Historical Mystery Suspense

According to legend, Annas Zevi, an artist who witnessed the raising of Lazarus, was told by Christ to paint what he saw. Over the centuries, his completed works have vanished, along with every other painting depicting Lazarus' resurrection. They were rumored to be sacred icons with miraculous powers. International art recovery experts Broderick Ladro and Ulla Stuart are hired by a disgraced high court judge, Sir Maxwell Throgmorton, to locate a long lost medieval painting by Spanish artist Francisco Cortez. Like Zevi, his work is said to be divinely inspired.

Madame Tussauds, London’s extravagant wax museum, reopens in 1928 to much fanfare. The horrific fire of ’25, which had destroyed the wax figurines of famous and sometimes infamous characters, was news of the past. Ginger Reed and her good friend Haley Higgins are intrigued and eager to visit the museum which promises new and exciting exhibits. Of particular interest is the one on Bram Stoker’s Dracula. Hailed by some as effective literary horror and by others as unnecessarily frightening, the exhibition about the book attracts all kinds.

In February 1835, the cold New Orleans streets are alight with masked Mardi Gras revelers as the American Theater’s impresario, Lorenzo Belaggio, brings a magnificent yet controversial operatic version of Othello to town. But it’s pitch-black in the alley where free man of color Benjamin January hears a slurred whisper, spies the flash of a knife, and is himself wounded as he rescues Belaggio from a vicious attack. Could competition for audiences - or for Belagio’s affections - provoke such violent skulduggery?

Abishag Shaw is seeking vengeance for his brother’s murder - and Benjamin January is seeking money after his bank crashes. Far beyond the frontier, in the depths of the Rocky Mountains, both men are to be found at the great Rendezvous of the Mountain Men, a month-long orgy of cheap booze, shooting matches, tall tales, and cutthroat trading. But at the rendezvous, the discovery of a corpse opens the door to hints of a greater plot - of madness and wholesale murder.

New Orleans, 1836. When free Black musician and surgeon Benjamin January attends the funeral of a friend, an accident tips the dead man out of his coffin - only to reveal an unexpected inhabitant. Just one person recognizes the corpse of the White man: Hannibal Sefton, fiddle-player and one of January’s closest friends. But he seems unwilling to talk about his connection to the dead man....

RAN AWAY. So began a score of advertisements every week in the New Orleans newspapers, advertising for slaves who’d fled their masters. But the Turk, Hüseyin Pasha, posted no such advertisement when his two lovely concubines disappeared. And when a witness proclaimed he’d seen the “devilish infidel” hurl their dead bodies out of a window, everyone was willing to believe him the murderer. Only Benjamin January, who knows the Turk of old, is willing to seek for the true culprit, endangering his own life in the process.

It’s 1835, and the relentless glare of the late July sun has slowed New Orleans to a standstill. When Hesione LeGros - once a corsair’s jeweled mistress, now a raddled hag - is found slashed to death in a shanty on the fringe of New Orleans’ most lawless quarter, there are few to care. But one of them is Benjamin January, musician and teacher. He well recalls her blazing ebony beauty when she appeared, exquisitely gowned and handy with a stiletto, at a demimonde banquet years ago.

Mexico City in the autumn of 1835 is a lawless place, teeming with bandits and beggars. But an urgent letter from a desperate friend draws Benjamin January and his new bride, Rose, from New Orleans to this newly free province. Here they pray they’ll find Hannibal Sefton alive - and not hanging from the end of a rope.

Henrietta, the Dowager Countess of Woodridge, is on a mission to find Tom Winchester a title. Meanwhile, Evie, the Countess of Woodridge, has been offered a partnership. However, she has reservations about her abilities to juggle the business of being a lady detective and all her other responsibilities. When she finds herself in the midst of an investigation to discover the author of some threatening letters, all her relatives become involved, in the process, mastering the art of observation. Little do they know they are about to uncover a mystery hidden within a mystery.

