Showing titles in Family Life

Set in Ireland in the 1990s, Colm Tóibín's The Blackwater Lightship tells the story of the Devereux family. Dora Devereux, her daughter Lily and her granddaughter Helen have come together after years of strife and reached an uneasy truce. Helen’s adored brother, Declan, is dying. Two friends join him and the women in a crumbling old house by the sea, where the six of them, from different generations and with different beliefs, must listen to and come to terms with one another.

Miriam hasn't left her house in three years and cannot raise her voice above a whisper. But today she has had enough and is finally ready to rejoin the outside world. Meanwhile Ralph has made the mistake of opening a closet door only to discover with a shock that his wife, Sadie, doesn't love him and never has. And so he decides to run away.

Lewis Madigan is young, gay, out of work, and getting antsy when he’s roped into providing end-of-life care for his insufferable homophobic neighbor, Chester Wheeler. Lewis doesn’t need the aggravation, just the money. The only requirements: run errands, be on call, and put up with a miserable old churl no one else in Buffalo can bear. After exchanging barbs, bickering, baiting, and pushing buttons, Chester hits Lewis with the big ask. Lewis can’t say no to a dying wish.

One winter's afternoon on Hampstead Heath in 1980, Elise Morceau meets Constance Holden and quickly falls under her spell. Connie is bold and alluring, a successful writer whose novel is being turned into a major Hollywood film. Elise follows Connie to LA, a city of strange dreams and swimming pools and late-night gatherings of glamorous people. But whilst Connie thrives on the heat and electricity of this new world where everyone is reaching for the stars and no one is telling the truth, Elise finds herself floundering.

The Vignes twin sisters will always be identical. But after growing up together in a small, Southern black community and running away at age 16, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years later, one sister lives with her black daughter in the same Southern town she once tried to escape. The other secretly passes for white and her white husband knows nothing of her past.

The day of the garden party should’ve been a celebration of love for Raphael and his fiancée, as they toast their engagement with their families. But for someone, it’s an opportunity to unveil the lies that have bound the family together over the years. With their nearest and dearest gathered at the family manor, as the first glass is raised, the secrets that bind them begin to crack. And what should have been the happiest day of their lives, might just end as a day they’d rather forget…

1972. Ten years on from the events of The Miseducation of Evie Epworth and Evie is settled in London working for the BBC. She has everything she's ever dreamed of (a career, a leatherette briefcase, an Ossie Clark poncho) but, following an unfortunate incident involving Princess Anne and a Hornsea Pottery mug, she finds herself having to rethink her life and piece together work, love, grief and multiple pairs of cork-soled platform sandals.

Luke Livingstone is a respected solicitor, a father and grandfather, a pillar of the community. Yet Luke is struggling with an unbearable secret, and it's threatening to destroy him. All his life, Luke has hidden the truth about himself and his identity. It's a truth so fundamental that it will shatter his family and leave him outcast. But to continue living, he must become the person - the woman - he knows himself to be, whatever the cost.

True biz? The students at the River Valley School for the Deaf just want to hook up, pass their history finals and have politicians, doctors and their parents stop telling them what to do with their bodies. This revelatory novel plunges listeners into the halls of a residential school for the deaf, where they'll meet Charlie, a rebellious transfer student who's never met another deaf person before, Austin, the school's golden boy, whose world is rocked when his baby sister is born hearing and February, the headmistress, who is fighting to keep her school open and her marriage intact.

You know what's best for your child. Don't you? Riley Pieterson is an adventurous girl with lots of questions. There's plenty she doesn't know yet: What a human brain looks like. All the constellations in the night sky. Why others can't see her the way she sees herself. When Riley confides in her parents - Sally and Theo - that she feels uncomfortable in her own skin, a chain of events begins that changes their lives forever. Sally wants to support her daughter by helping her be who she dreams of being. Theo resists; he thinks Riley is a seven-year-old child pushing boundaries.

