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Lusam
- The Dragon Mage Wars, Books 1-2
- Narrated by: Alex Wyndham
- Series: Lusam, Book 1-2
- Length: 12 hrs and 34 mins
- Unabridged Audiobook
- Categories: Science Fiction & Fantasy, Fantasy
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Summary
Lusam grew up in the relative safety of the Elveen mountains with his grandmother. She taught him the basics of magic and discovered, quite by accident, that he possessed a unique skill never seen before: the ability to hide his magical aura from the mage-sight of others.
Dark secrets surround Lusam's origins, and the dark agents of the Empire will stop at nothing to kill Lusam. But before Lusam can be taught all he needed to know about his past, his grandmother unexpectedly dies of a fever, and Lusam finds himself homeless on the unforgiving streets of Helveel. Unbeknown to Lusam, the only thing keeping him alive is a promise he made to his grandmother to always hide his aura, no matter what. Lusam meets and befriends a young thief fleeing her old city of Stelgad before making a magical discovery that will change both their lives forever, and possibly the fate of the entire world.
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What listeners say about Lusam
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- craig
- 13-03-17
Compelling listening!!
Eagerly anticipating the next instalment of this series. I especially like the multi angle approach to the story and kept me on the edge of my seat throughout. Would recommend to anyone.
4 people found this helpful
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- Chris Mackey
- 14-02-20
Generic and badly written
Gave up in disgust that this had so obviously not been edited at all. Very poorly written. Utterly generic characters, unearned romantic plot that has the characters madly in love in almost no time at all. All characters are paper thin and completely unbelievable as people.
3 people found this helpful
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- Jim
- 03-09-17
Poor narration
I had to give up as the narrator had no variance in his voice. I found this off-putting and annoying
3 people found this helpful
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- Sam
- 21-11-17
Just awful.
I wouldn’t normally write something like this but as I paid full retail price for, albeit two books and a teaser of the third in one, I expected a much higher level of writing.
Spoilers. Obviously.
Apologies if I misspell any character or place names as I have not seen the print edition.
Plot
I found the plot tolerable but horribly derivative. The story follows a group of protagonists including a mage, rogue, paladin and eventually an archer whose adversaries are a heartless guild of assassin/thieves and a group of necromancers. It’s essentially a party plucked out of any fantasy video game or D&D campaign.
Lusam himself is a cookie cutter super hero chosen by destiny. Raised in isolation, unaware of his immense power, by a faux grandparent he lives a humble life in the forest. Scared for his survival his ‘grandmother’ convinces him to conceal his abilities and does not train him, but don’t worry he finds a magic book to download all sorts of grand sorcery into his brain later on. This also saves any time explaining how he actually performs any magic and instead he can just cast spells at will.
Lusam ticks just about every Mary Sue box there is and then some, so virtuous and well raised he lived as a street urchin for two years and refused to steal to feed himself. Lusam always makes the right decision over one that might humanise him and make the character more believable. There will presumably be some extravagant reveal where he is a ‘dragon mage’, or some other supernatural being, and the cornerstone of world survival in a later book that I will not be reading.
The paper thin cult of antagonists (led by lord evil fantasy name generator) may as well have been named the hooded, devil worshiping, demon summoning group of evil. There is a feeble attempt to humanise their interactions by repeated mentions of a family to return to, but they’re bleak and infrequent at best.
Other popular tropes include a forced love story, faux medieval Europe and shapeshifting deities.
I could go on.
Writing
This is where the book really fails. The author commits the unforgiveable sin of relaying all the information in long walls of text and through detailed tellings of backstories rather than allowing them to progress organically throughout the novel. We know Lusams entire upbringing from a chapter telling us, it’s far more interesting to let it out in drips during dialogue rather than tip the entire bucket on the reader as early as possible. In addition to this, we are told everything that goes on around the characters rather than showing us, allow us to use our own imagination.
Examples:
“He quickly reduced the temperature within his forcefield and began to freeze the water inside. As the water froze it quickly expanded within the fissure, creating a great force that pushed against both sides of the rock. Until, finally, it split with a loud cracking sound.”
