Showing titles in Shakespeare

Here is the multi award-winning SmartPass study guide, with and without commentary options. This is a full-cast, unabridged performance with comprehensive commentary and analysis to allow any student to fully understand and appreciate the play. Meet literature's greatest villain in this tragedy, fuelled by jealous rage. Journey into the twisted mind of Iago, who freely admits, "I am not what I am", and truly get under the skin of this wondrous play.

Hamlet, which dates from 1600-1601, is the first in Shakespeare's great series of four tragedies. In writing this extraordinary play Shakespeare effectively re-invented tragedy after an interval of roughly two thousand years - you would have to go back to the Greek dramatists of 5th century Athens to find anything of comparable depth and maturity. This production features the voice of Anton Lesser as Hamlet along with a full cast.

Dame Harriet Walter, renowned for her wonderful portrayals in Succession and Killing Eve, among others, is one of Britain's most esteemed Shakespearean actors. Now, having played most of Shakespeare's female characters, audaciously, she lets them speak their minds. With new parts for thirty Shakespearean women, written in 'Shakespearean' verse and prose, Harriet Walter goes between the lines of the plays to let us hear what she imagines - sometimes playfully and sometimes searchingly - these women were really thinking.

'Who is this guy, Dad? What is he doing here?' With an absent wife and a daughter going off the rails, wealthy art collector and philanthropist Simon Strulovitch is in need of someone to talk to. So when he meets Shylock at a cemetery in Cheshire's Golden Triangle, he invites him back to his house. It's the beginning of a remarkable friendship.

The tragedy of King Lear receives an outstanding performance in an all-star cast led by Britain’s senior classical actor, Paul Scofield. He is joined by Alec McCowen as Gloucester, Kenneth Branagh as The Fool, Harriet Walter as Gonerill, Sara Kestelman as Regan and Emilia Fox as Cordelia. This is the ninth recording of Shakespeare plays undertaken by Naxos AudioBooks in conjunction with Cambridge University Press, and is directed by John Tydeman. It was released to mark the 80th birthday of Paul Scofield in January 2002.

Written in 1593, King Richard III is one of Shakespeare's earliest plays. This play differs from its predecessors, being amore structured piece, examining the development and motivations of a single character, Richard Duke of Gloucester, who will stop at nothing to gain control of the throne occupied by his brother Edward IV.

Shakespeare's position as England's national poet is established and unquestionable. But as James Shapiro illuminates in this revelatory new history, Shakespeare has long held an essential place in American culture. Why, though, would a proudly independent republic embrace England's greatest writer? Especially when his works enact so many of America's darkest nightmares: interracial marriage, cross-dressing, same-sex love, tyranny, and assassination?

The multi award-winning SmartPass study guide with and without commentary options. This is a full-cast, unabridged performance with comprehensive commentary and analysis for any student to fully understand and appreciate the play. Universally accepted as Shakespeare's finest play, we peel back the layers of Hamlet to discover how and why it deserves such a place of honour in world literature.

The sensitive and poetic Richard II is undoubtedly the rightful king of England, but he is unscrupulous and weak. When his cousin Henry Bolingbroke returns from banishment and mounts a challenge to his authority, Richard's right to the throne proves of little help to him. Richard is forced to abdicate, but as his power is stripped away, he gains dignity and self-awareness, and he meets his death heroically.

Sir Michael Morpurgo retells 10 of Shakespeare’s best-loved plays in this stunning audio collection in association with the RSC, featuring readings by members of the Royal Shakespeare Company and Michael himself. This collection includes Romeo and Juliet, A Midsummer Night’s Dream, Macbeth, Hamlet, King Lear, Henry V, Twelfth Night, Taming of the Shrew, The Winter’s Tale and The Tempest.

By the time Shakespeare came to write Macbeth - almost certainly in 1605/1606 - he had already completed three of the great tragedies with which modern audiences are so familiar: Hamlet (1601), Othello (1603), and King Lear (1605). Each of those plays gives us an eponymous hero who is in some significant way flawed, but for whom we also inevitably feel deep sympathy, whatever his errors or crimes. But in MacBeth, Shakespeare has chosen for his tragic hero a man guilty of the most terrible crime imaginable to a Jacobean audience, that of regicide - the murder of a king.

Shakespeare combined his love of theater with Greek mythology and the supernatural to create what is arguably his most playfully imaginative work. From love potions to bizarre transformations to the unforgettable play-within-a-play, A Midsummer Night’s Dream is a non-stop delight, and remains one of the milestones of the Bard’s canon.

This classic Shakespearean comedy is presented here in a colorful full-cast dramatization, drawn from the complete text and starring Warren Mitchell, Michael Maloney, and Sarah Woodward.

Troy is besieged by the invading Greeks, but the young Trojan prince Troilus can think only of his love for Cressida. Her uncle Pandarus brings the two together, but after only one night news comes that Cressida must be sent to the enemy camp. There, as Troilus looks on, she yields to the wooing of the Greek Diomedes. The tragic story is undercut by the commentary of Thersites, who provides a cynical chorus.

Why Shakespeare? What explains our continued fascination with his poems and plays? In Living with Shakespeare, Susannah Carson invites 40 actors, directors, scholars, and writers to reflect on why his work is still such a vital part of our culture.

The young and virtuous physician's daughter Helena desperately loves Count Bertram, but he regards her as beneath his notice. When Helena cures the king of France of a mortal illness, he rewards her with Bertram's hand, but before their marriage can be consummated the count flees. To win her husband back again, Helena forms a daring and resourceful plan. A plot to unmask the strutting soldier Parolles makes up another strand in this sometimes disturbing comedy of deception and disguise.

Henry V is a study of kingship, patriotism, and heroic determination tempered by tender comedy as Henry courts Katherine, princess of France. Henry, the noble and courageous young king of England, decides to invade France, believing he has a rightful claim to the throne. At Agincourt he leads his army into battle against the powerful French forces and, against all the odds, wins a famous victory.

Shakespeare's Othello is one of his finest and most famous tragedies. This highly acclaimed performance, which ran between November 2007 and February 2008 at the Donmar Warehouse in London, features Chiwetel Ejiofor as the Moor Othello, Ewan McGregor as the scheming Iago, and Kelly Reilly as the gentle Desdemona. This recording features music written specifically for the stage production which enjoyed huge success - each performance was a sell-out.

Rosalind, daughter of the deposed Duke Senior, is exiled from the court by her wicked uncle. Disguising herself as a young man and accompanied by her cousin Celia, she takes refuge in the Forest of Arden. In the forest Rosalind meets Orlando with whom she is in love, but her male disguise complicates matters, especially when Rosalind finds she has unwittingly attracted the shepherdess Phebe. But out of the confusion comes reconciliation and forgiveness, and all ends happily.

Telling his followers he is leaving the city on affairs of state, the Duke of Vienna appoints the puritanical Angelo to govern in his absence. Will Angelo prove as virtuous as he seems once power is in his hands? Roaming the city disguised as a friar, the duke looks on as Angelo's lust for the virtuous Isabella sweeps him into the corruption he has so sternly condemned in others. The duke's manipulation at last produces a happy ending for this dark comedy, with its brilliant exploration of the themes of justice and mercy.