African Myths

Gathering a wide range of traditional African myths, this compelling new collection offers tales of heroes battling mighty serpents and monstrous birds, brutal family conflict and vengeance and desperate migrations across vast and alien lands. From impassioned descriptions of animal-creators to dramatic stories of communities forced to flee monstrous crocodiles, all the narratives found here concern origins - whether of the universe, peoples or families.

This classic presents historical, archaeological, and anthropological evidence to support the theory that ancient Egypt was a black civilization.

Do you like stories about gods and spirits, giants and monsters, damsels in distress, and clever heroes? All of these can be found in African myth and folklore, which have a vast and varied tapestry of stories from hundreds of cultures, each with its own traditions and values. Sometimes the heroes of these stories are divine beings who come down from heaven to create the world we live in, but sometimes human beings and animals themselves are the ones who see to it that the sun, moon, and stars are put into their proper places

Nnamdi's father was a good chief of police, perhaps the best Kalaria had ever had. He was determined to root out the criminals that had invaded the town. But then he was murdered, and most people believed the Chief of Chiefs, most powerful of the criminals, was responsible. Nnamdi has vowed to avenge his father, but he wonders what a 12-year-old boy can do. Until a mysterious nighttime meeting, the gift of a magical object that enables super powers, and a charge to use those powers for good changes his life forever. 

Nelson Mandela's Favorite African Folktales is an audiobook benefiting children orphaned and impacted by HIV/AIDS in South Africa, featuring Gillian Anderson, Benjamin Bratt, LeVar Burton, Ricardo Chavira, Don Cheadle, Matt Damon, Whoopi Goldberg, Sean Hayes, Hugh Jackman, Samuel L. Jackson, LaTanya Richardson Jackson, Scarlett Johansson, Debra Messing, Helen Mirren, Parminder Nagra, Sophie Okonedo, CCH Pounder, and Alan Rickman.

As you study the African myths, legends, and folklore through this guide, you will find that there are so many gods and goddesses, and so many different versions of certain stories, that it will blow your mind. The intricate myths in this book have been lined up and collected to help you understand some of the earliest, most ancient beliefs from those living on the African continent. Some have been influential in our day, and some have been completely forgotten except for vague traditions that have been passed on from one generation to the next. 

When Zélie seized the royal palace that fateful night, she thought her battles had come to an end. The monarchy had finally fallen. The maji had risen again. Zélie never expected to find herself locked in a cage and trapped on a foreign ship. Now warriors with iron skulls traffic her and her people across the seas, far from their homeland. Then everything changes when Zélie meets King Baldyr, her true captor and the man who has ravaged entire civilizations to find her.

One of America's favorite African-American storytellers remembers her childhood in tender, unforgettable new stories: "My Grandmother's Treasure," "The Big Cotton Patch," "Miss Maetroy's Flower Bed," and more.

These are stories based on folktales across Africa. There are added characters and a modern twist for kids

African ideas of how the world began are very different from the story of Genesis. Though the creator god is repeatedly seen as having withdrawn from the world, people often have a very direct and intense relationship with demigods, ancestors, and bush spirits. The entire landscape is permeated by spiritual meanings and inhabited by gods and spirits. While many Africans today formally follow the Christian or Muslim faiths, they often blend these beliefs with traditional lore and rites.

Bran and Fran love living with their mum, who is the storyteller at the Once Upon a Wow bookstore in their small Midlands town. But when mum goes missing and her stories turn out to be a portal to another world, they're going to have a huge, magical adventure on their hands. Luckily, they have Wilma, the Wizard's Wife, and Zack, the wisecracking Zebracorn, to help them on their journey. And they're going to need help because there are evil princes, mud monsters and Viking armies all standing in their way.

More than 150 years after the end of the Civil War, scores of websites, articles, and organizations repeat claims that anywhere between 500 and 100,000 free and enslaved African Americans fought willingly as soldiers in the Confederate army. But as Kevin M. Levin argues in this carefully researched book, such claims would have shocked anyone who served in the army during the war itself. Levin explains that imprecise contemporary accounts, poorly understood primary-source material, and other misrepresentations helped fuel the rise of the black Confederate myth.

Now Yomi and her younger brother Kayode are official members of the Sacred Beast League, they can’t wait for more adventures! And when a Yumboe – a fairy-like creature from Senegal – seeks them out and asks for their help, they’re ready to shine. But with a secret city to protect, beast hunters to outsmart and moon magic in the mix, Yomi and Kay will have to put their skills to the test ...

For as long as she can remember, Yomi has heard stories about Nkara – magnificent creatures that roam the African continent. Now she’s about to meet them for real! Yomi and her brother Kayode are on a trip to The Gambia when they witness the Dragon King Ninki Nanka being kidnapped from the sky. Determined to save him, Yomi and Kay uncover secrets and meet magnificent beasts – but will it be enough to save Ninki Nanka?

This sweeping survey of Black history shows how Black humanity has been erased and how its recovery can save the humanity of us all. Using history as a foundation, The Humanity Archive uses storytelling techniques to make history come alive and uncover the truth behind America's whitewashed history. The Humanity Archive focuses on the overlooked narratives in the pages of the past. Challenging dominant perspectives, author Jermaine Fowler goes outside the textbooks to find recognizably human stories.

African folktales come in many different types. Some are myths explaining the origins of things, while others are tales of heroes with supernatural abilities. Animal stories are many and varied, and they usually involve some kind of trickster who uses his wiles to get out of sticky situations and sometimes into them. There are also cautionary tales explaining why it is important to behave well and treat others with respect, while other stories have a style and shape similar to that of a fairy tale. 

How nature came to be is the basis of African folklore. From a greedy baboon, a vain crocodile, and a clever jackal, African animals are often the characters used to convey the message of human characteristics, their pitfalls, and their triumphs. And unlike stories in other parts of the world, the ending is not always happy. In fact, some African fables are downright gruesome! It was from this point that I wanted to adapt some of Africa’s best-loved stories into tales that could delight a very young audience.

For most kids, catching fireflies is a fun summer activity. For twelve-year-old Serwa Boateng, it's a matter of life and death. That's because Serwa knows that some fireflies are really adze, shapeshifting vampires from the forests of Southeastern Ghana. Adze prey on the blood of innocents, possessing their minds and turning them into hulking monsters, and for generations, slayers like Serwa and her parents have protected an unknowing public from their threats. 

War is coming. Despite everything Maya and her father have done, the veil that protects the human world is failing. The Lord of Shadows has raised an army powerful enough to challenge the orishas. And it’s only a matter of time before he breaks through the veil and destroys Maya’s neighborhood and the rest of the world.

The modern history of Africa was, until very recently, written on behalf of the indigenous races by the white man, who had forcefully entered the continent during a particularly hubristic and dynamic phase of European history. The embrace of Christianity and Islam, even today, is not necessarily to the exclusion of ancestral spirits, nor the essentials of witchcraft and sorcery. The precarious security of albino people in east and central Africa, whose body parts are sought after in traditional “medicine,” is testimony to the fact that these superstitions are alive and well.