Don’t tell us what is happening to the rock. Show us. The rock cracked like a hatching egg. Shards of rock crumbled from the shell and exposed the block of ice that forced itself through the gaps like an overstuffed sausage. Etc. You get the idea.
“The boy deftly caught the coin in mid-air.”
The boy snapped the coin from the air like a frog catching a fly.
I’ve been presented first drafts asking for advice and editing that have been more formulated than this. Words are repeated sometimes as many as five times in a few lines. I even transcribed a couple of examples.
‘Barrel’
“Skelly walked over to the huge barrel on the left and removed a knife from his belt. He reached around the side of the huge barrel and put his knife into the groove of one of the steel hoops that held the barrel together. There was a loud click and the entire lid of the barrel swung inwards creating a huge round doorway. Hanging inside the barrel were three lantern…”
‘Shield’
“As each blast struck his shield he knew if he was only shielding himself that it would have affected him much less, but with such a large area to protect it quickly sapped his strength. Blast after blast pounded at his shield as they ran on towards their goal. At one point he turned and fired a shot back at his pursuers, only to see it fizzle on their shield with little or no effect. Noticing the bombardment intensify on his shield…”
The author may well have been trying to get in every adverb in the dictionary for all we know. Characters could not perform the simplest tasks without doing them slowly, quickly, curiously, gingerly, sheepishly, amiably, suspiciously, briskly, confidently etc. Count the amount of times the group does something ‘quietly’ in the chapter where they infiltrate the Hawk’s Guild. A lot of the times these are just unnecessary. We don’t need to know that Skelly got off the horse quicklyor walked over to Neela slowly. At one point Zed even grins evilly.
Rant over. I didn’t want to write such a negative review of this, but I really expected more from Audible when I could have paid the same price and received a Lord of The Rings book.
18 people found this helpful
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- Rosie
- 24-06-17
great fun
really easy listening great characters and good story. not to intense or violent. Can't wait to listen to the next book
2 people found this helpful
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- Glenn C.
- 19-03-17
Absolutely amazing!!
What a fantastic audio book - the story is gripping and wants you to hear more and is told with great passion and enthusiasm- can't wait for the next one!!
4 people found this helpful
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- NicE
- 14-06-17
Maddening poorly written
What disappointed you about Lusam?
Really poorly written. Firstly, it is a garden variety "child with amazing powers that doesn't know his importance and living on the streets". Nothing new to see here.
The second is the sheer poor writing. Everything is spelt out as if they were writing for someone with a memory of a goldfish. Also, there is a huge amount of unnecessary repetition. Thoughts about a subject are then repeated verbatim when talking to another character. It happens in smaller ways. "The knife flew through the air and thudded into his chest. He looked at the knife that had thudded into his chest".
Needed a good editor to tighten up the writing.
Would you ever listen to anything by Dean Cadman again?
Unlikely, unless his writing skills improve considerably.
Which character – as performed by Alex Wyndham – was your favourite?
None really, they were all very one dimensional.
What character would you cut from Lusam?
I wouldn't cut them, just make them more believable.
10 people found this helpful
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- Patricia
- 28-10-21
Loved it
Read all 6 books great story can be a little repetitive as it covers different characters version of events, but all in all worth the listen. Neela actually gets annoying to towards the end. But once the dragons fully come into it further along I loved it .
1 person found this helpful
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- Dr. B. Bennett
- 23-04-19
👍👍👍👍👍👍
This story is fantastic and I thoroughly enjoyed it the main characters and very well thought out would totally recommend 😀
1 person found this helpful
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- arron hardiman
- 06-07-17
Couldn't get past two hours
While the premise of the story and background of lucam seems interesting nothing else does. he has magical abilities that he can apparently do anything with.
He doesn't know any spells, so the author gives him a magical brain download.
Two preteen meet before the girl murders someone else in cold blood, they fall in love within 2 chapters.
also the narrator seems to think that making every single character sound gentile and polite makes sense. when the two main characters are meant to be orphaned street kids. a cliche which while overused can at least lead to interesting stories. this one does not.
