Showing results by narrator "Lucy Paterson" in All Categories

After ninety-three well-lived years, Violet MacAskill is ready to simplify her life. Her eccentric solution? She’ll throw a decanting and decluttering party at her family home—a Scottish Baronial manor near the seaside town of Inversgail. She sets aside everything she wants or needs, then she invites her many friends in to sip sherry and help themselves to whatever they want from all that’s left. Janet Marsh and Christine Robertson, two of the women who own Yon Bonnie Books in Inversgail, enjoy themselves at the party. Not everyone who attends has a good time, though.

Nina Findlay, always the heroine of her own life, has found an irresistible safety in being adored by two men. But when her sister-in-law becomes gravely ill, the triangle that Nina's depended on becomes unstable. The life she's known begins to unravel, and odd things begin to happen which those around her insist are all in her mind. Can Nina be sure of the truth?

1921. Families are desperately trying to piece together the fragments of their broken lives. While many survivors of the Great War have been reunited with their loved ones, Edie’s husband Francis has not come home. He is considered ‘missing in action’, but when Edie receives a mysterious photograph taken by Francis in the post, hope flares. And so she begins to search.

In today's connection economy, the most successful leaders inspire their people with purpose and meaning. Powerful corporate storytelling can mobilise people around an organisational objective in a way that a focus on market share never will. Be it a digital transformation or a diversity and inclusion initiative, corporate change needs the support of the people in that organisation in order to stick. Yet, while all stories can move people to take action, storytelling isn't a one size fits all.