Western United States History

A classic story of imperiled love on the western frontiers of 19th-century America. While a battle rages between two outlaw gangs in a remote Utah canyon, Jim Wales struggles to rescue Helen Herrick, who has been captured and held for ransom. Robbers' Roost tells the story of their personal struggle to escape the clutches of the murderous outlaws while simultaneously safeguarding their passion, one that is not likely to survive the beautiful, yet deadly, terrain and people of the old American West.

After five years of virtual banishment because he sold out his small outfit to the Middle Arizona Cattle Company, giving it a foothold on the Mesa Grande range, violent-tempered Joe Bonnyman is summoned back to Lodgepole by his father when it appears that a cattle war between the syndicate and the various rangers is imminent. During his short stay in town, Joe has an unpleasant meeting with Ed Merrill, the brother of a girl Joe had once courted.

. Decades of incremental changes created a distinctive watercraft, and the steamboat became perfectly suited to the conditions of the western rivers, transforming the west from a wilderness into a place of economic significance. In The Western River Steamboat, nautical archaeologist Adam I. Kane traces the development of this once commonplace vessel. Kane describes the importance and impact of the steamboat in American history and complements his historical analysis with clear, concise technical explanations of the construction and evolution of western river steamboats.

From the best-selling novelist of the American West, comes a novel of romance, danger, and life along the trail.

John Henry Cole is an operative of Ike Kelly's Detective Agency, based out of Cheyenne, Wyoming Territory. Returning to Cheyenne from what had been a deadly assignment in Deadwood, Dakota Territory, Cole has decided that he has no alternative but to resign from the agency and pursue a different line of work. However, in Cheyenne, Cole learns that Ike Kelly has been murdered and his body burned in a fire that destroyed both the agency office and the shop next door.

Barney Dwyer is a gentle giant who has yet to find a place in the world. Capturing two notorious outlaws has made a hero of him, so much so that rancher Robert Parmelee offers him a job on his ranch to put a stop to persistent rustling. Taking the job promises an income sufficient for Barney to marry his sweetheart. But this promise for the future falls into jeopardy when the outlaws escape, determined to kill Barney.

hn Signal, fleeing from a murder charge in a fair fight, arrives in the mining town of Monument. Calling himself John Alias, he is made a deputy sheriff by Sheriff Peter Ogden, who puts Alias between two crooked factions and fails to give him any support.

Winsor Glanvil pays court to Louise Carney, heiress to a fortune, and she agrees to marry him. The marriage is opposed by big Jack Rutledge, a jealous rival and formidable foe, so Glanvil and Louise plan to be married in a sequestered valley by a local clergyman. Rutledge and his supporters, learning of the plan, arrive in the valley ahead of the two and seize Glanvil. Glanvil is beaten mercilessly and Rutledge disfigures him, destroying one side of his face with the cutting edge of a spur. Rutledge then rejoins his gang in the clergyman’s house.

The early settlement of the region around Pittsburgh was characterized by a messy collision of personal, provincial, national, and imperial interests. Driven by the efforts of Europeans, Pennsylvanians, Virginians, and Indians, almost everyone attempted to manipulate the clouded political jurisdiction of the region. A Colony Sprung from Hell traces this complex struggle. The events and episodes that make up the story highlight the difficulties of creating and consolidating authority along the frontier.

Here is the most detailed and most engagingly narrated history to date of the legendary two-year facedown and shootout in Lincoln. Until now, New Mexico's late-19th-century Lincoln County War has served primarily as the backdrop for a succession of mythical renderings of Billy the Kid in American popular culture.

Dies ist Paul Austers sehr persönliche Abrechnung mit der Vergottung des Waffentragens in der amerikanischen Kultur und Gesellschaft. Er erzählt davon zunächst in biografischen Vignetten, beginnend bei den Spielzeugcolts der Kindheit und den Western im Fernsehen. Es folgen die ersten Einschläge im näheren Umfeld, der von der Großmutter erschossene Großvater - lange Zeit ein Familiengeheimnis, von dem Auster nur durch Zufall erfuhr.