6 people found this helpful
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- Scott
- 15-10-17
Thank God it was 2 books!
So I made this purchase knowing it was 2 books, and thank the good lord it came as 2 because I wouldn't have continued on to book 2 with just book 1 to go off of. This is the worst kind of Power comes easy story. Everything about this book (And even the series) comes easy to our main character. Who is a well developed, good kid whom you want to root for the entire series (Although that may be more towards how Cadman gets you to hate the villains, but it's still something), but he struggles with nothing. He's born a powerful mage. He met his soul mate in the form of the first person he talks to in years on the streets. He gets a dream job for a street kid that gives him shelter and food for both him and the girl. At the job, he just happens to find a magical book that grants him even more power just by reading it. The girl just happens to be the best knife thrower in the world. He gets a guardian protector that turns into more of a best friend/father figure. He meets a goddess, that next to nobody has ever seen, but that he sees often and saves his life a few time.
Then, once you get passed all this, you have to deal with the journey. In most stories, you deal with the intro, the Training, the journey, the love and the conflict. However, the Intro is very quick, the training and love are instantaneous, and the conflict is barely mention able. So all we are left with is the Journey. They are always moving from one situation to another. Always something to do but we have to share the entire trip because there is nothing else to discuss as everything else is set. It just becomes very frustrating and dull to listen too.
I be honest, I actually compared this to the "Mageborn"series by Michael G. Manning in the way that I grew bored with everything and eventually disliked the series by the end while not really being able to tell you why I disliked the series. Lusam actually does have everything. I just wish there was some true dialogue and a true battle that the MC's could loose. You never truly get that sense that they're in. They're either running too far a head, or he's just too powerful for them to be at risk.
Also, Wyndham really isn't that great. He isn't bad, just not great.
17 people found this helpful
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- Kristie Clawson
- 17-07-17
No depth
What could have made this a 4 or 5-star listening experience for you?
better narrator, more depth, etc.
Has Lusam turned you off from other books in this genre?
No, but I will not be continuing with this series
Would you listen to another book narrated by Alex Wyndham?
If it was a very well written book I could handle listening to Alex, but there are so many out there that are better
What character would you cut from Lusam?
none
Any additional comments?
This is an ok book if you just want a story that you can get to the end of. There is no depth to the story and very little character building in my opinion.
9 people found this helpful
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- Scott
- 15-05-17
Sadly this is a pretty mediocre book...
What would have made Lusam better?
Much less exposition, greater character depth, less predictable story arcs. Having the main character simply handed all of his powers was also an incredibly trite and frankly silly plot device that really stretched credulity. As others have noted, this is not two books - it's two sections of a book - which I find to be very dishonest advertising. I also found use of words like "force field" to be very off putting, those are not things a medieval culture has ANY conception of, and it could have been handled more creatively and originally in the world. Honestly the whole book suffers from a lack of creativity, polish, and general effort. It isn't awful... it's just very not great. The main villain is also very unbelievable, which is something I always hate.
Has Lusam turned you off from other books in this genre?
Nope.
Which scene was your favorite?
The "surgery" was fairly interesting.
What reaction did this book spark in you? Anger, sadness, disappointment?
Mild disappointment?
Any additional comments?
The narrator did a good job - each character has a distinct voice, and the emotions of the characters come across. If you are VERY forgiving about cliches and inconsistencies, it's not a terrible book - I've certainly read worse, but I won't be picking up any sequels.
28 people found this helpful
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- Skipper
- 12-12-17
Needs work, but has potential
Narration is perfect, demonstrating a commitment to excellence. Storytelling is imaginative and vivid, but some plot holes exist. Writing quality is weak. I did read books 3-4 after listening to this 2-volume audiobook, because the books are free with kindle unlimited. There are expected to be six books in the series.
Told in 3rd person through various viewpoints. Set in a fictional world of kings, castles, mages, dragons, and gods engaged in sibling rivalry. Main characters include a 15-year-old homeless boy, a street girl, a warrior paladin, an evil warlord emperor, etc. The main characters form a fellowship, central to the series.
