Showing titles in History & Criticism

Join Cecilia Tan, a writer, editor, and devoted Harry Potter fan, as she takes you back to Hogwarts through a fan-centric guided tour of all eight movies in The Binge Watcher's Guide to the Harry Potter Films, where you can re-live all the excitement and wonder of seeing Harry hop on his broom for the very first time.

Music composed for television had, until recently, never been taken seriously by scholars or critics. Catchy TV themes, often for popular weekly series, were fondly remembered but not considered much more culturally significant than commercial jingles. Yet noted composers like John Williams, Henry Mancini, and Jerry Goldsmith learned and/or honed their craft in television before going on to major success in feature films.

In The Time of My Life, celebrated music journalist Andrea Warner excavates the layers of Dirty Dancing, from its anachronistic, chart-topping soundtrack, to Baby and Johnny’s chemistry, to Bergstein’s political intentions, to the abortion subplot that is more relevant today than ever. The film’s remarkable longevity would never have been possible if it was just a throwaway summer fling story. It is precisely because of its themes—deeply feminist, sensitively written—that we, over 30 years later, are still holding our breath during that last, exhilarating lift.

Owen Gleiberman has spent his life watching movies-first at the drive-in, where his parents took him to see wildly inappropriate adult fare like Rosemary's Baby when he was a wide-eyed 9 year old, then as a possessed cinemaniac who became a film critic right out of college. In Movie Freak, his enthrallingly candid, funny, and eye-opening memoir, Gleiberman captures what it's like to live life through the movies, existing in thrall to a virtual reality that becomes, over time, more real than reality itself.

Pop culture and parody author Valerie Estelle Frankel examines the sources and predicts a Game of Thrones ending for each one. What will the Ragnarok ending look like? Or the Narnia ending? Who will live, who will die, and how goofy can the war of ice and fire possibly get?

Even 150 years later, we are haunted by the Civil War---by its division, its bloodshed, and perhaps, above all, by its origins. Today, many believe that the war was fought over slavery. This answer satisfies our contemporary sense of justice, but as Gary W. Gallagher shows in this brilliant revisionist history, it is an anachronistic judgment.

You might not know the name Tyrus Wong, but you probably know many of the images he shaped, including scenes from the beloved Disney classic Bambi. Yet when he came to this country as a child, Tyrus was an illegal immigrant locked up in an offshore detention center. How did he go on to a long and prosperous career drawing animation cels, storyboards, and greeting cards that shaped the American imagination?

When former government staffer Alisha Aitken-Radburn was given a 'villain edit' on her first season of The Bachelor, she wasn't entirely surprised – there are only a handful of character tropes producers can manipulate into storylines. But the backlash on social media was unexpectedly intense, and Alisha found her sense of identity completely rocked by a single comment: 'You are a bad person'. Determined to shake the 'villain' label, she returned to reality TV screens, and this time, she got a different edit.

Una serie TV può cambiare la percezione di intere nazioni su tematiche sociali, scientifiche, politiche, relazionali, dando voce a persone che nella nostra società sono ancora invisibili, a cui non viene mai data la parola. Il merito di Marina Pierri è la capacità di mettere insieme mondi che fanno fatica a parlarsi: quello del femminismo intersezionale e quello della psicologia del profondo. In "Eroine", Marina Pierri prende il testimone da una vasta letteratura filosofica, cinematografica e psicologica, e compie un'operazione ancora inedita.

When it comes to superheroes of the silver screen, nobody knows more than the masterminds behind the wildly popular Comicstorian YouTube channel. This definitive guide to comic book films divulges behind-the-scenes secrets and the hidden history behind these must-see movies including how, after very rocky beginnings, they shot to the top with DC and Marvel as two of the most important franchises in the industry.

