Mental Violence

Being a teenager has never been easy, but in recent years, with the rise of the Internet and social media, it has become exponentially more challenging. Bullying, once thought of as the province of queen bees and goons, has taken on new, complex, and insidious forms, as parents and educators know all too well.

In the exciting final installment of the Lost Voices trilogy, mermaid Luce swims to the San Francisco Bay where she finds a group of renegade mermaids who become an army under her leadership when war breaks out between humans and mermaids.

A new town, a new school, a new start. That's what 14-year-old Gray Wilton believes as he chants, "It's gonna be better, gonna be better here." But it doesn't take long for Gray to realize that nothing's going to change--there are bullies in every school, and he's always their punching bag. Gray feels trapped in a world where he has no control and no way out--until the day he enters the halls with his father's semiautomatic in hand.

A congressman's daughter who has to be perfect. A star quarterback with a secret. A guy who's tired of being ignored. A clarinet player who's done trying to fit in. An orphaned rebel who wants to teach someone a lesson. A guy who wants people to see him, not his religion. They couldn't be more different, but before the morning's over, they'll all be trapped in a school that's been rocked by a bombing. When they hear that someone inside is the bomber, they'll also be looking to one another for answers.

Intermittent Explosive Disorder (IED) is a disorder which often gets diagnosed for people who do not fall under other mental disorders or personality disorders, but who experience rage incidents which are seemingly uncontrollable to them. According to the National Institute of Mental Health, "IED affects as many as 7.3 percent of adults - 11.5-16 million Americans". It is also estimated by NIMH that "six million...adolescents...meet the criteria for an IED diagnosis".

Former big-city crime reporter Tamara Cherry calls on her award-winning skills as a journalist to examine the impact of the media on trauma survivors and the impact of trauma on members of the media. As Tamara documents the experiences of those who were forced to suffer on the public stage, she is confronted by everything she got wrong on the crime beat. Covering murders and traffic fatalities to sexual violence and mass violence, Cherry exposes a system set up to fail trauma survivors and journalists.

The Roots of Violence: Why Humans Are Not by Nature Violent (Essays on Law, Policy and Psychiatry, Vol. 10, 2018) is an analytical and policy study that presents abundant evidence that human beings are not by nature violent and that violence therefore is a conditioned response. The scientific disciplines examined are anthropology, biology, neurology, pedagogy, psychoanalysis, and sociology.

Alex ist wütend. Seit dem Autounfall, bei dem sein Vater ums Leben gekommen ist, ist nichts mehr wie früher. Schuld an allem ist der Fahrer des anderen Wagens, das steht für Alex fest. Er setzt es sich zum Ziel, den Mann zu finden und zu bestrafen. Unterstützung erhofft er sich von den "Black Boys". Dass die rechtsradikale Ansichten vertreten, nimmt er in Kauf. Im Gegenzug muss er sich an den gewalttätigen Aktionen der Gruppe beteiligen.

It all begins a thousand years ago on the flats of Africa and follows a wolf-dog as he makes life-altering decisions not just for himself but for the human with whom he develops a bond. This union remains inviolable as Puck’s soul passes from one life to the next. Puck’s story is as spiritual as it is terrestrial. His earthly visits are interwoven with returns to The Bridge and Azul, the latter a divinity who advises Puck but does not predetermine his actions - or his fate(s).

In Every 90 Seconds, Anne P. DePrince argues that to end violence against women, we must fundamentally redefine how we engage with it—starting by abandoning the idea that violence is a problem involving only those who abuse or are abused. Instead, DePrince illuminates how violence against women is inextricably linked to other issues that stoke our greatest passions.

What can parents and other concerned adults do to prevent the next Sandy Hook? Are there red flags that warn us if our children might become victims or perpetrators of bullying or of sexual assault? How do we know when a child or young adult is at risk for suicide or just moody? These are certainly questions most parents have wondered about, especially at a time when childhood dangers seem increasingly hard to predict or control.

Victoria Zell doesn't fit in, not that she cares what anyone thinks. She and her homeschooled boyfriend, Andrew, are inseparable. All they need is each other. That is, until Zachary Zimmerman joins her homeroom. Within an hour of meeting, he convinces good-girl Vic to cut class. And she can't get enough of that rush. Despite Vic's loyalty to Andrew, she finds her life slowly entwining with Z's. Soon she's lying to everyone she knows in an effort to unravel Z's secrets. Except Z's not the only one with a past.

Golden “Go” Jennings wasn’t supposed to be on Bus 21 the day it blew up in New York City. Neither was her boyfriend, Chandler. But they were. And so was Rudy, a cute stranger Go shared a connection with the night before. And Caroline, a girl whose silence ended up costing 19 people their lives. Though it’s been a year since the bombing, Go isn’t any closer to getting over what happened. With Chan completely closed off to even talking about it, Go makes an impulsive decision: round up the rest of the survivors and head to New York City.

Sebastian Cody did something horrible, something no one - not even Sebastian himself - can forgive. At the age of four, he accidentally shot and killed his infant sister with his father's gun. Now, 10 years later, Sebastian has lived with the guilt and horror for his entire life. With his best friend away for the summer, Sebastian has only a new friend - Aneesa - to distract him from his darkest thoughts.

Willa is lucky: She has a loving blended family that gets along. Not all families are so fortunate. But when a bloody crime takes place hundreds of miles away, it has an explosive effect on Willa's peaceful life. The estranged father she hardly remembers has murdered his new wife and children, and is headed east toward Willa and her mother. Under police protection, Willa discovers that her mother has harbored secrets that are threatening to boil over. Has everything Willa believed about herself been a lie?

Sous toutes les répétitions blessantes, il y a un manque d'amour que chaque victime rationalise en croyant le mériter. Ce que nous avons subi, nous nous le faisons subir. Les abandonnés sont quittés, les abusés sont abusés, les violentés sont agressés. Et ils sont aussi ceux qui abandonnent, abusent et violentent. Josette Stanké nous fait explorer les dedans de la répétition auxquels nous avons du mal à accéder, tant nous nous sommes identifiés à elle.

Violence impacts everyone. Maybe it doesn’t impinge on you directly. Maybe you and your loved ones feel safe most of the time. But the sad reality is, we know that violence is happening all the time, somewhere in our country, our cities, our towns, and our neighborhoods. Sometimes we see it, sometimes we don’t. Sometimes it makes the news; usually it doesn’t.

Ian's band is finally taking off. But the band's front man and Ian's best friend, Orlando, can't catch a break as a black kid in their white town. Tension with a security guard lands both Ian and Orlando in jail, and when Orlando is held indefinitely, someone will need to take over the band until he gets out. When Orlando chooses Chase, the band's bassist, to step in, Ian is slighted. As Ian's resentment builds, he plots his revenge. One by one, he turns his bandmates against one another, with tragic results.