Life couldn’t be better on Eaton Square Gardens, where the most prestigious families lived, until one of their own dies, and it’s murder. Ginger and Basil are on the case, but it’s not a simple glass of bubbly fizz. The more the clues present themselves, the trickier the puzzle gets, and Ginger feels she’s on a wild goose chase.

Nineteenth-century New Orleans is a blazing hotbed of scorching politics and personal vendettas. And it’s into this fire that Benjamin January falls when he is hired to follow Oliver Weems, a bank official who has absconded with $100,000 in gold and securities. But it’s more than just a job for January. The missing money is vital to the survival of the school for freed slaves that he and his wife, Rose, have founded.

It's 1911, and war is brewing across Europe. However, Melody Chesterton, an independent young woman with her own fortune, has more important things on her mind. Melody is determined to do more with her life than marry well; she wants exciting escapades with perhaps some romance sprinkled in along the way. Chaperoned by her older brother, Rat, who secretly works for Britain's newly formed Secret Service Bureau, Melody sets off for the first stop on her Grand Tour of Europe, Venice.

The first three mysteries in the acclaimed Dewey Webb series: Web of Deceit, Murder in Fashion, and Secrets and Lies. It's 1949. World War II is over, but it has a way of haunting people for years to come. Meet Dewey Webb, a hard-boiled 1940s detective, a man of contradictions who gets down and dirty to get the job done.

When Evie Parker, Countess of Woodridge, decides to spend a day in London unaccompanied she has no idea she will encounter the one person she has hoped to spend the rest of her life avoiding. There's no escaping Isabel Fitzpatrick's exuberant energy and desire to show off her new husband. However, the encounter sets off a series of events and brings trouble right to Evie's doorstep.

Evie, the Countess of Woodridge, is hosting a house party to celebrate the end of summer. Some of the guests include a famous actress trying to revive her career, a theater critic renowned for his biting reviews, a newspaper owner in need of a scandal, and more than a few guests with motives for murder. Evie could not have hoped for a livelier group of guests to amuse her granny, Toodles, who has finally arrived for a visit and is eager for some entertainment. However, Evie gets more than she bargained for when one of the guests dies right before their eyes.

It's 1949. World War II is over, but it has a way of haunting people for years to come. Gordon Sandalwood suspects his wife Edith is hiding something from him, and he asks Denver private investigator Dewey Webb to find out what. Dewey, toughened by his own war experiences, reluctantly takes the case, certain it will lead to nothing. But when he sees Edith rendezvous with a mysterious man, Dewey realizes his assumptions might be wrong.

Poppy Townsend is forced to close the doors of her dress shop. Mysteriously, on that same day, she receives a ticket to board a riverboat from her estranged maternal grandfather. At her arrival, Poppy is determined to search for answers to the scandalous rumor told about her father...and the sudden death of her mother from a visit two years before.

December 1840. Surgeon turned piano-player Benjamin January is looking forward to a peaceful holiday with his family. But the arrival of an old friend brings unexpected news—and unexpected danger. Persephone Jondrette has found Arithmus: a Sudanese man with extraordinary mental abilities who January last saw in France, nearly fifteen years ago, during a ghost-hunting expedition to a haunted chateau. January and his friends survived the experience . . . but Arithmus's benefactor, the British explorer Deverel Wishart, did not.

Evie, Countess of Woodridge, is on a mission to rescue her favorite modiste from the consequences of an unfavorable review. Her quest is a timely diversion as her granny, Toodles, appears to be suffering from a case of restlessness. All goes well until Evie's public clash with the journalist responsible for the article is followed by the journalist's death. The circumstances are suspicious and the police is warning Evie to stay away from the case. While she is happy to comply with the detective's request, the killer has other ideas and goes one step too far . . .

February, 1841. It's Carnival season in New Orleans. Free man of color Benjamin January—a surgeon turned piano player, with a talent for attracting trouble—is playing at an opulent masked ball when, little to his surprise, a quarrel breaks out between two guests, and his services are requested at a duel. Young planter Bastien Damoreau has accused a recent arrival to town of passing himself off as white—an insult not to be borne.