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प्रेमचंद निस्संदेह हिन्दी के सर्वश्रेष्ठ कहानीकार थे जिनकी गणना विश्वस्तरीय साहित्यकारों में होती है। अपने जीवनकाल में उन्होंने 250 से अधिक कहानियाँ लिखीं जो मुख्यतः उस समय के समाज के यथार्थ को दर्शाती हैं।.

रवीन्द्रनाथ टैगोर का उपन्यास चोखेर बाली हिन्दी में ‘आँख की किरकिरी’ के नाम से प्रचलित है। प्रेम, वासना, दोस्ती और दाम्पत्य-जीवन की भावनाओं के भंवर में डूबते-उतरते चोखेर बाली के पात्रों-विनोदिनी.

Faiz Ahmed Faiz is the most famous contemporary Urdu poet of the 20th century who appeals both to the common man as well as the elite connoisseurs of poetry. Faiz's ghazals reflect a strong influence of the Persian style and diction, because of which he is often considered the inheritor of the tradition of Ghalib; and at the same time several of them are written in a simple conversational style dealing with the problems of the common man.

इस संकलन में कुछ ऐतिहासिक दस्तावेज़, कुछ खामोशी के दस्तावेज़, और कुछ उनकी बात भी है जो इस काल में संघर्ष की एक लम्बी यात्रा पर चल दी हैं....

Zindagee ek achaar ke 'martabaan' kee tarah khud men bahut kuchh sameṭ-sahej ke rakhatee hai. Bahut se khaṭṭe meeṭhe s, beech-beech men halkaa-saa kasailaapain... 'martabaan' men snkalit kavitaa_en aadhunik duniyaa ke aam aadamee kee rozamarraa kee bhaavanaa_on, manahsthitiyon aur chunautiyon se roobaroo hain. Agar savaal yah hai ki jeevan kyaa hai, to mere lie javaab 'martabaan' ho sakataa hai.

Kaviyitri Meena Sood ki kavitaon ka sangrah

Mainne sthool shareer se aapane aas-paas ek duniyaa rachee. Is baahy jagat kaa srijan-snsaar rachate gaḍhate kab mere bheetar kee aatmakhoh me bhee ek rachanaatmak snsaar aakaar paataa gayaa main samajh hee n paa_ii aur dheere-dheere us maun ne kab kalam thaam bheetar kaa indradhanuṣee snsaar kaagaz par mukhar kar diyaa—sab kuchh mere lie bhee vismrit kar dene vaalaa thaa. Main aapane bheetar udit hue is prem ke mohapaash se mugdhit ho kaavy saritaa-see bahatee chalee ga_ii.

'buraa n maano ḍaemokrezaee hai’ ek aisaa kavitaa-sngrah hai jo aapake bukashelph aur dil- donon men hee ghar kar jaa_egaa. Hamaare dil, dimaaga, desh aur duniyaa men tahalakaa machaate ka_ii muddon ko aapake samakṣ saral aur sashakt roop se rakhane kaa ek sachchaa prayaas hai....

Rahul Kumar Boyal ki kavitayon ka sangrah.

Apane pitaa ko baa_oojee snbodhan denaa unake prati atirikt aadarey bhaav prakaṭ karanaa hai aur inakee vartamaan kavitaa ‘maun ke anunaad se bharaa main’ inakee saaree kavitaa_en paripakvataa lie hue jeevan darshan ko samaahit karate hue hai. Apane is sngrah men parivaar ke saath bitaaye ga_e ek-ek pal, un sabakee aadaton aur vyavahaar ko bahut khoobasooratee se is kavitaa men piroyaa hai. -- ḍaŏ

Kitaab ‘svaad zaindagee kaa’ shruti sukumaar dvaaraa rachit kavitaa_on kaa snkalan hai. Ye kavitaa_en yathaarth jeevan par aadhaarit sakaaraatmak soch vaalee kavitaa_en hain. Nakaaraatmak vichaaron ko sakaaraatmak soch men badalanaa aasaan naheen hai lekin kavayitree apane shabdon ke chayan men sahaj hain v vah ise prastut karane men safal huii hain.

