English High Society

The war on drugs has been lost but for want of the courage to face the fact that the whole world is rapidly becoming one vast criminal network. From pop stars and princes to crack whores and street kids. From the Groucho Club toilets to the poppy fields of Afghanistan, we are all partners in crime.

Olive and Jasper have never been closer—except for one thing. Jasper is still reticent about his frequent disappearances from polite society. With the holidays approaching and no paying client on the books, Olive decides to shadow Jasper when he’s unexpectedly called away. Her search brings her to Holly Hill Lodge where an eclectic group has gathered to celebrate an old-fashioned English Christmas. When the butler goes missing, Olive and Jasper must work together to solve the Christmas crime—as well as the secret Jasper hides.

The Ultimate History of the '80s Teen Movie goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers, and where future superstars Sean, Demi, and Tom all got their big break. Music, comedy, and politics all play a part in the surprisingly complex history of the '80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain relevant to all ages.

High conflict is what happens when discord distills into a good-versus-evil kind of feud, the kind with an us and a them. In this state, the brain behaves differently. We feel increasingly certain of our own superiority, and everything we do to try to end the conflict, usually makes it worse. Eventually, we can start to mimic the behavior of our adversaries, harming what we hold most dear. In this book, New York Times bestselling author and award-winning journalist Amanda Ripley investigates how good people get captured by high conflict—and how they break free.

November, 1923. Olive’s school chum, Gigi, invites Olive to London because Gigi’s dotty grandmother fears for her life—or so she’s said to Gigi. However Olive is surprised to find that the dowager is far from muddled. The sharp and imperious matriarch refuses to admit to her worries and sends Olive on her way. Without a client or case, Olive is swept into the glittering lifestyle of the “fast set,” and their decadent excess. But then among the cocktails and champagne, a murderer strikes during a frivolous party game, and Olive realizes the dowager’s fears were well-founded.

At sixteen, Holly Danvers barely survived the car accident that killed her father. While she has no memory of the crash, it took an ayahuasca treatment, a native plant-based psychedelic therapy, in the jungles of Peru for her to emotionally recover. Twenty years later, Holly is a sought-after psychiatrist determined to use her expertise with psychedelics to treat patients suffering from addictions. Ignoring the risks, she embarks upon an unproven new protocol with miraculous results. But her success in probing the traumas of her patients and the secrets they keep is short-lived.

Olive Belgrave needs a job. Despite her aristocratic upbringing, she’s penniless. Determined to support herself, she jumps at an unconventional job—looking into the background of her cousin’s fiancé, Alfred. Alfred burst into the world of London’s high society, but his answers to questions about his past are decidedly vague. Before Olive can gather more than the basics, a murder occurs at a posh party. Suddenly, every Bright Young Person in attendance is a suspect, and Olive must race to find the culprit because a sly murderer is determined to make sure Olive’s first case is her last.

Switzerland, 1924. Lady sleuth Olive Belgrave is set to enjoy a holiday of ice skating and snowshoeing in the glamorous alpine setting of St. Moritz, but her plans are rudely interrupted when an unfortunate accident takes place. It quickly becomes clear that the tragic event was a carefully concealed murder. Olive isn’t one to shy away from a challenge, and with her sharp intuition and knowledge of the high society set, she uncovers motives among the elite guests. However, this case is one of the most challenging she’s faced.

September, 1923. Despite closing her first case, high society lady detective Olive Belgrave hasn’t found a new client. She’s taken a job as a hat model to pay for her poky boarding house room. But then a job offer comes her way—make discreet inquiries about a famous author who’s disappeared. Olive travels to the English countryside to hunt for the missing mystery author. But soon after she arrives in the sleepy village, a body is discovered. Then a second murder focuses the police’s attention on Olive, and she must clear her name before the murderer pens a plot that frames her.