Fifty Years of 60 Minutes shares the secret of what's made the program exceptional for all these years and how it has maintained such high quality to this day: why founder Don Hewitt believed "hearing" a story is more important than seeing it (and thus why he closed his eyes in the screening room), why competition was encouraged to preserve a sense of urgency, why the "small picture" is the best way to illuminate a larger one, and why the most memorable stories are almost always those with a human being at the center.

When Anna Broinowski learned that fracking had invaded downtown Sydney, she had a brilliant idea: she would seek guidance for a kryptonite-powerful, anti-fracking movie from the world's greatest propaganda factory - apart from Hollywood. After two years of trying, she was allowed to make her case in Pyongyang and was granted full permission to film. She worked closely with the leading lights of North Korean cinema, even playing an American in a military thriller.

Scott Jordan (author) seized the opportunity to appear on ABC's Shark Tank and is remembered as being one of the most popular - and controversial - people to appear on the show. Shark Bites was created from his unique experiences, access to past show guests, and relationships in the entrepreneurial world. It includes dozens of controversial interviews with past Shark Tank entrepreneurs.

How do perceptions of the past - not just of particular events, but of the trajectory of history as a whole - shape our experience of the world? Sensing the Past tackles this question with an unlikely source of historical insight - the work of six major Hollywood stars: Clint Eastwood, Daniel Day-Lewis, Denzel Washington, Tom Hanks, Meryl Streep, and Jodie Foster. By focusing on the career choices made by these iconic actors, Cullen uncovers a discrete set of historical narratives, revealing the surprising ways historical forces shape our understanding of the world.

Now, with The Golden Hour, Specktor blends memoir, cultural criticism, and narrative history to tell the story of the modern motion picture industry—illuminating the conflict between art and business that has played out over the last seventy-five years in Hollywood. Braiding his own story with that of his father, mother (a talented screenwriter whose career was cut short), and figures ranging from Jack Nicholson to CAA’s Michael Ovitz, Specktor reveals how Hollywood became a laboratory for the eternal struggle between art, labor, and capital.

Produced during the height of the post-World War II film noir movement, Blood on the Moon is a classic Western immersed in the film noir netherworld of double crosses, government corruption, shabby barrooms, gun-toting goons, and romantic betrayals. With this volume, biographer and noir expert Alan K. Rode brings the film to life for a new generation of listeners and film lovers.

In Vitagraph, Andrew A. Erish provides a comprehensive examination and reassessment of the company most responsible for defining and popularizing the American movie. This history challenges long-accepted Hollywood mythology that simply isn't true: that Paramount and Fox invented the feature film, that Universal created the star system, and that these companies, along with MGM and Warner Bros., developed motion pictures into a multimillion-dollar business.

Was It Yesterday? explores the impact of nostalgia in 21st-century American film and television. Cultural nostalgia, in both real and imagined forms, is dominant today, but what does the concentration on bringing back the past mean for an understanding of our cultural moment, and what are the consequences for viewers? This book questions the nature of this nostalgic phenomenon, the politics associated with it, and the significance of the different periods, in addition to offering counterarguments that see nostalgia as prevalent throughout film and television history.

Iconic actors, jealousy, tantrums, and a legendary producer’s struggle to transform the tempestuous, ill-fated union of Anne Boleyn and Henry VIII to the big screen all factor into this dramatic, behind-the-scenes story of how the popular Broadway play Anne of the Thousand Days became the quintessential Anne Boleyn movie. Richard Burton and Geneviève Bujold lit up the screen in this tragic romance, but some of the most exciting scenes were those not caught on film and which centered on a real or imagined love triangle.

Robert Altman and the Elaboration of Hollywood Storytelling reveals an Altman barely glimpsed in previous critical accounts of the filmmaker. This re-examination of his seminal work during the "Hollywood Renaissance" or "New Hollywood" period of the early 1970s (including M*A*S*H and Nashville) sheds new light on both the films and the filmmaker, reframing Altman as a complex, pragmatic innovator whose work exceeds, but is also grounded in, the norms of classical Hollywood storytelling rather than someone who rejected those norms in favor of modernist art cinema.