Showing results by narrator "Leanne Yau" in All Categories

This book tells the story of the origins of the festival of Halloween and how the little people celebrate. It is mainly a fun book and not scary nor too spooky for young children. Age group seven years and up.

One woman learns the consequences of having a PlaceNook account when all her "friends" show up on her doorstep unannounced.

A poem that encapsulates the spirit of Ziggy at the time...for a while at least...if you were there you will remember...if not you will know.

When winter comes to Fairyland two of the young color fairies are bored and decide to go on holiday. However they arrive at the home of the fire breathing dragons. Have they bitten off more than they can chew?

This is the second book in the Colour Fairies series. It tells the story of the color brown and what happens when there is no one to look after it. It is also the start of a fairy romance. Light hearted traditional fairy tale.

Danny's mother assures him that snowmen can't talk. In this whimsical adventure, Danny discovers that her assertion is not entirely correct.

On the day of his departure to sing Tristan in Brussels, the celebrated tenor Gerardo receives three unwelcome visitors. Despite their persistent attentions, he manages to honor his singing contract, but at an unexpected personal cost.

Realms rise and fall like the sun, and Reynes is no different. When the chaos finally settles after a fight for control, nine kingdoms emerge, each responsible for diverse races of dark magic creatures forged by a plague that swept over the land. Dermont the Wise, a sorcerer and master of light magic, bound and destroyed this curse, then sealed off the realm from the rest of the world to protect it, thus severing the powers to all magical beings who called Reynes home.

These six plays are Japanese classics from the 14th century and are presented in the order of a traditional Nō programme. Nō, the Japanese word for "skill", is a form of Japanese musical drama that originated in the eighth century, and is the oldest major theatre art that still survives today. Alongside Nō plays were kyōgen plays, which were short works typically inserted as a comedic interlude of sorts between the more classical Nō performances.