Showing titles in Journalists, Editors & Publishers

Paper Cuts is the inside story of the slow death of the British music press. But it's also a love letter to it, the tale of how music magazines saved one man's life. Ted Kessler left home and school around his 17th birthday, determined 'to be someone who listened to music professionally'. That dream appeared forlorn when he was later arrested for theft behind the counter of the record shop he managed during acid house's long hot summer of love.

When Hugh Hefner quit his job at Esquire to start a magazine called Playboy, he didn't just want to make money, he wanted to make dreams come true. In this wise and penetrating biography, intellectual historian Steven Watts looks at what Hugh Hefner went on to become and how he took America with him. Hefner became one of the most hated and envied celebrities in America, standing just barely on the wrong side of decency - with as many as seven million subscribers to his magazine.

Simon Nye's TV series, The Durrells, is based loosely on Gerald Durrell's Corfu Trilogy and in particular his much-loved best seller, My Family and Other Animals. These books in turn are based somewhat loosely on actual events. The real-life Durrells went to Corfu at the urging of Lawrence Durrell, who was already living on the island with his wife, Nancy Myers. Their intent was to keep the family together as his mother, Louisa, was drinking heavily and recovering from a breakdown.

Journalist Patricia Evangelista came of age in the aftermath of a street revolution that forged a new future for the Philippines. Three decades later, in the face of mounting inequality, the nation discovered the fragility of its democratic institutions under the regime of strongman Rodrigo Duterte. Some People Need Killing is Evangelista's meticulously reported and deeply human chronicle of the Philippines' drug war.

Clarissa Ward is a world-renowned conflict reporter. In this strange age of crisis where there really is no front line, she has moved from one hot zone to the next. With multiple assignments in Syria, Egypt, and Afghanistan, Ward, who speaks seven languages, has been based in Baghdad, Beirut, Beijing, and Moscow. She has seen and documented the violent remaking of the world at close range. With her deep empathy, Ward finds a way to tell the hardest stories. On All Fronts is the riveting account of Ward’s singular career and of journalism in this age of extremism.

A. A. Gill's memoir begins in the dark of a dormitory with six strangers. He is an alcoholic, dying in the last-chance saloon - driven to dry out, not out of a desire to change but mainly through weariness. He tells the truth - as far as he can remember it - about drinking and about what it is like to be drunk. Pour Me is about the blackouts, the collapse, the despair. Lacerating, unflinching, uplifting, it is a classic about drunken abandon. Read by Dougray Scott.

Over his 30-year career at Condé Nast, Nicholas Coleridge has witnessed it all. From the anxieties of the Princess of Wales to the blazing fury of Mohamed Al-Fayed, his story is also the story of the people who populate the glamorous world of glossy magazines. With relish and astonishing candour, he offers the inside scoop on Tina Brown and Anna Wintour, David Bowie and Philip Green, Kate Moss and Beyonce and a surreal weekend away with Bob Geldof and William Hague.

News is to the mind as sugar is to the body. In 2013 Rolf Dobelli stood in front of a room full of journalists and proclaimed that he did not read the news. It caused a riot. Now he finally sets down his philosophy in detail. And he practices what he preaches: he hasn't read the news for a decade. Stop Reading the News is Dobelli's manifesto about the dangers of the most toxic form of information - news. He shows the damage it does to our concentration and well-being and how a misplaced sense of duty can misdirect our behaviour.

In 2017, a routine network television investigation led Ronan Farrow to a story only whispered about: one of Hollywood's most powerful producers was a predator, protected by fear, wealth, and a conspiracy of silence. As Farrow drew closer to the truth, shadowy operatives, from high-priced lawyers to elite war-hardened spies, mounted a secret campaign of intimidation, threatening his career, following his every move and weaponizing an account of abuse in his own family.

This collection brings together Finkelstein’s greatest writings from The Times, ranging from the personal - with his articles on growing up Jewish in Hendon Central and on the deaths of both of his parents - to the political, with columns on how to predict elections, the way political science showed us Ed Miliband was on his way to defeat and why the base rate of coups meant Jeremy Corbyn wouldn’t be ousted before an election.

