Dancers Memoir

Whether you’re looking to boost your happiness, advance your career or manifest your big life goals, Janette’s delightful blend of advice, inspiration and life lessons from her time on stage and screen is just what you need. Divided into four key pillars: Acceptance, Reflection, The Work and Discovery, her tried-and-true life advice centres around learning to love yourself. Each chapter offers hard-won wisdom alongside practical techniques to apply that wisdom to your own life, complete with all the steps to take to make your goals a reality.

Behind the glitz and glamour, Wayne has always felt like an outsider. Sleep reveals the difficulties for a working-class, gay man in handling the prejudices of his generation and living through the AIDS epidemic. Wayne was also the shortest principal dancer in the Royal Ballet - he had to spin twice as fast and jump twice as high to succeed. In this moving - but also laugh-out-loud and gossip filled - memoir, Wayne Sleep shows how he danced his way to success, fulfilment and love, and how he overcame obstacles and prejudice along the way.

This is the true story of how one moment in time, by the thinnest thread of a chance, changed the course of a small boy's life in ways that are beyond description. One day he would dance with some of the greatest ballet companies of the world. One day he would be a friend to a president and first lady, movie stars, and the most influential people in America. One day he would become a star: Mao's last dancer, and the darling of the West.

In 2019, Johannes Radebe became the first male dancer to perform in heels in Strictly Come Dancing history. Wearing black patent leather boots, Johannes danced with a red 'Pose' fan to a rendition of Blondie's Rapture. Two years on, Johannes was part of only the second same-sex pair on the show, dancing with Great British Bake-Off winner, John Whaite and though they were runners up and the response from the UK public was overwhelmingly positive, Johannes still faced abuse that highlighted the continuing fight against homophobia and racism.

Burlesque performer Ruby unfolds from a Fabergé egg each night at clubs across London, until she is asked to direct the show at 'The Club'. A place of infamy and illicit pleasures where the filthy rich and famous come to play, and nothing is off-limits. There, Ruby's nights unravel in a crescendo of violent delights, in thrall to unhinged bosses and a rabid audience. Her soul is wrung out by decadence as the line between entertainment and destruction blurs - yet still, the dance must go on.

Arguably the greatest choreographer who ever lived, George Balanchine was one of the cultural titans of the twentieth century—the New York Times called him "the Shakespeare of dancing." His radical approach to choreography—and life—reinvented the art of ballet and made him a legend. Written with enormous style and artistry, and based on more than one hundred interviews and research in archives across Russia, Europe, and the Americas, Mr. B carries us through Balanchine's tumultuous and high-pitched life story and into the making of his extraordinary dances.

Harlem 1969; it's the height of the Civil Rights era and the community is still reeling from the assassination of Martin Luther King. Arthur Mitchell, the first Black principal dancer at the New York City Ballet, takes his protest to the stage and establishes the Dance Theatre of Harlem. Here begins the story of the five extraordinary women at the heart of this book. This is a book about ballet, the enduring allure of ballet for young girls, and about how these pioneers broke into a world that was closed to them and changed ideas of what a classical dancer could be.

Includes audiobook-exclusive bonus pep talks from Laurieann! A-list choreographer Laurieann Gibson guides creators of all kinds to embrace their passions and achieve success, providing a practical road map to never giving up on your dream. Have you felt stuck like you’re just running in place, fearful of taking the next step? World-renowned Emmy-nominated choreographer and creative visionary Laurieann Gibson shares personal stories from her 20+ career in entertainment, words of encouragement, and practical advice to help you reach your full potential.

Marie Empress was an English singer, dancer, male impersonator, and comedienne who performed in vaudeville and theater around the world at the turn of the 20th century. She achieved her greatest success as an actress in early American motion pictures, circa 1910-1917, and was known as "the sublime vampire woman." She was considered one of the most beautiful women in the world, and for a short period, her star was very bright. But her life, like her sudden appearance on the world stage in 1910, and her disappearance less than a decade later, is cloaked in mystery.

Some women capture our attention like no others. Faith Bacon and Sally Rand were beautiful blondes from humble backgrounds who shot to fame behind a pair of oversize ostrich fans, but with very different outcomes. It was the golden age of American entertainment, and Bacon and Rand fought their way through the competitive showgirl scene of New York with grit and perseverance. They played peek-a-boo with their lives, allowing their audiences to see only slivers of themselves. Little is known about who they really were, until now.