November, 1923. An invitation to a house party at the estate of Parkview Hall is a welcome respite for Olive Belgrave, a newly minted working girl who’s become the solver of high society’s trickiest problems. But when the sumptuous black-tie event turns deadly, Olive’s cousin Peter becomes the main suspect. Olive must unmask a sophisticated killer before an innocent man takes the blame . . . because murder doesn’t RSVP.

It’s October, 1923, and Olive Belgrave has a new case. Her client, Lady Agnes doesn’t believe in curses, and she hires Olive to prove her Egyptologist uncle wasn’t the victim of a malevolent mummy. Olive investigates and discovers the truth is much worse—it’s murder. Can Olive debunk the curse and reveal the true culprit before the supposed curse claims another victim?

Olive Belgrave is delighted with her new flat at South Regent Mansions where she’s made several friends, including the modern career woman, Minerva, who draws a popular cartoon about a flapper for a London newspaper. But then Minerva comes to Olive for help after catching a glimpse of a disturbing sight—a dead body. At least, that’s what Minerva thought she saw, but there’s not a dead body anywhere in the posh building, and the residents are continuing with their lives as they normally do. Is Minerva seeing things? Is she barmy? Or is there a more sinister explanation?

The Girl Explorers is the inspirational and untold story of the founding of the Society of Women Geographers - an organization of adventurous female world explorers - and how key members served as early advocates for human rights and paved the way for today's women scientists by scaling mountains, exploring the high seas, flying across the Atlantic, and recording the world through film, sculpture, and literature.

'I would be most unhappy to think that any part of this memoir should be cut on grounds of 'decency', for those bits are essential....' So begins the lively true story of aristocrat and travel writer Roderic Fenwick Owen. Born in 1921, Fenwick Owen had an extraordinary life, which careered between some of the biggest moments in history and took him to the ends of the earth, meeting (and even living with) some of the 20th century's most well-known people along the way, including Eisenhower, Jackson Pollock, Christopher Lee and Sean Connery.

In The Once and Future Sex, Janega unravels the restricting expectations on medieval women and the ones on women today. She boldly questions why, if our ideas of women have changed drastically over time, we cannot reimagine them now to create a more equitable future.

Violence and the Sacred is Rene Girard's landmark study of human evil. Here Girard explores violence as it is represented and occurs throughout history, literature, and myth. Girard's forceful and thought-provoking analyses of Biblical narrative, Greek tragedy, and the lynchings and pogroms propagated by contemporary states illustrate his central argument that violence belongs to everyone and is at the heart of the sacred.

Following a whirlwind engagement to Viscount "Lyndy" Lyndhurst, Stella Kendrick is finding her footing within an elite social circle in picturesque rural England. Except tea time with refined friends can be more dangerous than etiquette faux pas - especially in the company of Lady Philippa, the woman Lyndy was once set to marry, and her husband, the ostentatious Lord Fairbrother....

On the eve of the London season, Jane Chance is about to make her entrance into high society. And after a childhood riddled with poverty and hardship, Jane intends to make a good, safe, and sensible marriage. All goes according to plan until a dark, dangerous vagabond helps her rescue a dog.

For 12-year-old Ottilie Finch, London is an exciting playground to explore. Her family have recently arrived in Hampstead from Durham, under a cloud of scandal that Otty is blissfully unaware of. The only shadow over her days is her mother’s mysterious illness, which keeps her to her room. When young local girl Mabs is offered the chance to become Mrs Finch’s companion, it saves her from a desperate life on the canals. Little does she know that all is not as picture-perfect as it seems.

When Ashley Shew became a self-described "hard-of-hearing chemobrained amputee with Crohn's disease and tinnitus," there was no returning to "normal." Suddenly well-meaning people called her an "inspiration" while grocery shopping or viewed her as a needy recipient of technological wizardry. Most disabled people don't want what the abled assume they want—nor are they generally asked. In vibrant prose, Shew shows how we can create better narratives and more accessible futures by drawing from the insights of the cross-disability community.