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My name is Katherine Parr. I’m thirty-one years old – already twice widowed. I love a man I can’t have. I’m to wed a man no one would want. He has cast aside two wives and watched another die in childbirth. Two more have had their heads struck from their bodies, on his order. What will become of me as Henry VIII’s sixth wife? I will have the king’s ear. With that comes power. But power means danger in the Tudor court.

JAPON. 1600. John Blackthorne rêvait d’y accoster. Il n’imaginait pas que, pour y parvenir, il aurait à braver une tempête. Craché par l’océan, l’équipage du pilote anglais touche enfin terre. Mais les marins regrettent bien vite leur découverte, car ils sont maintenant prisonniers de samouraïs aux mœurs très différentes des leurs. Amené devant Toranaga et Ishido, deux daimyō rivaux dont l’ambition secrète est de devenir Shōgun, Blackthorne fera tout pour recouvrer sa liberté. Mais il faudra bien des sacrifices pour survivre sur cette "Terre des Larmes", où la mort est une fatalité.

Palermo 1632: Giulia is thirteen years old when she learns her mother Teofania's greatest secret. Her mother knows how to brew an undetectable lethal poison, which she uses to free the broken and abused women of Palermo. Now Teofania wants to pass her recipe on to her daughter, and Giulia soon learns that, in a time when women have no voice, justice is sometimes best served in a cup of wine. Rome, 1659: Years later, Giulia ends up alone and poor in Rome. Within the alleys and shadows of the Eternal City, she forms her own circle of female poisoners.

In the scorched city of Rome, the cobbled streets hum with gossip and sin. Costanza Piccolomini is a respectable young wife - until she meets Gianlorenzo Bernini, the famed sculptor and star of Roman society, whose jet-black gaze matches his dark temper. From the second they set eyes upon each other, a fatal attraction is born. Their secret love burns with a passion that consumes them. But with every stolen kiss and illicit tryst, Costanza's reputation is at stake. Meanwhile, Bernini has a dangerous desire: he wants to make Costanza immortal.

Welcome to Florence, 1517. Sharp-witted seventeen-year-old con-woman Rosa Cellini has plans for the Pope and the Medicis - and, more specifically, the mountain of indulgence money they've been extorting from the people of Tuscany. To pull off the Renaissance's greatest robbery, she'll recruit a team of capable misfits: Sarra the tinkerer, Khalid the fighter, and Giacomo, the irrepressible master of disguise. To top it all off, and to smooth their entrance into the fortress-like Palazzo Medici, Rosa even enlists the reluctant help of famed artist and local misanthrope, Michelangelo.

The Owl Was a Baker’s Daughter has descriptive copy which is not yet available from the Publisher.

Alexander “Sander” Cooke is the most celebrated “boy player” in the Chamberlain’s Men, William Shakespeare’s theatre company. Indeed, Sander’s androgynous beauty and deft portrayal of female roles have made him the toast of London, and his companionship is sought by noblewomen and -men alike. And yet, now at the height of his fame, he teeters on the cusp of adulthood, his future uncertain. Often, he wishes he could stop time and remain a boy forever.

Yorkshire. 1649. Caragh has hidden her true name and her Irish identity, and since her family fled Ireland in secret they have been proud to own land of their own in England. But one morning, Caragh’s father tells her that they must leave their beloved home as it is no longer safe for them to stay. That morning, Caragh hears shots fired. When she returns to the cottage, she finds her family murdered by Lemuel Lane, a wealthy Protestant who has taken it upon himself to rid the area of anyone with Catholic sympathies.

From the author of The Good Wife of Bath comes this brilliant recreation of the vibrant, optimistic but politically treacherous world of London's Restoration theatre, where we are introduced to the remarkable playwright Aphra Behn, now a feminist icon but then an anomaly, who gravitated to the stage—a place where artifice and disguise are second nature and accommodates those who do not fit in.

himself threatened from all sides. First, his secret plans are stolen, then his son is kidnapped by a vengeful enemy from his past. At the same time, Dee’s wife, Jane, is sent by Queen Elizabeth I to console her cousin, Mary, Queen of Scots, whom court advisors are determined to try for treason. But Jane suspects her assignment is much more than a visit from a sympathetic cousin.