Showing results by author "James Cahill" in All Categories

Cambridge, 1994. Professor Don Lamb is a revered art historian at the height of his powers, consumed by the book he is writing about the skies of the Venetian master Tiepolo. However, his academic brilliance belies a deep inexperience of life and love. When an explosive piece of contemporary art is installed on the lawn of his college, it sets in motion Don's abrupt departure from Cambridge to take up a role at a south London museum. There he befriends Ben, a young artist who draws him into the anarchic 1990s British art scene and the nightlife of Soho.

Thomas Haller has achieved the kind of fame that most artists only dream of: shows in London and New York, paintings sold for a fortune. The vision he presents to the world is one of an untouchable genius at the top of his game. It is also a lie. Who is the real Thomas Haller? His oldest friend and former dealer, Lorna, might once have known - before Thomas traded their early intimacy for international fame. Between his ruthless new dealer and a property mogul obsessed with his work, the appetite for Thomas and his art is all-consuming.

Born in Port Arthur, Texas in 1925, Robert Rauschenberg attended Academie Julien and Black Mountain College, where he studied under Josef Albers. He was associated with Jasper Johns and John Cage in the early 1950s, when he made the famous combines, assemblages of found objects, and created the white and the black paintings - presaging movements of Pop, Minimalist and Conceptual art of the following decades.

Cv/VAR 155 presents a review by James Cahill of an exhibition by the renowned artist Francesco Clemente (b. 1952), exploring his first show in London for seven years. The monograph includes a conversation recorded with the artist in which he discusses the new paintings, and the ideas which grounded their development.