Showing results by narrator "Nicholas Boulton" in All Categories

In the Name of the Family - as Blood and Beauty did before - holds up a mirror to a turbulent moment of history, sweeping aside the myths to bring alive the real Borgia family: complicated, brutal, passionate and glorious. Here is a thrilling exploration of the House of Borgia's doomed years, in the company of a young diplomat named Niccolo Machiavelli.

The Diary of a Madman and Other Stories is a bizarre and colorful collection containing the finest short stories by the iconic Russian writer Nikolai Gogol. From the witty and Kafkaesque "The Nose", where a civil servant wakes up one day to find his nose missing, to the moving and evocative "The Overcoat", about a reclusive man whose only ambition is to replace his old, threadbare coat, Gogol gives us a unique take on the absurd.

Moving from the heart of the city to the Sussex countryside is a big undertaking for born townies, Ollie Harcourt, his wife, Caro, and their twelve-year-old daughter, Jade. But when they view Cold Hill House – a huge, dilapidated, Georgian mansion – they are filled with excitement. Despite the financial strain of the move, Ollie sees Cold Hill House as a paradise for his animal-loving daughter, a base for his web-design business and a terrific long-term investment.

Old Michael Snowdon returns to London with an inheritance that he determines should go towards helping the poor—but goodness and charity are not to play a part here. Everyone has an agenda, and scheming spreads through the story like a disease. Gissing’s own experience of London as an outsider in a vast city that both fascinated and appalled him gave him the tools and the drive to create a visceral sense of place. Life is unremittingly grim for just about everyone, from the weak and well-intentioned Jane to the coarse, cunning Clem Peckover and her feckless rival Pennyloaf Candy.

Demons, vengeful spirits, insanity, premature burials, and lesbian vampires. In a Glass Darkly contains five diabolical tales of horror and mystery that will get the heart racing. Each story, including the famous "Green Tea" and "Carmilla", is presented as a case from the posthumous papers of Dr. Martin Hesselius, a metaphysical physician who has no doubt as to the existence of supernatural phenomena - unlike our anxious protagonists....

Gogol's great Russian classic is the Pickwick Papers of Russian literature. It takes a sharp but humorous look at life in all its strata but especially the devious complexities in Russia, with its landowners and serfs. We are introduced to Chichikov, a businessman who, in order to trick the tax authorities, buys up dead 'souls', or serfs, whose names still appear on the government census. Despite being a dealer in phantom crimes and paper ghosts, he is the most beguiling of Gogol's characters.

A fatally dangerous man...and the woman who stands in the way of all he's ever desired. Beautiful and ruthless, the elegant assassin Allegreto will stop at nothing to regain his rightful place. And the perfect instrument has just fallen into his hands, in the lovely form of Lady Elena - the long-lost princess of the land he intends to wrest back from his enemies. But she is no mere maiden to be possessed.

As a lovely heiress, Roderica Delamore should be a prize catch--except for her shameful secret. She has the ability to hear the thoughts of those around her. Even her family and close friends can't hide from her strange gift. Knowing that she can never marry, for no man could bear it, Roddy still longs hopelessly for a family of her own. Until she meets the man she's been waiting for--the Earl of Iveragh, a mysterious Irish aristocrat whose thoughts are entirely closed to her.

1989: The Cold War will soon be over, but for BOX 88, a top secret spying agency, the espionage game is heating up. Lachlan Kite, recruited from an elite boarding school, is sent to France, tasked with gathering intelligence on an enigmatic Iranian businessman implicated in the Lockerbie bombing. But what Kite uncovers is more terrifying than anyone expected…

Love, be it wild or tender, often defies logic. In fact, at times, the only rationale behind the instant connection of two souls is plain magic. Bibiña Aranda, runaway bride, wakes up in the Guggenheim Museum in Bilbao still wearing her wedding dress, draped in the loving arms of a naked man whose name she doesn’t know. She and the man with no clothes, Indar Zubieta, attempt to explain to the authorities how they got there. It’s a story of love at first sight and experience beyond compare, one that involves a dreamlike journey through the museum.

In Clea, the concluding part of the Alexandria Quartet, Darley returns to Alexandria now caught by war-fever. The conflagration has its effect on his circle - on Nessim and Justine, Balthazar and Clea, Mountolive and Pombal - and a clarity of purpose emerges as the story moves toward its cadence.

Considered one of the first existentialist novels, Notes from Underground contains one of the most unsettling characters in 19th-century fiction. Resentful, cruel, entitled, and pitiful, Dostoyevsky's Underground Man is a disturbing human being bent on humiliating others for his own amusement. The Gambler is perhaps the most personal of Dostoyevsky's novels. Written to pay off the author's own gambling debts, the book follows the obsessions and anxieties of Alexey Ivanovitch, a sympathetic character who has given in to the forces of addiction.

Father Ambrosio, the most pious and venerated monk in all of Madrid, is held as a paragon of virtue. But after 30 years of study and prayer, evil thoughts begin to permeate his mind. As two plots cleverly converge, torture, murder, incest, rape, poison, and magic prevail, sustained by an elegance in the writing of the 19-year-old Matthew Lewis.

Against Nature was one of the most shocking French novels of the 19th century. When it was published in 1884, it thrilled the aesthetes, the poets, and the intellectuals of Europe on both sides of the Channel (notably Oscar Wilde) because for all its lofty tone, it had, as its core, an unbridled decadence, and it was this same character that challenged, even horrified, established bourgeois society.

He's a duke. He's a mathematical genius. He can't talk and he's locked in a lunatic asylum. Only a modest Quaker girl can reach him, but when she helps him to escape, she's swept into his glittering aristocratic world, her life torn apart by his desperate attempt to save himself.

Set in the court of Urbino in 1507, Castiglione’s The Book of the Courtier presents an invaluable look at court life and culture during the Renaissance. Over four nights of dialogue, the book explores the key question, ‘What should a courtier be like?’ and presents a deep and timeless discussion that is reminiscent of Plato’s Symposium and Aristotle’s Nicomachean Ethics and invites comparisons with Machiavelli’s The Prince.

Marius Valstar doesn’t know which is worse: the dead body in his greenhouse or the naked fae prince on his desk. The only rakes of interest to Marius are garden tools, not fae princes. Certainly not the arrogant, selfish fae prince he has the misfortune to have a history with. But when Prince Rakken turns up naked and bleeding in Marius’s college the same day a body appears in his greenhouse, scruples must take second place to solving a murder that could unravel the delicate balance between humans and fae.

Completed six years after Dostoyevsky's own term as a convict, The House of the Dead is a semi-autobiographical account of life in a Siberian prison camp, and the physical and mental effects it has on those who are sentenced to inhabit it. Alexandr Petrovitch Goryanchikov, a gentleman of the noble class, has been condemned to 10 years of hard labor for murdering his wife.

Magdalen and Norah Vanstone have known only comfort and affluence for their entire lives. Orphaned suddenly following the unexpected deaths of their parents, the illegitimate sisters find themselves flung into the other extreme of living: their father had neglected to amend his will following their parents' recent marriage, leaving them with nothing, and their bitter, estranged uncle, the legal inheritor of the family fortune, mercilessly refuses them support.

Once the golden boy of the English literary scene, now a clinically depressed writer of pulp crime fiction, Ash Winters has given up on hope, happiness, and—most of all—himself. He lives his life between the cycles of his illness, haunted by the ghosts of other people’s expectations. Then a chance encounter throws him into the path of Essex-born Darian Taylor. By his own admission, Darian isn’t the crispest lettuce in the fridge, but he makes Ash laugh, reminding him of what it’s like to step beyond the boundaries of anxiety.