As princesses of Crete and daughters of the fearsome King Minos, Ariadne and her sister, Phaedra, grow up hearing the hoofbeats and bellows of the Minotaur echo from the labyrinth beneath the palace. The Minotaur—Minos' greatest shame and Ariadne's brother—demands blood every year.  When Theseus, prince of Athens, arrives in Crete as a sacrifice to the beast, Ariadne falls in love with him. But helping Theseus kill the monster means betraying her family and country.

Exiled to a far-flung island by the whims of the gods, Medusa has little company except the snakes that adorn her head instead of hair. But when a charmed, beautiful boy called Perseus arrives on the island, her lonely existence is disrupted with the force of a supernova, unleashing desire, love and betrayal.... 

In The Children of Jocasta, Natalie Haynes retells the Oedipus and Antigone myths to reveal a new side of an ancient story.... My siblings and I have grown up in a cursed house, children of cursed parents.... Jocasta is just 15 when she is told that she must marry the King of Thebes, an old man she has never met. Her life has never been her own, and nor will it be unless she outlives her strange, absent husband.

Sold by her mother. Enslaved in Pompeii's brothel. Determined to survive. Her name is Amara. Welcome to the Wolf Den.... Amara was once a beloved daughter, until her father's death plunged her family into penury. Now she is a slave in Pompeii's infamous brothel, owned by a man she despises. Sharp, clever and resourceful, Amara is forced to hide her talents. For as a she-wolf, her only value lies in the desire she can stir in others. But Amara's spirit is far from broken. 

For millennia, two women have been blamed for the fall of a mighty civilisation - but now it's time to hear their side of the story.... As princesses of Sparta, Helen and Klytemnestra have known nothing but luxury and plenty. With their high birth and unrivalled beauty, they are the envy of all of Greece. Such privilege comes at a high price, though, and their destinies are not theirs to command. While still only girls they are separated and married off to legendary foreign kings Agamemnon and Menelaus, never to meet again. 

In London 1799, Dora Blake is an aspiring jewellery artist who lives with her uncle in what used to be her parents' famed shop of antiquities. When a mysterious Greek vase is delivered, Dora is intrigued by her uncle's suspicious behaviour and enlists the help of Edward Lawrence, a young man seeking acceptance into the Society of Antiquaries. Edward sees the ancient vase as key to unlocking his academic future. Dora sees it as her chance to restore her parents' shop to its former glory and to escape her uncle.

Strasbourg, 1518. In the midst of a blisteringly hot summer, a lone woman begins to dance in the city square. She dances for days without pause or rest, and as she is joined by hundreds of others, the authorities declare an emergency. Musicians will be brought in to play the Devil out of these women. Just beyond the city’s limits, Lisbet lives with her mother-in-law and husband, tending the bees that are their livelihood. And then, as the dancing plague gathers momentum, Lisbet’s sister-in-law returns from seven years’ penance in the mountains for a crime no one will name.

Herne - the hunter, mischief-maker, spirit of the forest, leader of the wild hunt - hurtles through the centuries pursued by his creator. A shape-shifter, Herne dons many guises as he slips and ripples through time - at candlelit Twelfth Night revels, at the spectacular burning of the Crystal Palace, at an acid-laced '60s party. Wherever he goes, transgression, debauch and enchantment always follow in his wake. But as the forest is increasingly encroached upon by urban sprawl and gentrification and the world slides into crisis, Herne must find a way to survive.

Troy has fallen. The Greeks have won their bitter war. They can return home victors, loaded with their spoils: their stolen gold, stolen weapons, stolen women. All they need is a good wind to lift their sails. But the wind does not come. The gods have been offended - the body of Priam lies desecrated, unburied - and so the victors remain in limbo, camped in the shadow of the city they destroyed, pacing at the edge of an unobliging sea.

Shiori'anma, the only princess of Kiata, has a secret. Forbidden magic runs in her veins. And on the morning of her betrothal ceremony, Shiori loses control. At first, her mistake seems like a stroke of luck, forestalling the wedding she never wanted, but it also catches the attention of Raikama, her stepmother. A sorceress in her own right, Raikama banishes the young princess, turning her brothers into cranes and warning Shiori that she must speak of it to no one: for with every word that escapes her lips, one of her brothers will die. 

The Greek myths are among the world's most important cultural building blocks, and they have been retold many times, but rarely do they focus on the remarkable women at the heart of these ancient stories. Stories of gods and monsters are the mainstay of epic poetry and Greek tragedy, from Homer to Aeschylus, Sophocles and Euripides, from the Trojan War to Jason and the Argonauts. And still, today, a wealth of novels, plays and films draw their inspiration from stories first told almost 3,000 years ago.

Alex Green is four years old when she first sees a dragon. In her next-door neighbour's garden, in the spot where the old lady usually sits, is a huge dragon, an astonished expression on its face before it opens its wings and soars away across the rooftops. And Alex doesn't see the little old lady after that. No one mentions her. It's as if she's never existed. Then Alex's mother disappears and reappears a week later, one quiet Tuesday, with no explanation whatsoever as to where she has been. But she is a ghostly shadow of her former self and with scars across her body.

Chemist Elizabeth Zott is not your average woman. In fact, Elizabeth Zott would be the first to point out that there is no such thing. But it's the early 1960s and her all-male team at Hastings Research Institute take a very unscientific view of equality. Except for one: Calvin Evans; the lonely, brilliant Nobel-prize-nominated grudge-holder who falls in love with—of all things—her mind. True chemistry results.

In A Thousand Ships, broadcaster and classicist Natalie Haynes retells the story of the Trojan War from an all-female perspective, for fans of Madeline Miller and Pat Barker. This was never the story of one woman, or two. It was the story of them all.... In the middle of the night, a woman wakes to find her beloved city engulfed in flames. Ten seemingly endless years of conflict between the Greeks and the Trojans are over. Troy has fallen. 

Young baronet Robin Blyth thought he was taking up a minor governmental post. However, he's actually been appointed parliamentary liaison to a secret magical society. If it weren’t for this administrative error, he’d never have discovered the incredible magic underlying his world. Cursed by mysterious attackers and plagued by visions, Robin becomes determined to drag answers from his missing predecessor—but he’ll need the help of Edwin Courcey, his hostile magical-society counterpart.