When 79-year-old Arthur gathers his family together to share some important news, no one is prepared for the bombshell he drops: he's gay, and after a lifetime in the closet, he's about to come out. Arthur's daughter, Elizabeth, storms out. She swears that she won't have anything to do with her father again—and she forbids her children from seeing him too. Arthur's 21-year-old grandson, Teddy, has a secret of his own: he's also gay, and developing serious feelings for his colleague Ben. But Teddy doesn't feel remotely ready to come out yet.

Nell and her partner Adrienne are about to have a baby. For Adrienne, it’s the start of a new life. For Nell, it’s the reason the two of them are sitting in a therapist’s office. Because she can’t go into this without dealing with the truth: that she has been a mother before, and now she can hardly bring herself to speak to her own mother, let alone return home to Ireland. Nell is running out of places to hide from her past. But to Ireland and the past is where she must go, and that is where The Amendments takes us.

Hanne is nearly 15, and the domestic world of womanhood is quickly closing in on her. A child of nature, she yearns instead for the rush of the river, the wind dancing around her. Hanne finds little comfort in the local girls, and friendship doesn't come easily, until she meets Thea and she finds in her a kindred spirit and finally, acceptance. Hanne's family are Old Lutherans, and in her small village hushed worship is done secretly—this is a community under threat.

Angie Righetti is the daughter of a sprawling but close-knit Italian American family. She's out and they're proud. Jillian Clark's family is the white bread to Angie's olive oil. Stoic and emotionally buttoned up, they don't want to think about Jillian's sexuality. It's 1988 when they move in together, on the brink of starting their careers. Like every couple at the start of their life together, they expect to live happily ever after. And for 23 years life happens.

When Zoe Stamper, specialist in Ancient Greek Tragedy, meets fellow academic Dr Penny Cartwright at a faculty music recital, she seems impossibly glamorous to Zoe, who is, after all, several rungs down the academic pecking order - and a nervous ingénue as far as Penny’s sophisticated circle is concerned. But Penny leaves Zoe a cryptic note, and a passionate affair ensues . . .

When it first gets announced, the Leteo Institute's memory-alteration procedure seems too good to be true to Aaron Soto; miracle cure-alls don't tend to pop up in the Bronx projects. Aaron can't forget how he's grown up poor, how his friends all seem to shrug him off, and how his father committed suicide in their one-bedroom apartment. Then Thomas shows up. The love Aaron discovers may cost him what's left of his life. But since Aaron can't suddenly stop being gay, Leteo may be the only way out.

When Rosie and Jules discover a ground-breaking clinical trial that enables two women to have a female baby, they jump at the chance to make history. Fear-mongering politicians and right-wing movements are quick to latch on to the controversies surrounding Ovum-to-Ovum (o-o) technology and stoke the fears of the public. What will happen to the numbers of little boys born? Is there a sinister conspiracy to eradicate men at play?

Patrick, or Gay Uncle Patrick (GUP, for short), has always loved his niece, Maisie, and nephew, Grant. That is, he loves spending time with them when they come out to Palm Springs for weeklong visits, or when he heads home to Connecticut for the holidays. But in terms of caretaking and relating to two children, no matter how adorable, Patrick is, honestly, overwhelmed. So when tragedy strikes and Maisie and Grant lose their mother and Patrick's brother has a health crisis of his own, Patrick finds himself suddenly taking on the role of primary guardian.

In 1985, Yale Tishman, the development director for an art gallery in Chicago, is about to pull off an amazing coup: bringing an extraordinary collection of 1920s paintings as a gift to the gallery. Yet as his career begins to flourish, the carnage of the AIDs epidemic grows around him. One by one, his friends are dying, and after his friend Nico's funeral, he finds his partner is infected and that he might even have the virus himself. The only person he has left is Fiona, Nico's little sister.

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family's history that began before he was born - a history whose epicentre is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class and masculinity.