Metaphysical Fiction

John Donne, Andrew Marvell, George Herbert, Thomas Carew, and Henry Vaughan: these were some of the 17th-century writers who devised a new form of poetry full of wit, intellect and grace, which we now call Metaphysical poetry. They wrote about their deepest religious feelings and their carnal pleasures in a way that was radically new and challenging to their readers. Their work was largely misunderstood or ignored for two centuries, until 20th-century critics rediscovered it, finding in it a deep originality and a willingness to experiment.

The metaphysical poets were a loose group of British lyric poets of the 17th century. In this collection read by Sir Cedric Harwicke, Robert Newton and David Moore are poems by John Donne, Robert Southwell, Richard Crawshaw, George Herbert, Henry Vaughan and Andrew Marvell.

The unifying factor of this collection is that, without exception, every author included here was in some way or another involved with or interested in the occult. In some cases, they were members of an occult organization, such as the Hermetic Order of the Golden Dawn, the Theosophical Society, or similar such groups. Others simply had a strong personal interest in the subject matter or practiced some form of the esoteric sciences in private.

Sex, science and spirituality! These were the triad of influences on the poetry of the seventeenth century. Following the golden age of Elizabeth I this century was to be one of great tensions; between Parliament and the Monarchy, Canterbury and Rome, science and religion; a civil war, the beheading of a King, The Republic, The Restoration, and finally, the Glorious Revolution which deposed a King and firmly reasserted the Protestant ascendancy.