Dystopian Comedy

In the tradition of Colson Whitehead's Zone One, a visionary debut novel about shelter, escape, family, violence, and dumpster diving. It's the story of a restless group of young squatters. They've run away from their families and their pasts, questing after knowledge of their most wild selves, roaming the half-empty suburbs of America, occupying the homes of the foreclosed or vacationing, never staying in one place long enough to attract attention while shoplifting beer at the local Speedy Stop.

Follow the unbelievable rise of Mickey Rooster, Republican barn developer and upper-class travesty of the year, the hilarious chicanery of the candidate, the one and only Democratic man-turned-female candidate on a path to finally breaking the glass ceiling, and the eye-opening ordeal of Theodore Freeman, a common American like you and me, caught in the crossfire of tragicomedy and reality.

Universes are colliding. Characters from a tangle of universes - Star Trek, Marvel, Star Wars, DC Comics, Middle Earth, and more - are colliding in a reality that has gone mad. There is a great disturbance in the Farce! The evil, orange-skinned usurper, Uranus Blowhard, has hypnotized Amerricans with this mind-numbing MAGA chant. Blowhard is determined to collect the five Time Cheaters that will make him the most powerful roach motel tycoon in the Infiniverse. The only thing standing in Blowhard’s way is Captain Quark and his crack team of superheroes, The Funtastic Five.

In Max Barry's twisted, hilarious vision of the near future, the world is run by giant American corporations; employees take the last names of the companies they work for; The Police and The NRA are publicly-traded security firms. Jennifer Government is a Catch-22 for the New World Order, a satire both broad and pointed, deeply funny and disturbingly on-target.

With three degrees and the highest measured IQ in the Motherlands, Shelly Summers knows that she's socially awkward. It doesn't bother her since as the head engineer for Advances Technologies she has little time for social interactions anyway. When she learns that one of the testers for the sex-bots her company manufactures is her old crush, Marco, she's curious to see if he'll recognize her now that she's 10 years older and no longer has bushy eyebrows and a bad case of acne. A normal person would have said something when Marco doesn't recognize her from his past.

Ciudad de México, año 2026. Kalelia, una joven de 25 años, regresa al país después de casi una década fuera para asistir al funeral de su padre. Se encuentra con una ciudad que volvió, a medias y a la mala, a su condición lacustre y que vive en penumbra por la erupción del volcán Popocatépetl. Cuitláhuac Blanco, antigua gloria del balompié nacional, es el presidente de la nación. La realidad naufraga en sí misma, pero a nadie parece importarle, pues en pocos días comenzará el Mundial de futbol México 2026 y ¡ahora sí vamos a ganar!

Blood felt good in the enormous child’s hands.The 12-year-old never expected to turn his family into cherry red ragdolls, but the beatings had made him into a monster. It was all he knew. After being exiled by the vile inhabitants of the Lowlands, Preston “Porky” Sullivan planned his revenge for over 40 years. Hate. Loathing. Despise. Will it end in blood, or become yet another sad, moronic tale to dwindle in the raging abyss of the Lowlands?

"In un periodo d'inganno universale, dire la verità è un atto sovversivo" (George Orwell). Stanchi dei tanti e continui soprusi, gli animali di una fattoria decidono di ribellarsi agli umani e, cacciato il proprietario, danno vita a un nuovo ordine fondato sull'uguaglianza. Ben presto, però, sorge tra loro una nuova classe di burocrati, i maiali, che con astuzia, cupidigia e prepotenza s'impongono sugli altri animali. E il cerchio si chiude. Perché "tutti gli animali sono uguali, ma alcuni animali sono più uguali degli altri".

It’s the year 2073 and Rowan Greenbaum is condemned to die of an easily cured form of cancer. The reason? His zip code is over its maximum population capacity—at least, according to recent legislation enshrined into law at the behest of the country’s largest health insurance company. This population cap disqualifies Rowan from lifesaving treatment but he discovers a loophole that allows him to trade another life for his own.

Surviving a zombie apocalypse is no laughing matter. You need the right guns, the right gear, and the right people to survive. Unfortunately, the customers of the zombie apocalypse call center don’t have the right guns, the right gear, or the right people supporting them. Now the world has gone mad and zombies are everywhere. Can the customers survive the zombies that are now taking over the world? Can they survive the cutthroat survivalists who are on the hunt for more supplies and guns? Can they trust each other enough to live another day?

In Yurope! Hillary's Invasion, Thomas D. is the last self-sufficient man in America. The illiterate masses of humanoid gelatin surround him on their government assigned wheel chairs and clap rapturously as more and more of their freedoms are taken away in the pursuit of comfort. The first female American president, Hillary Clinton, is elected. At the same time, a mysterious stranger named Kuzen calls upon Thomas to liberate the country of Ungland.

A mildly political prisoner, incarcerated in an intolerant banana republic, manages to keep in touch with his lover outside, in spite of the heavy odds stacked against them, by inventing an ingenious method for signaling in secret - the story references Bizet's Carmen.

Beverly Cryer (Vurl) has to choose a dystopian faction to live with for the rest of her life. If she doesn't make it through initiation, she'll be factionless and declared a Detergent. But, Vurl is determined not to spend the rest of her life doing everyone else's laundry. She is an independent young woman with skills she doesn't even know about and with the help of handsome number Two she'll not only make it through initiation, she'll save the city from disaster.

This original short story asks the question, "If eternal life came at the expense of love, would you choose death?"

The Empty Nation series is sci-fi, romance, political satire, and comedy. The story begins 200 years in the future. In this first volume the framework for the entire series is defined with a wildly concocted futuristic plan by the new United States government to control the economic fate of the world (nothing new).