Magazine Publishing

In the 1950s, Confidential magazine, America's first celebrity scandal magazine, revealed Hollywood stars' secrets, misdeeds, and transgressions in gritty, unvarnished detail. Deploying a vast network of tipsters to root out stars' sexual affairs, drug use, and sexuality, publisher Robert Harrison destroyed celebrities' carefully constructed images and built a media empire. Confidential became the best-selling magazine on American newsstands in the 1950s, surpassing Time, Life, and the Saturday Evening Post. Confidential's spectacular rise was followed by an equally spectacular fall.

Over his 30-year career at Condé Nast, Nicholas Coleridge has witnessed it all. From the anxieties of the Princess of Wales to the blazing fury of Mohamed Al-Fayed, his story is also the story of the people who populate the glamorous world of glossy magazines. With relish and astonishing candour, he offers the inside scoop on Tina Brown and Anna Wintour, David Bowie and Philip Green, Kate Moss and Beyonce and a surreal weekend away with Bob Geldof and William Hague.

Peter Jukes, an award-winning TV crime writer, starts at the beginning: October 2013 and the Old Bailey is gearing up for an eight-month courtroom clash. It's a showdown that will pit tabloid newspaper executives in Rupert Murdoch's News International against the British state. The journalists are accused of phone hacking, corrupting public officials, and conspiracy to pervert the course of justice. After years of cover up involving News International, the Metropolitan Police, and the government, the judge tells the jury, "British justice is on trial."

The first issue in the second century of Weird Tales features a new HELLBOY story by Mike Mignola and Christopher Golden. Editor Jonathan Maberry has built a collection of cosmic horror that will destabilize your worldview.

Weird mysteries that defy the laws of science. Do their answers lie in the unknown world beyond our senses? FATE's Strange series sold over 2,000,000 copies in the '70s and '80s. Now new audiences are making it a leading title on Amazon and Audible Paranormal. Now you can listen to the best from its 60-plus years and 700 issues.

You can’t have a good tale of monster hunting without monsters. And sometimes the monsters don’t need to be hunted. Sometimes it’s fun sitting back at minimum safe distance and watching the mayhem.

This essential guide is the first of its kind to chart a path to publication that is writer led, community based, and accessible to all. How to Submit speaks to writers who want to publish short stories, essays, or poems in literary magazines, as well as to those looking for a fresh route to publishing a full-length book.

Celebrating the 100th anniversary of the first issues of Weird Tales Magazine, 100 Years of Weird is a masterful compendium of new and classic stories, flash fiction, essays, and poems from the giants of speculative fiction, including R. L. Stine, Laurell K. Hamilton, Ray Bradbury, H. P. Lovecraft, Tennessee Williams, and Isaac Asimov.

This new edition of Microcosm's popular DIY guide to zine making is updated to address zine making in today's digital- and social-media-obsessed world. Covering all the bases for beginners, Make a Zine hits on more advanced topics like Creative Commons licenses, legality, and sustainability. Make a Zine also takes a look at the burgeoning indie comix scene with a solid and comprehensive chapter by punk illustrator Fly.

What you need to know about grammar and writing as taught widely in colleges, high schools, and grammar schools wherever American English is spoken!

William Strunk, Professor at Cornell, wrote his famous Little Book on good grammar and writing to simplify the subject for students far and wide. His famous motto was, "Omit needless words." This unabridged version follows this motto and can be listened to in just 60 minutes!

Weird Tales magazine is known for launching a number of sub-genres of fiction—cosmic horror, swords & sorcery, dark fantasy, and others. It has also greatly added to existing genres like science fiction, horror, and—a personal favorite of editor Jonathan Maberry—weird mystery stories. Or, as they became known—occult detective tales.

When London editor Georgia Abbott comes to Sydney to work on Glow, a glossy woman's magazine, she has high hopes for a bright new start. Leaving behind a broken heart (her own) and a philandering ex-fiance, she's looking forward to immersing herself in the Tim Tam-eating sisterhood of woman's mags. Not to mention being whisked off into the dusty Australian sunset by a suntanned, Akubra-hatted fantasy man.

Welcome to a very special issue of Weird Tales. This issue celebrates the Bram Stoker Awards, the “Oscars” of the horror trade. They are presented every year by the Horror Writers Association (horror.org), a group founded in 1985 (and incorporated in 1987) by a collective of masters of that genre, including Joe R. Lansdale, Karen Lansdale, Robert McCammon, and Dean Koontz. This issue is packed with short stories, flash fiction, poems, and an essay—all written by past winners of the Bram Stoker Award.

The world is not what we think it is. The individuals whose experiences you are about to hear know that only too well, since nothing in their lives had prepared them for their encounters with things that are not supposed to happen - but did! Events like these remain hidden because those they happen to are afraid to speak out of a natural reluctance to have their sincerity or sanity questioned. Societies define their own realities and those who challenge them do so at their own peril. The moral seems to be that where these kinds of events are concerned, ignorance is the best policy.

When the world's biggest and most moving events took place - World War II, the Moon landing, the death of Princess Diana, and many more - Time magazine was there to tell the story with passion and clarity. This book features pieces by Barbara Ehrenreich, Henry Anatole Grunwald, Maureen Dowd, Walter Isaacson, Bono and many other famous writers, and will provide listeners with a uniquely entertaining view of 85 years of Time's history.

Assemble Artifacts: A short story magazine that assembles a thrilling new mix of stories from genres including horror, science-fiction, comedy, and suspense. Buried at the heart of every story in the magazine is a unique artifact, an object that has inspired our storytellers to create a big idea, an irresistible question, a new immersive world, or a sense of wonder. Unearth your next great listen with Assemble Artifacts.

FEAT DESC

The story of The Happy Prince has three major themes. Firstly it shows that apparent beauty is nothing and the real beauty is to bestow love and sacrifice. Secondly, it discusses that love and sacrifice are two saving forces. Thirdly, it shows that there is a large gap between rich and poor people the rulers and the masses. When the happy prince is alive he lives a happy life without sorrows, he is living a care free life but after his death he sees through a tall Colum that life has another view except happiness and that is helplessness poverty, hypocrisy and corruption of elite and ruling class.

In addition to these classic novels, the sents a captivating anthology of novels and stories from the visionary author. Renowned as one of the pioneers of science fiction, Wells's works continue to enthrall readers with their imaginative storytelling and thought-provoking themes. At the forefront of this anthology are some of Wells's most iconic works, including The Time Machine, a groundbreaking tale of time travel and its consequences, and The War of the Worlds, a gripping account of a Martian invasion that brings humanity to the brink of extinction.

From the fragility of life almost gone in an instant at a crosswalk, to avoiding the shoals of adolescence, to cell phones driving us to distraction (as we drive!) to turning the tables on telemarketers, to the Iraq War coming home to a small town in Pennsylvania, these pieces are filled with insight and sensitivity, laced with humor and understanding. In his own very unique way, John Grogan makes all of us feel more connected to each other and less like strangers living in a strange land.