Victorian Ghost

How do you know if you’ve seen a ghost? Maybe you’ll never know. But an American couple seeking an idyllic retirement in and English country house do find out...eventually. Afterward is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.

Australia, 1857. Life is brutal on the goldfields of Castlemaine. With death around every corner, people are all too willing to believe in ghosts and embrace the spiritualism movement finding its way across the seas. For Lucy Earnshaw and her husband Tom, their arrival in Australia is marred by unimaginable grief. In the wake of her loss, and amid a failing marriage, Lucy is drawn into the world of spiritualism and theater—and into the path of dashing young playwright, Will Browning. Lucy’s new obsession leads her into the dark underbelly of the goldfields.

A young man’s inheritance includes more than a house when an ebony-framed painting of a beautiful woman starts to exert a strange hold over its new owner. Could this lead to his tragic demise?

Anne Rice lures us once again into the seductive world of vampires with her short story, The Master of Rampling Gate. In 1888, siblings Richard and Julie are drawn to the beautiful but foreboding 400-year-old family mansion. What was the "unspeakable horror" their father saw in the luxurious home they are so drawn to? Available in audio exclusively from Audible.

Weigall remembers talking with Wyatt about the soul and afterlife. Wyatt states, 'If I had my way, I should stay inside my bones until the coffin had gone into its niche, that I might obviate for my poor old comrade the tragic impersonality of death.' The characters wonder about death and the destination of the human soul when it occurs. Weigall does not believe that the marshy bog, the Strid, has taken his friend, but when he sees a hand raised above the surface of the water, he knows it must be him and he desperately and quickly saves him.

Being awoken by noises in the night is disturbing enough, but the chilling voice heard one night during Mr Browne’s Italian travels was enough to make insomnia preferable. No Living Voice is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.

Stranded on some marshes, a gentleman out hunting is forced to spend Christmas Eve inside a rotting, beached shipwreck. 'A Christmas Eve on a Haunted Hulk' is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known.

Whatever you do, don't go on to the beaches at dusk, or the Sand-Walker will come to your window at night. Such is the sinister warning given to the new lodger at the Beach Farm, a lonely house on the North Sea coast of England. But who, or what, is the Sand-Walker?

Daniel, a young man and son of the late bailiff with rather superior ways of a gentleman but no money to back them up, becomes involved in a love triangle. Engaged to Maria, a plain-looking girl but with proper manners, Daniel begins stepping out on the sly with a pretty young woman from France called Harriet (really Henriette, but a name too difficult for the villagers to remember). Maria decides to have it out with him, so she follows him one night.

For most of her life, Juliet Emerline has subsisted, isolated by deafness, making hats in the solitude of her home. Now she's at risk of losing her sanctuary to Lord Nicolas Thornton, a mysterious and eccentric architect with designs on her humble estate. When she secretly witnesses him raging beside a grave, Juliet investigates, finding the name "Hawk" on the headstone and an unusual flower at the base. The moment Juliet touches the petals, a young English nobleman appears in ghostly form.

In the story, a young, scientifically minded college professor finds an old bronze whistle while exploring the ruins of a Knights Templars' preceptory. That night, he blows on the whistle and a vision comes to him of a dark expanse with a lonely figure in its midst. The sound also appears to call up a gust of wind, but the sensible professor dismisses it as a coincidence. More strange incidents follow, however, to shake his disbelief in the supernatural.

Captain Stuart Monroe returns home from the Revolutionary War to find Thornton Hall threatened by a peacetime foe: debt. He knows the location of a treasure amassed to pay for the capture of Benedict Arnold that would restore his manor to its former glory. The catch: It's hidden in the graveyard and coveted by old enemies. Hettie Fairfax inherited the Sight from her Cherokee ancestors, and her otherworldly visitors warn her, and Stuart, away from the buried treasure. Half-dead from fever, she delivers a message: The treasure is cursed.

This novel has been in the works since its beginning in 2005 when a century and half old colonial style home was restored by the author and his wife, Barbara. For over twelve months, the house did an amazing transformation, the third time since its original construction in 1845. The first time it was restored was 1861. The second time in 1932 and the last time in 2005.

It was a ghastly horror of a house party. Miss Penelope Childe and all the others were awaiting the end of the wicked earl's rotten life. The disinherited son, the new heir, the illegitimate son - all of them are there. Murder is done. The centuries-old curse has struck again. Penelope alone heard the supernatural scream and sees the ghosts that no one else can. Penelope is a reluctant bride-to-be, contracted to wed a man she's never met before. She intensely dislikes her betrothed, the rakish Lord Taredell.

It’s 1888, and the sordid Bowery District of New York City is a lonely and dangerous place for any young woman to live, especially one who can see ghosts. An impoverished Irish seamstress, Maggie O'Connor, wishes that the otherworldly entities would leave her alone to concentrate on her worldly ambitions: putting food on the table and buying her own dress shop one day, but the quirky ghosts have other plans.

Maine, 1846. Gabriel Stone is desperate to escape the ghosts that haunt him in Massachusetts after his wife’s death, so he moves to Maine, taking a position as a minister in the remote village of Pale Harbor. But not all is as it seems in the sleepy town. Strange, unsettling things have been happening, and the townspeople claim that only one person can be responsible: Sophronia Carver, a reclusive widow who lives with a spinster maid in the eerie Castle Carver. Sophronia must be a witch, and she almost certainly killed her husband.

Montague Rhodes James is cited as perhaps the greatest English writer of ghost stories, an opinion few would disagree with. His classic story ‘Whistle and I’ll Come to You My Lad’ exquisitely reveals how a young professor on holiday chances on a buried whistle and folklore becomes terrifying fact.