Showing titles in Essays

Gore Vidal - novelist, playwright, critic, screenwriter, memoirist, indefatigable political commentator, and controversialist - is America’s premier man of letters. No other writer brings more sparkling wit, vast learning, indelible personality, and provocative mirth to the job of writing an essay.

Ein Plädoyer gegen das Verzagen und für die Heiterkeit "Ernst ist das Leben, heiter ist die Kunst", schrieb Friedrich Schiller. Doch was ist Heiterkeit eigentlich? Und wie bekommen wir sie in unser ernstes Leben zurück? In Zeiten, in denen uns im Angesicht globaler Krisen intuitiv erst einmal anders zumute ist, macht sich Axel Hacke auf die Suche nach einem fast vergessenen Gemütszustand, nach einer Haltung dem Leben gegenüber, in der wir seltsam ungeübt geworden sind.

Within each chapter, you’ll find an un-airbrushed selection of advice, comment and opinion. These are intimate stories from bad sex to bad boys, from workplace inequality to the sheer joy of learning something new, that will spark hope, triumph and occasionally outrage. In Life Honestly you will find fresh perspectives on everything from age milestones to friendship, motherhood and weddings, and why you should always, always, tell someone when you like their earrings.

In this collection, Vivian Gornick turns her attention to a large theme in literature: the struggle for the semblance of inner freedom. In the essays collected here, she explores the work of V. S. Naipaul, James Baldwin, George Gissing, Randall Jarrell, H. G. Wells, Loren Eiseley, Allen Ginsberg, Hayden Carruth, Saul Bellow, and Philip Roth.

Napoli è la città meno equilibrata del mondo. È una metropoli complessa, piena di sfaccettature, è più città in una: un miscuglio di colori e di stati d'animo, di stili architettonici e classi sociali, di sapori dolci e salati, pastiera e pizza, sfogliatella e ragù, di musica antica e neomelodica, di fede e scaramanzia. Come fare allora a catturare le sue mille anime? Acuto osservatore dei piccoli e grandi fatti di cronaca della sua città, Lorenzo Marone sceglie di raccontare Napoli a modo suo, lasciandosi sorprendere da ciò che gli accade intorno.

Siri Hustvedt's relentlessly curious mind and expansive intellect are on full display in this stunning new collection of essays, whose subjects range from the nature of memory and time to what we inherit from our parents, the power of art during tragedy, misogyny, motherhood, neuroscience and the books we turn to during a pandemic.

In these new essays, Williams explores the concept of erosion: of the land, of the self, of belief, of fear. She wrangles with the paradox of desert lands and the truth of erosion: What is weathered, worn, and whittled away through wind, water, and time is as powerful as what remains. Our undoing is also our becoming.

Other Colours is a collection of immediate relevance and timeless value, ranging from lyrical autobiography to criticism of literature and culture, from humour to political analysis, from delicate evocations of his friendship with his daughter Ruya to provocative discussions of Eastern and Western art. It also covers Pamuk's recent, high profile, court case.

A Handbook of Disappointed Fate highlights a decade of Anne Boyer's interrogative writing on poetry, death, love, lambs, and other impossible questions. The audiobook includes narration of 33 essays, covering a wide range of topics.

Before Jennifer Egan, Louise Erdrich, Luis Alberto Urrea, and Jonathan Lethem became revered authors, they were readers. In this ebullient book, America’s favorite librarian Nancy Pearl and noted-playwright Jeff Schwager interview a diverse range of America's most notable and influential writers about the books that shaped them and inspired them to leave their own literary mark. The Writer’s Library is a revelatory exploration of the studies, libraries, and bookstores of today’s favorite authors.

What if we reconsidered our assumptions about how fiction should be written? And can we then apply our discoveries to both what we read and how we read? This book explores these questions and encourages us into a more inclusive conversation about storytelling. Filled with empathy and wisdom, personal experiences and creative inspiration, this is a vital collection of essays on the power of literature and the craft of writing from an international array of writers of colour.

Orthodoxy, first published 1908, is Chesterton's spiritual autobiography. Subtitled, 'The romance of faith', Chesterton declares that people need a life of 'practical romance; the combination of something that is strange with something that is secure.'

Kevin Powell is one of the most prolific and acclaimed American writers, thinkers, activists, and public speakers of the past three decades. His writings are important contributions to our national conversations on race, gender, class, politics, pop culture, celebrity, hip-hop, and the past, present, and future of the United States.

New York Times essayist and author of We Learn Nothing, Tim Kreider trains his virtuoso writing and singular power of observation on his (often befuddling) relationships with women - romantic, platonic, and the murky in-between. He talks about his difficulty finding lasting love, and seeks to understand his commitment issues by tracking down the John Hopkins psychologist who tested him for a groundbreaking study on attachment when he was a toddler. He talks about his valued female friendships, one of which landed him on a circus train bound for Mexico.

Fitzgerald’s memoir-in-essays begins with a childhood that moves at breakneck speed from safety to violence, recounting an extraordinary pilgrimage through trauma to self-understanding and, ultimately, acceptance. From growing up in a Boston homeless shelter to bartending in San Francisco, from smuggling medical supplies into Burma to his lifelong struggle to make peace with his body, Fitzgerald strives to take control of his own story: one that aims to put aside anger, isolation and entitlement to embrace the idea that one can be generous to oneself by being generous to others.

First-hand reports of the most riveting anti-terror encounters in the wake of the 2016 surgical strikes, the men who hunted terrorists in a magical Kashmir forest where day turns to night, a pair of young Navy men who gave their all to save their entire submarine crew, the Air Force commando who wouldn't sleep until he had avenged his buddies, the tax babu who found his soul in a terrifying Special Forces assault on Pakistani terrorists, and many more. Their own stories, in their own words. Or of those who were with them in their final moments.

Sophie Passmann ist Feministin und so gar nicht einverstanden mit der Plattitüde, der alte weiße Mann sei an allem schuld. Es wurde auch nie genau geklärt, was der alte weiße Mann eigentlich genau ist. Sie will wissen, was hinter diesem Klischeebild steckt und geht der Sache auf den Grund. Im Gespräch mit u.a.: Kai Diekmann, Kevin Kühnert, Robert Habeck, Sascha Lobo, Micky Beisenherz, Rainer Langhans, Peter Tauber, Christoph Amend und natürlich: Papa Passmann.

At 20, Londoner Ann Ingle fell madly in love with an Irish fellow she met on holiday in Cornwall. At the church to arrange their shotgun wedding, she discovered that he hadn't even told her his real name. Sixty-odd years later, Ann looks back on that first glorious fall, and in a series of essays considers what she has learned from the life that followed.

"La femme a toujours été, sinon l'esclave de l'homme, du moins sa vassale ; les deux sexes ne se sont jamais partagé le monde à égalité ; et aujourd'hui encore, bien que sa condition soit en train d'évoluer, la femme est lourdement handicapée."

Jack Isidore doesn’t see the world like most people. According to his brother-in-law, Charley, he’s a crap artist, obsessed with his own bizarre theories and ideas, which he fanatically records in his many notebooks. He is so grossly unequipped for real life that his sister and brother-in-law feel compelled to rescue him from it. But while Fay and Charley Hume put on a happy face for the world, they prove to be just as sealed off from reality, in thrall to obsessions that are slightly more acceptable than Jack’s but a great deal uglier.