When the Nicholas Brothers danced, uptown at the Cotton Club, downtown at the Roxy, in segregated movie theatres in the South, and dance halls across the country, audiences cheered, clapped, stomped their feet, and shouted out uncontrollably. In Brotherhood in Rhythm, Constance Valis Hill interweaves an intimate portrait of these great performers with a rich, detailed history of jazz music and dance, both bringing their act to life and explaining their significance through a colorful analysis of their eloquent footwork, their full-bodied expressiveness, and their changing style.

When World War II was over, a young bomber pilot with an itch for movement and action hung up his cap and learned another way to fly. Onstage with Martha Graham is the story of Stuart Hodes, a versatile and influential dancer who got his start with Martha Graham, an icon of modern dance. His memoir is a rare firsthand view of the dance world in the 1940s and through the end of the twentieth century. One of the few male dancers in Graham’s company—and in the New York dance scene at the time—Hodes offers a unique perspective and a one-of-a-kind narrative.

Joseph Stalin, chief murderer and dictator of the USSR, devised the most devastating system of poison labs and bioweapons the world had yet seen. In The Dancer and the Devil, John O’Neill teams up with Sarah Wynne to expose the toxic reign of terror continuing today. As engaging as a novel and packed with historical research, this book reveals how the spirit of Stalin lives on in the hideous human experiments being conducted in the concentration camps of North Korea, in Putin’s blatant assassination plots, and in the bioweapon plans of the People’s Republic of China.

The inspired 1960s phantasmagoria called Nancy’s name. She smiled and joined. Why not? She was part of the summers of love, and the winters, dancing the light fantastic. Unique to Nancy’s story, however, is that she took this youthful swashbuckler chutzpah and used it to confront her dermatomyositis, the rare crippling autoimmune disease that attacked her skeletal muscles, her being, and her physical beauty. Evil trio.

This is the true story of a young dancer, whose naïve dream of working in the Far East turns into a nightmare. She finds herself in a plethora of situations, which she is ill-equipped to deal with. Dancing her way across South Korea with two friends, she is propositioned by the Mafia, turned away by the British Embassy, caught in a student riot, and taken to Korean brothels.

When Fancy Feast was in her high school production of "Cabaret," she convinced the director to cast her as a sexy Kit Kat Club Girl, not the old landlady part that always, always goes to the fat girl. In a black slip and fingerless gloves, Fancy made her debut appearance in a fluorescent-lit high school auditorium—and has never looked back. In Naked, Fancy draws back the curtain to reveal a world that most denizens of the daytime never see.

Through her experiences in the Merce Cunningham Dance Company, Marianne Preger-Simon offers a rare account of exactly how Cunningham taught and interacted with his students. She describes the puzzled reactions of audiences to the novel non-narrative choreography of the company’s debut performances. She touches on Cunningham’s quicksilver temperament, lamenting his early frustrations with obscurity and the discomfort she suspects he endured in concealing his homosexuality and partnership with composer John Cageyet she celebrates above all his dependable charm, kindness, and engagement.

Eileen Kramer has lived the most extraordinary life. Born just after Australia entered World War I, she embraced creativity and adventure from an early age. She danced and painted murals in Karachi; worked as an artist's model in Paris and London; met Ella Fitzgerald and Groucho Marx; and learned the twist from Louis Armstrong. In September 2013, aged ninety-nine, Eileen returned to Australia. Now, at 108, she is still dancing.

This is Holland's Got Talent juror Dan Karaty's devastating, moving, and painfully honest account of his life before, during, and after rehab. Choreographer Dan Karaty is living the life: he is traveling around the world partying, garnering attention, and making money. When he joins the jury of So You Think You Can Dance and Holland's Got Talent the Dutch audience falls for the charms of this smiling American. But behind his smile, Dan is hiding a big secret. He's an alcoholic. The more successful Dan becomes, the more he drinks.

From his earliest experiences in Air Force radio to his third act as a crime-solving doctor on television and beyond, Dick Van Dyke has been delivering steady comedic and dramatic performances for more than seven decades. An actor, producer and writer, Van Dyke has been a recognizable name for generations, thanks to the naming conventions of the early days of television, wherein a lead actor’s name would be used as the title of the series.