Bas kuchh isee tarah vaqat ke kuchh ṭukadon ko yaad kee kachchee rassee se lapeṭ diyaa aur risane ke dard kee syaahee kaagazaon par bikharatee rahee, shabd banatee rahee aur zaindagee chalatee rahee. In pannon men jo bhee kuchh hain unhen kavitaa to naheen kahaa jaa sakataa, bas kuchh pal hain jo sustaane ko ṭhahar gae hain.

‘darakht kaa darpaṇa’ ek visheṣ kavitaa-sngrah hai. Is sngrah kee kavitaa_en adhyaatm aur jeevan darshan par aadhaarit hain. Jeevan kaa mukhy uddeshy jeevan maraṇa ke chakravyooh se mukt honaa hai, isake lie shaastron men chaar mukhy maarg kaa varṇaan kiyaa gayaa hai jisamen bhakti aur prem maarg sabase lokapriy hai.

Raghupati Sahay, jinhein duniya Firaaq Gorakhpuri ke naam se jyaada pehchaanti hai, ek lekhak, shayar, kavi, samalochak aur apne samay ke mashoor Urdu lekhak-kavi hue hain.

'iraaq’ saahab ne anginat ghazalein, nazmein, rubaayiyaan, katye, ityaadi likhein hain. Samalochak bhi vah ucch-koti ke the lekin smaran ve sadaa apni ghazalon aur ghazalon ke unn sheron ke kaaran kiye jaayeingay jinki sankhya sainkdon tak pahuchti hai aur jo nihsandeh classic ka darza rakhte hain, unhee sheron ke kaaran jinmein tassafuk ghazal ki paramparaagat kathavastu se lekar raajneeti aur varFg-sangharsh tak sabhi kuch hai. Mashhoor shayar Firaaq Gorakhpuri ki chuni hui behtareen ghazalon ka sankalan hai Sargam.

Dr. Bashir Badra is considered an poet of such stature, who has not only transcended into his readers' hearts and minds through the fame of his published couplets but also into the literary hall of fame of well-received poets. For his contribution to Urdu and Hindi literature, he was awarded the prestigious Padma Shree in 1995. Dr. Badra has been a part of many prestigious mushayraas world over. Dr. Badra's style of poetry resonates with the common man and demystifies the world of Urdu shayari while staying true to its essence.

Naraz has many references that reflect the resenting virtue of Rahat Indori. A lyricist of films par excellence, and a master of literature in college, he is a famous poet loved by all - who also accomplishes in playing with colours and lines. Besides all these traits, he is also able to discern the inner and outer dilemmas of people against the political and social backdrop.

Luka-Jhanki, by Darpan Sah, is an anthology of anti-poems! The poet’s works are deeply philosophical and evocatively esoteric in nature, they arouse the listener’s most intense emotions. Darpan Sah’s poetry guides you only halfway to an ontological understanding of his poems. You will find yourself left alone at the right point of time to ponder the bigger questions of life all by yourself and to interpret each piece of his poetry in your own way.

Khair Chhodo is a niche collection of poems written by Vishwa Deepak. In this book, the poet has tried to include poems on various emotions like love, valor, revolution, family relations, etc. The metaphors and similes used in his poems are refreshingly new, and the abstract references used by him in some places enchant you. But the real treat for the listener will be the introduction of a relatively new genre called Triveni.

Gautam Rajrishi - a name that has emerged as a refreshing change in modern poetry of Hindi literature. Who would have imagined that a serving colonel of Indian army would introduce us to a new style of Ghazals? And that is precisely what he does, with ease and panache...dismantling all the stereotyped images we have harbored in our minds. He picks up his words from our daily life, giving them a sublime bliss that we have never seen before in Ghazals.