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In 17th century Paris, a group of women who called themselves conteuses (female storytellers) came together to weave the very first fairy tales. One of them, Marie-Catherine d’Aulnoy, actually coined the term ‘fairy tale’ and some of these stories contain many familiar (and well-loved) elements that appear in tales like Rapunzel and Beauty and the Beast. Unfortunately, these women, and their tales, have mostly been forgotten to history. Women of the Fairytale Resistance uncovers seven of these writer’s biographies—and retells 12 of their original stories.

Marie Sklodowska Curie (1867–1934) was the first woman scientist to win worldwide acclaim and was, indeed, one of the great scientists of the twentieth century. Written by Curie’s daughter, the renowned international activist Eve Curie, this biography chronicles Curie’s legendary achievements in science, including her pioneering efforts in the study of radioactivity and her two Nobel Prizes in Physics and Chemistry.

Funny, candid and unconventional: the wildly famous but elusive Josephine Baker tells her own story in this enchanting memoir. Baker took Paris by storm in the 1920s, dazzling audiences with her humour, beauty and effervescence on stage. She became an icon. Hemingway, Jean Cocteau and Picasso admired her; Shirley Bassey adored her. It was told she strolled the streets of Paris with her pet cheetah who wore a diamond collar.

From Wilkie Collins to the adventures of Sherlock Holmes, the traditional image of the Victorian detective is male. Few people realize that women detectives successfully investigated Victorian Britain, working both with the police and for private agencies, which they sometimes managed themselves. Sara Lodge recovers these forgotten women’s lives. She also reveals the sensational role played by the fantasy female detective in Victorian melodrama and popular fiction, enthralling a public who relished the spectacle of a cross-dressing, fist-swinging heroine.

In Mythica Emily Hauser tells, for the first time, the extraordinary stories of the real women behind some of the western world’s greatest legends. Following in their footsteps, digging into the history behind Homer’s epic poems, piecing together evidence from the original texts, recent astonishing archaeological finds and the latest DNA studies, she reveals who these women – queens, mothers, warriors, slaves – were, how they lived, and how history has (or has not – until now) remembered them.

As a woman, if you lived in Scotland in the 1500s, there was a very good chance that you, or someone you knew, would be tried as a witch. Witch hunts ripped through the country for over 150 years, with at least 4,000 accused, and with many women's fates sealed by a grizzly execution of strangulation, followed by burning. Inspired to correct this historic injustice, campaigners and writers Claire Mitchell, KC, and Zoe Venditozzi, have delved deeply into just why the trials exploded in Scotland to such a degree.

Betty MacDonald was a 28-year-old reporter from Hawaii. Zuzka Lauwers grew up in a tiny Czechoslovakian village and knew five languages by the time she was 21. Jane Smith-Hutton was the wife of a naval attaché living in Tokyo. Marlene Dietrich, the German-American actress and singer, was one of the biggest stars of the 20th century. These four women, each fascinating in her own right, together contributed to one of the most covert and successful military campaigns in WWII.

Launched in the early 1970s in the United States, Italy and the UK, Wages for Housework was a political movement making the case that women who did all the care work at home deserved to be paid. Like many revolutionary ideas, it remained an unfulfilled promise. It is a feminist path not taken. Here historian Emily Callaci tells the enthralling story of this international campaign and its intellectual roots by exploring the lives of its key figures.

Inspired by the hit podcast The Women of Marvel and cowritten by the #1 New York Times bestselling coauthor of Beautiful Creatures, this eye-opening and engaging book celebrates the women who have helped make Marvel one of the most successful comics and entertainment companies in the world.

In the 1970s, a new wave of feminism was sweeping America. But in the boys’ club of banking and finance, women were still infantilized—no credit without a male cosigner, and their income was dismissed as unreliable. If bankers weren’t going to accommodate women, then women had to take control of their own futures. In 1978 in Denver, Colorado, the opening of the Women’s Bank changed everything.

What does it mean to be someone's "muse"? Historically, to be called a “muse” among artistic circles has been marketed as a flattering title. But the very concept of a muse underestimates these women and their abilities. At its root, muse is a support role, the title a consolation prize that claims to recognize a woman’s greatness—but only in her support of another. I'm Not Your Muse reclaims the narrative of 31 of these extraordinary women.

From the New York Times bestselling author of Capote’s Women comes an astonishing account of the revolutionary artist Andy Warhol and his scandalous relationships with the ten women he deemed his “Superstars”.

On a cold winter day in 1832, Sarah Maria Cornell was found dead in a quiet farmyard in a small New England town. When her troubled past and a secret correspondence with charismatic Methodist minister Reverend Ephraim Avery was uncovered, more questions emerged. Was Sarah’s death a suicide...or something much darker? Determined to uncover the real story, Victorian writer Catharine Read Arnold Williams threw herself into the investigation as the trial was unfolding and wrote what many claim to be the first American true-crime narrative, Fall River.

On the 18th of June 1994, weeks before the end of the massacres in which hundreds of thousands of her fellow Tutsi, Rwanda's Bantu-speaking ethnic group, were slaughtered by the Hutu, Beata Umubyeyi Mairesse and her mother were fortunate to find a safe passage out of Rwanda with a convoy of children organised by a Swiss humanitarian organisation. Fifteen years later, after rebuilding her life and becoming a successful novelist, Mairesse is ready to begin the long process of reconstructing her incomplete memories of the escape.

Etta Shiber and Kate Bonnefous are the unlikeliest of heroines: two seemingly ordinary women, an American widow and an English divorcée, living quietly together in Paris. Yet during the Nazi occupation, these two friends find themselves unexpectedly plunged into the whirlwind of history. With the help of a French country priest and others, they set out to rescue British and French soldiers trapped behind enemy lines—some of whom they daringly smuggle through Nazi checkpoints hidden inside the trunk of their car.

Deeply researched and rich with detail, Lincoln’s Lady Spymaster is a remarkable true story of courage, ingenuity, and resistance. Gerri Willis pulls back the curtain on one of the most fearless heroes of the Civil War, restoring her to her rightful place as an American icon.

Milena and Margarete loved each other at the risk of their lives. But in the post-war survivors’ accounts, lesbians were stigmatized, and survivors kept silent. This book explores those silences, and finally celebrates two strong women who never gave up and continue to inspire. As Margaret wrote: “I was thankful for having been sent to Ravensbrück, because it was there I met Milena.”

From underground soldiers to intrepid spies, Women of War unearths the hidden history of the brave women who risked their lives to overthrow the Nazi occupation and liberate Italy. Using primary sources and brand new scholarship, historian Suzanne Cope illuminates the roles played by women while Italians struggled under dual foes: Nazi invaders and Italian fascist loyalists.

It’s a safe bet that most of the secretaries on the TV series Mad Men would have attended the Katharine Gibbs School in New York City. The iconic institution was in its heyday synonymous with supplying secretaries to male executives. In Expect Great Things! Vanda Krefft turns the notion of a “Gibbs girl” on its head, showing us that while the school was getting women who could type 120 words per minute into the C-suite, its more subversive mission was to get them out of the secretarial pool to assume positions of power on the other side of the desk.