From an early age, Margaret Fuller provoked and dazzled New England’s intellectual elite. Her famous Conversations changed women’s sense of how they could think and live; her editorship of the Transcendentalist literary journal the Dial shaped American Romanticism. Now, Megan Marshall, whose acclaimed The Peabody Sisters "discovered" three fascinating women, has done it again: No biography of Fuller has made her ideas so alive or her life so moving.

A family story of blood and memory and the haunting power of the past. After nearly three decades reporting conflict from all over the world for the BBC, Fergal Keane has gone home to Ireland to tell a story that lies at the root of his fascination with war. It is a family story of war and love, and how the ghosts of the past return to shape the present. Wounds is a powerful memoir about Irish people who found themselves caught up in the revolution that followed the 1916 Rising, and in the pitiless violence of civil war in north Kerry after the British left in 1922.

Una exitosa periodista que durante muchos años ocultó un gran secreto. El de su familia. Una familia al mismo tiempo profundamente disfuncional y tremendamente viva, vibrante. El padre, Rex, es un hombre carismático y entusiasta, que logra transmitir a sus hijos la pasión por vivir. Les enseña física, geología, les cuenta historias. Pero Rex es alcohólico, y cuando está borracho se convierte en una persona destructiva y poco de fiar. La madre es un espíritu libre, una pintora muy orgullosa de su arte que aborrece la idea de una vida convencional.

Getting a head of state in the dock was once unthinkable but as journalist and human rights advocate Steve Crawshaw uncovers in PROSECUTING THE POWERFUL - a blend of on-the-ground reportage and intellectual history - it is a real possibility. PROSECUTING THE POWERFUL tells a hopeful story of the long march towards justice for victims of state warfare.

A Pebble in the Throat is two stories told in unison. Aasmah Mir growing up in Glasgow - the place of her birth - and the upbringing of her mother in Pakistan a generation before. It is an emotional and thought-provoking narrative on what it is like to live in two very different cultures whilst all the time aware of racism, prejudice and stereotyping of gender from the 1960s onwards.

Awaiting the return of her husband and young son from a road trip, Obiajulu Ejiofor receives shattering news. There’s been a fatal car crash, and one of them is dead. In Where the Children Take Us, Obiajulu’s daughter, Zain E. Asher, tells the story of her mother’s harrowing fight to raise four children as a widowed immigrant in South London. Drawing on tough-love parenting strategies, Obiajulu teaches her sons and daughters to overcome the daily pressures of poverty, crime and prejudice—and much more.

In David Lipsky's view, David Foster Wallace was the best young writer in America. Wallace's pieces for Harper's magazine in the '90s were, according to Lipsky, like hearing for the first time the brain voice of everybody I knew: Here was how we all talked, experienced, thought. It was like smelling the damp in the air, seeing the first flash from a storm a mile away. You knew something gigantic was coming.

As anchor for the BBC's key political news programme, Newsnight, Emily Maitlis has interviewed some of the most powerful and controversial figures on the political scene. She plans each interview meticulously, knowing what she wants to ask and where she wants it to go, but as one of the most experienced journalists in her field she knows that no interview will ever go to plan....

On October 5, 2017, the New York Times published an article by Jodi Kantor and Megan Twohey that helped change the world. For months Kantor and Twohey had been having confidential discussions with top actresses, former Weinstein employees and other sources, learning of disturbing, long-buried allegations. The journalists meticulously picked their way through a web of decades-old secret payouts and nondisclosure agreements, pressed some of the most famous women in the world to risk going on the record.

One of the trailblazers of the modern female foreign correspondent, former Guardian reporter Hella Pick fled her native Austria as a Jewish child refugee in 1939. Over three decades she covered the volatile global scene, first in Africa, then in America and Eastern Europe. During 35 years with the Guardian, she reported on the Watergate Scandal in Washington, on Martin Luther King's march from Selma to Montgomery and on the Gdansk shipyard uprising in Poland.