The hero Lusam develops his powers too fast, too easily. Find an ancient book. Absorb its magical gifts. Lather, rinse, repeat. The romance occurs too easily. The kissing and blushing (and implied sex) gets old. As for the marriage proposal, I was almost shocked at the author’s bad timing, given the circumstances.
On the upside, the warrior paladin (Renn) is totally credible.
The story is engrossing at times. However, the writing quality is just mediocre. A bit too much exposition. Misplaced commas and anachronistic language. Renn seems to only know one way to address people: “old friend” crops up several times in short conversations.
The author repeatedly has the comrades roaring with laughter at things that are barely worth a smirk. Laughing until they cry. Nothing wrong with a simple smile. A smirk. A chuckle. Whatever.
Lusam strangely laughs at painful or discomforting accidents, like getting dunked, or getting dragged through the mud by a galloping horse. Saying that characters laugh does not comedy make.
But the big problem is the Empire’s goal, to open a rift to the Netherworld. Are all these mages suicidal idiots?
9 people found this helpful
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- Business_MD
- 25-08-17
Warning is in order
This book is simple. The language and style are about a 4th grade level, as is the plot. I don't think i have rolled my eyes as many times in the last year as i did in the course of this book. The plot twists and progression are astonishingly unbelievable. Direct intervention by gods, more than once, are the kind of plot device used regularly. The author takes an omnipotent view and jumps in and out of every character with abandon, leaving nothing for the reader to ponder except why the author would take such liberties.
8 people found this helpful
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- Tim
- 05-06-17
Strong Narrator, Weak Novel
Flat characters, dubious interactions between them, unbelievable magic systems that the main character cheats to obtain anyways, and irresponsible and inconsistent writing.
On the positive, the narrator was enjoyable, and it gave me the idea that if this writer can succeed, then why not me? I'll be writing my own book series as well!
16 people found this helpful
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- Logan Wallace
- 12-06-18
Overly cliche
Good narration, but very childish, simple and cliche writing, maybe that's the target audience and not me.
3 people found this helpful
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- V91-Bleach
- 24-03-20
Difficult to Stomach
This audibook was... Unfortunate.
Firstly, the story. While I can usually allow a few 'hero gets exactly what he needs to succeed by miraculous happenstance' situations, this book was riddled with them to the point that it became just unbelievable. (spoilers)
Hero needs to not be 'seen' through mage sight? Well he just happens to be the only mage in the universe to be able to control the appearance of his aura.
Hero needs a place to sleep and get food? Well he just happens to be the only starving child in a city full of them to snag the vent behind the bakery.
Hero needs a new place to stay? He just happens to wander into the beggar area just minutes before a man looking to hire a kid that can read for a job, and Lusam just happens to be the only kid in town that can read.
Hero needs new magic? There just happens to be a secret catacomb under the place where he has a short job that has a fancy book that happens to give him every magic knowledge he will need for the rest of the book...
You get my point. And that's only the first few chapters, this pattern never ends.
I gave the story 3 stars, despite this, because I like the world the author created, and used in a different capacity, I could see it thrive.
Secondly, and arguably more detrimental than the story itself, was this book's performer. Take a sentence, any sentence, and say it like it's a revealing pronouncement of some long-awaited fact. Now, use that same intonation for every sentence, repeatedly, for 12 hours. It gets really grating really fast. After hour 2 of this, I discovered that if I hook this book up to my car's Bluetooth, turn the radio volume down so that I can barely hear the words, and drive down the highway, then I can drown out the intonation enough to get the story without wanting to rip my ears off. Sure, I may be being dramatic about it, but it really makes you that crazy listening to the same tonality for so long.
2 people found this helpful
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- Victoria M.
- 20-03-17
Love it.
I really enjoyed listening these books. I can't wait until books three and four are available on audible as well.
14 people found this helpful
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- Yang
- 03-04-17
Great Story
I like the story line and character build in this story. Narration is also good. I would recommend this to others. Looking forward to book 3.
12 people found this helpful