Showing results by publisher "Audible Studios" in Comedy & Humour

Barney Panofsky - Canadian expat, wily lover of women, writer, television producer, raconteur - is finally putting pen to paper so he can rebut the charges about him made in his rival’s autobiography. Whether it’s ranting about his bohemian misadventures during the 1950s in Paris, his tumultuous three marriages, or his successful trashy TV company, Totally Unnecessary Productions, he quickly proves that his memory may be slipping, but his bile isn’t.

North London in the 21st century: a place where a son will swiftly adopt an old lady and take her home from hospital to impersonate his dear departed mother rather than lose the council flat. A time of golden job opportunities, though you might have to dress up as a coffee bean or work as an intern at an undertaker or put up with champagne and posh French dinners while your boss hits on you.

In How to Lose a Marathon, Joel Cohen takes listeners on a step-by-step journey from being a couch potato to being a couch potato who can finish a marathon. Through a hilarious combination of running tips and narrative, Cohen breaks down the misery that is forcing yourself to run. From chafing to the best times to run, explaining the phenomenon known as the "Oprah Line", and exposing the torture that is a premarathon expo, Cohen acts as your satirical guide to every aspect of the runner's experience.

With Olympic tryouts on the horizon, the last thing 19-year-old Kinsley Bryant needs to add to her plate is Liam Wilder. He's a professional soccer player, America's favorite bad-boy, and has all the qualities of a skilled panty-dropper. A face that makes girls weep - check. Abs that can shred Parmesan cheese (the expensive kind) - check. Enough confidence to shift the earth's gravitational pull - double check. Not to mention Liam is strictly off limits. Forbidden. Her coaches have made that perfectly clear.

In the 99th district of a sprawling labour camp, the Author, Musician, Scholar, Theologian and Technician - and hundreds just like them - are undergoing Re-education, to restore their revolutionary zeal and credentials. In charge of this process is the Child, who delights in draconian rules, monitoring behaviour and confiscating treasured books. But when bad weather arrives, followed by the ‘three bitter years’, the intellectuals are abandoned by the regime and left on their own to survive.

She's old enough to be his mother. Alice has always looked young for her age, even with her graying hair and her dowdy New Jersey housewife style. Make that ex-housewife: Now that her husband's gone and her daughter is grown, Alice is in desperate need of a whole new life. So she lets her best friend Maggie, a hip New York City artist, transform her on New Year's Eve. Soon, thanks to the wonders of hair dye and tight jeans, Alice looks really young, as one night in a Manhattan bar confirms.

Growing up in a large Nigerian family in South London, Stephen K. Amos learnt early on to find the humour in every situation. Raised by his parents and extended family of 'aunts' and 'uncles', I Used to Say My Mother was Shirley Bassey tells the story of Stephen's chaotic upbringing in the carnival atmosphere of the late '70s and early '80s. Stephen describes his awkward beginnings as the only black kid in his class, where he told everyone his mum was Shirley Bassey to break the ice.

Inception meets Black Mirror for the YouTube generation. The idea behind MindCast is simple. We insert a small chip into your skull and then every thought, every feeling, every memory is streamed live, 24 hours a day. Trust me - within a few months you'll be the most talked about person on the planet. When David Callow is offered the lead role in a revolutionary new online show, he snatches the opportunity. Rapidly becoming a viral sensation, David is propelled to stratospheric levels of celebrity. However, he soon realises the downside of sharing every secret with the world....

The second in this hilarious cozy mystery series features a woman who is a talent agent for showbiz animals and discovers that she has a talent herself: solving crimes. Kay Powell, theatrical agent to non-human animals, is babysitting - that is, birdsitting - her client, a parrot named Barney, on the set of his new TV show, Dead City. When the show’s charismatic star is shot in his trailer between scenes, the only eyewitness to the crime is - you guessed it - Barney.

In Just Jenny, Jenny Nance has a plan - save enough money to tour the world. The desire to traipse the globe is a dream she once shared with her twin sister. Jenny made a deathbed promise to her sister that she would go to all the places they had fantasized visiting together. Nothing will entice her to break her vow to Natalie, not even the sexy new Blue Ridge Valley police chief.... No matter how attracted she is to him.

Sex. It’s something that’s on everyone’s mind. But the minds that thought of the weird, strange, and stupid sex acts that are reported in Fifty Shades of Dumb: True Stories of Strange and Screwy Sex are a breed of their own - and unfortunately some of them try to breed on their own.

Soon after the events of Jhereg, Vlad becomes embroiled in a struggle between the House of the Jhereg and a group of revolutionaries that his wife has joined.

Eliot Nailles loves his wife and son to distraction; his Bullet Park neighbour, Paul Hammer, is a bastard named after a common household tool. The pair become fatefully linked by the mysterious binding power of their names.

Prepare to enter the world of love-affair friendships, cuddle buddies, metamours, platonic partners, logical family, post-romance break-up energy, platonic snogging, romantic footprints and date substitutes.... Part memoir, part sociological study, Is Monogamy Dead? highlights the huge disparities in how people define a 'relationship' and what constitutes 'cheating'. Rosie draws on her own experience and interviews with dozens of people, gay and straight, male and female....

Fifteen years ago, a murder/suicide in room 712 rocked the grand old Bellweather Hotel and the young bridesmaid who witnessed it. Now hundreds of high school musicians, including quiet bassoonist Rabbit Hatmaker and his brassy diva twin, Alice, have gathered in its cavernous, crumbling halls for the annual Statewide festival; the grown-up bridesmaid has returned to face her demons; and a snowstorm is forecast that will trap everyone on the grounds. Then one of the orchestra’s stars disappears—from room 712.

After three centuries trapped underground, thousand-year-old Yulric Bile, also known as The Cursed One, The Devil's Apprentice, He Who Worships the Slumbering Horrors, awakens only to find that no one believes he is a vampire. Apparently he's just too ugly. Modern vampires, he soon discovers, are pretty, weak, and, most disturbing of all, good.

Keela Daley is stressed out. She is moving out of her dog-box-size apartment and into her first house with her fiancé. Moving house is a dreaded task, and Keela would love nothing more than for things to go quietly and smoothly, but when you're engaged to a Slater brother, nothing goes quietly or smoothly. Nothing. What started out as a simple day of packing and moving house turns into the day from hell. Unwanted houseguests. Business propositions. Alcohol. Sex, and everything else that is crazy and represents the name Slater.

A goldfish named Ian is falling from the 27th-floor balcony on which his fishbowl sits. He's longed for adventure, so when the opportunity arises, he escapes from his bowl, clears the balcony railing and finds himself airborne. Plummeting toward the street below, Ian witnesses the lives of the Seville on Roxy residents.

Un "divertissement", un guizzo anarchico dell'intelligenza. È così che si possono definire queste pagine nelle quali Cipolla abbandona gli austeri panni dello studioso e, giocando sul filo del paradosso e dell'assurdo, costruisce due brevi saggi: il primo, una ilare parodia della storia economica e sociale del Medioevo; il secondo, una sorta di scherzosa teoria generale della stupidità umana.

Called “our finest black-humorist” by The Atlantic Monthly, Kurt Vonnegut was one of the most influential writers of the 20th century. Now his first and last works come together for the first time in print, in a collection aptly titled after his famous phrase, We Are What We Pretend To Be.