The villagers of Chipping Cleghorn, including Miss Marple, are agog with curiosity over an advertisement in the local gazette which reads: ‘A murder is announced and will take place on Friday October 29th, at Little Paddocks at 6.30 p.m.' A childish practical joke? Or a hoax intended to scare poor Letitia Blacklock? Unable to resist the mysterious invitation, a crowd begins to gather at Little Paddocks at the appointed time when, without warning, the lights go out.

What is the connection between a failed suicide attempt, a wrongful accusation of theft against a schoolgirl, and the romantic life of a famous tennis player? To the casual observer, apparently nothing. But when a houseparty gathers at Gull's Point, the seaside home of an elderly widow, earlier events come to a dramatic head. It's all part of a carefully paid plan for murder.

Agatha Christie’s classic thriller. Features the recurring character Colonel Race from Death on the Nile, Cards on the Table and The Man in the Brown Suit. Six people sit down to dinner at a table laid for seven. In front of the empty place is a sprig of rosemary – in solemn memory of Rosemary Barton who died at the same table exactly one year previously.No one present on that fateful night would ever forget the woman’s face, contorted beyond recognition – or what they remembered about her astonishing life.

Amy Leatheran had never felt the lure of the mysterious East, but when she travels to an ancient site deep in the Iraqi desert to nurse the wife of a celebrated archaeologist, events prove stranger than she could ever have imagined. Her patient's bizarre visions and nervous terror seem unfounded, but as the oppressive tension in the air thickens, events come to a terrible climax in murder.

In a remote house in the middle of Dartmoor, six shadowy figures huddle around a small table for a seance. Tension rises as the spirits spell out a chilling message: "Captain Trevelyan...dead...murder."

Dr. Arthur Calgary takes a ferry across the Rubicon River to Sunny Point, the home of the Argyle family. A year before, the matriarch of the family was murdered and a son, Jack, was convicted and sentenced to spend the rest of his life in prison. Dr. Calgary is surprised when his revelation has a disturbing effect on the family: it means one of the family is a murderer.

When Tommy and Tuppence visit an elderly aunt in her gothic nursing home, they think nothing of her mistrust of the doctors; after all, Ada is a very difficult old lady. But when Mrs Lockett mentions a poisoned mushroom stew, and Mrs Lancaster talks about "something behind the fireplace", Tommy and Tuppence find themselves caught up in an unexpected adventure involving possible black magic.

The Leonides are one big happy family living in a sprawling, ramshackle mansion - until the head of the household, Aristide, is murdered with a fatal barbiturate injection. Suspicion naturally falls on the old man's young widow, 50 years his junior. But the murderer hasn't reckoned on the tenacity of Charles Hayward, fiancé of the late millionaire's granddaughter.

It is Egypt, 2000 BC, where death gives meaning to life. At the foot of a cliff lies the broken, twisted body of Nofret, concubine to a Ka-priest. Young, beautiful, and venomous, most agree that she deserved to die like a snake. Yet Renisenb, the priest's daughter, believes that the woman's death was not fate, but murder. Increasingly, she becomes convinced that the source of evil lurks within her own father's household.

To understand the strange goings on at The Pale Horse Inn, Mark Easterbrook knew he had to begin at the beginning. But where exactly was the beginning? Was it the savage blow to the back of Father Gorman's head? Or was it when the priest's assailant searched him so roughly, he tore the clergyman's cassock? Or could it have been the priest's visit, just minutes before, to a woman on her deathbed? Or was there a deeper significance to the violent squabble that Mark Easterbrook had himself witnessed earlier?

All great crime writers have their favourite creations. Similarly, every great sleuth has his, or her, own preferred method of deduction. Take the charming Parker Pyne, who relies upon an intuitive knowledge of human nature to solve the 'Problem at Pollensa Bay'. Or Mr Satterthwaite, who seeks inspiration through his collaboration with the enigmatic Mr Quin in 'The Harlequin Tea Set' mystery. Then, of course, there's Poirot, whose measured analysis of motive and opportunity is tested to the full in 'Yellow Iris', when he receives an anonymous call about a matter of life and death. 

Gipsy's Acre was a truly beautiful upland site with views out to sea, and in Michael Rogers it stirred a child-like fantasy. There, amongst the dark fir trees, he planned to build a house, find a girl, and live happily ever after. But as he left the village, a shadow of menace hung over the land, for this was the place where accidents happened. Perhaps Michael should have heeded the locals' warnings: "There's no luck for them as meddles with Gipsy's Acre."

When a number of leading scientists disappear without a trace, concern grows within the international intelligence community. Are they being kidnapped? Blackmailed? Brainwashed? One woman appears to have the key to the mystery. Unfortunately, Olive Betteron now lies in a hospital bed, dying from injuries sustained in a Moroccan plane crash.

Here are 12 ingenious, witty mysteries showing the author at her best, including: the curious disappearance of Lord Listerdale, the strange meeting on a train of a feckless man and a beautiful girl, and Philomel Cottage and the extraordinary country house visit of Edward Robinson. Each is expertly narrated by Hugh Fraser.

Clarissa, the wife of a Foreign Office diplomat, is given to daydreaming. "Supposing I were to come down one morning and find a dead body in the library, what should I do?" she muses. Clarissa has her chance to find out when she discovers a body in the drawing-room of her house in Kent. Desperate to dispose of the body before her husband comes home with an important foreign politician, Clarissa persuades her three house guests to become accessories and accomplices.