Showing results by narrator "John Brown" in All Categories

The story of "The Brain" and his three not-so-talented dolls, who are also not-so-grateful!

Not every heavyweight folds when the going gets rough.

Nicely Nicely meets a meets a widow with a farm and a fourth plate at dinner.

Damon Runyon Theater is an American TV program that aired in 1955 and 1956. It presented dramatized versions of Damon Runyon's short stories. In this episode, Spider McCoy invites Broadway to travel to Philadelphia, where Pigsfoot Grudy is going to fight Chester Nubs. Along comes a bad appendix and Caswell Fish, also known as "The Leopard Kid".

Damon Runyon Theater is an American TV program that aired in 1955 and 1956. It presented dramatized versions of Damon Runyon's short stories. In this episode, "Broadway" and a pal bring a broken down old horse back to Kentucky. Starring John Brown.

Damon Runyon Theater is an American TV program that aired in 1955 and 1956. It presented dramatized versions of Damon Runyon's short stories. In this episode, Hi-C Homer and Broadway find themselves at a barbecue stand during a Florida storm. An ex-wife, two bad guys, and $50,000 in cash make a good barbecue sauce! Starring John Brown and Frank Gallop (announcer).

William Bendix stars as Chester A. Riley in producer Irving Brecher's outstanding radio comedy series The Life of Riley. Co-starring with Bendix is Paula Winslowe as Riley's long-suffering wife, Peg, and John Brown performing in two roles, that of Riley's pal Gillis and, most memorably, as the hilarious "friendly undertaker" Digger O'Dell.

Hamlet, Prince of Denmark, returns home to find his father murdered and his mother remarried to the murderer, his uncle. This is widely regarded as the definitive performance of Hamlet, starring Sir John Gielgud and Pamela Brown.

The Revolutionary War comes alive in this contemporary classic for young adults, a stirring, probing tale full of action and suspense, putting readers right into the heart of the war for independence.

'Sense of Humor' and 'Dream Street Rose' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

'What No Butler' and 'Neat Strip' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

'A Story Goes with It' and 'Dark Dolores' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

'That Ever Lovin Wife of Hymies' and 'A Light in France' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.