Jonathan Safran Foer envisions it as a tiny, transplanted piece of a mythical Sixth Borough; and Marie Winn answers definitively Holden Caulfield's question of where the ducks go when the park's ponds freeze over. There are bird sightings and fish sightings; Jackie Kennedy and James Brown sightings; and pieces by Colson Whitehead, Paul Auster, and Francine Prose. This vibrant collection presents Central Park in all its many-faceted glory, a 51-block swath of special magic.

Bill Buford spends a wild night in the park; Jonathan Safran Foer envisions it as a tiny, transplanted piece of a mythical Sixth Borough; and Marie Winn answers definitively Holden Caulfield's question of where the ducks go when the park's ponds freeze over. There are bird sightings and fish sightings; Jackie Kennedy and James Brown sightings; and pieces by Colson Whitehead, Paul Auster, and Francine Prose. This vibrant collection presents Central Park in all its many-faceted glory, a 51-block swath of special magic.

Bill Buford spends a wild night in the park; Jonathan Safran Foer envisions it as a tiny, transplanted piece of a mythical Sixth Borough; and Marie Winn answers definitively Holden Caulfield's question of where the ducks go when the park's ponds freeze over. There are bird sightings and fish sightings; Jackie Kennedy and James Brown sightings; and pieces by Colson Whitehead, Paul Auster, and Francine Prose. This vibrant collection presents Central Park in all its many-faceted glory, a 51-block swath of special magic.

Bill Buford spends a wild night in the park; Jonathan Safran Foer envisions it as a tiny, transplanted piece of a mythical Sixth Borough; and Marie Winn answers definitively Holden Caulfield's question of where the ducks go when the park's ponds freeze over. There are bird sightings and fish sightings; Jackie Kennedy and James Brown sightings; and pieces by Colson Whitehead, Paul Auster, and Francine Prose. This vibrant collection presents Central Park in all its many-faceted glory, a 51-block swath of special magic.