Leaves rustle underfoot in a dark wood: two middle-aged women walk into a forest, as they did when they were girls, confronting their fears and memories and the strange thing they saw in their childhood - or thought they saw - so long ago. A distinguished obstetrician and young woman artist find they have sharply contrasting ideas about body parts, birth and death; an innocent member of an evening class harbours unexpected view on 'raw material'. The stories in this marvellous collection are by turns funny, spooky, sparkling and haunting. 

The constant theme running through this collection of short stories, the first collection by A. S. Byatt, is that of repetition, taking the form of family patterns recurring across generations, the return of the past in the form of ghosts and the disruptive force of family stories. A. S. Byatt was the winner of the Silver Pen Award for her novel Still Life (1986). Her other novels include Shadow of a Sun, The Game (1983) and The Virgin in the Garden (1981).

A dark midwinter’s night in an ancient inn on the Thames. The regulars are entertaining themselves by telling stories when the door bursts open on an injured stranger. In his arms is the drowned corpse of a little child. Hours later the dead girl stirs, takes a breath and returns to life. Is it a miracle? Is it magic? Or can it be explained by science? An exquisitely crafted multilayered mystery brimming with folklore, suspense and romance as well as with the urgent scientific curiosity of the Darwinian age, Once Upon a River is as richly atmospheric as Setterfield’s best seller The Thirteenth Tale.

Each story is in some way inspired by a painting of Henri Matisse, each is also about the intimate connection between seeing and feeling - about the ways in which a glance we meant to be casual may suddenly call forth the deepest reserves of our being. Their subjects' lives unravel from simple beginnings - a trip to the hair dresser, a cleaning woman's passion for knitting, lunch in a Chinese restaurant but gradually the veneer of ordinariness is peeled back to expose pain, reveal desire, or express the intensity of joy in colour and creation.

Cassandra is an Oxford don; Julia, her sister, a best-selling novelist. They share a set of disturbing memories of a strange childhood game and of Simon, the handsome young neighbour who loved them both. Years later Simon reenters their lives via a television programme on snakes and intrudes into their uneasy compromise of mutual antagonism and distrust. The old, wild emotions surge back, demanding and urgent, and this time the game is played out to a fatal finish.

Possession is an exhilarating novel of wit and romance, at once a literary detective novel and a triumphant love story. It is the tale of a pair of young scholars investigating the lives of two Victorian poets. Following a trail of letters, journals and poems they uncover a web of passion, deceit and tragedy, and their quest becomes a battle against time. 

Famous author Olive Wellwood writes a special private book, bound in different colours, for each of her children. In their rambling house near Romney Marsh they play in a story-book world - but their lives, and those of their rich cousins and their friends, the son and daughter of a curator at the new Victoria and Albert Museum, are already inscribed with mystery. Each family carries its own secrets. 

Ragnarok is the story of the end of the world. It is a tale of destruction of life on this planet and the end of the gods themselves. What more relevant myth could any modern writer find? As the bombs rain down in the Second World War, one young girl is evacuated to the English countryside. She is struggling to make sense of her new wartime life.

Richard Dawkins' brilliant reformulation of the theory of natural selection has the rare distinction of having provoked as much excitement and interest outside the scientific community as within it. His theories have helped change the whole nature of the study of social biology, and have forced thousands to rethink their beliefs about life.

Here are six magical stories to thrill and enchant you. Listen as Blackberry Blue rises from the bramble patch; follow Emeka the pathfinder on his mission to save a lost king; and join Princess Desire as she gallops across the Milky Way on her jet-black horse. These beautifully written and original stories will delight listeners of all ages.

The four previous volumes in Ellen Datlow and Terri Windling's anthology series of fairly-tales retold with a distinctively modern edge have been hailded by reviewers as "brilliant", "provocative", and "disturbing". In this triumphant new collection of original fiction, 21 of today's leading writers spin the cherished fables of childhood into glittering gold - offering magical tales for adults, as seductive as they are sophisticated.

Long ago when the Earth was flat, beautiful, indifferent Gods lived in the airy Upperearth realm above; curious, passionate demons lived in the exotic Underearth realm below; and mortals were relegated to exist in the middle. Azhrarn, Lord of the Demons and the Darkness, was the one who ruled the night, and many mortal lives were changed because of his cruel whimsy. And yet, Azhrarn held inside his demon heart a profound mystery which would change the very fabric of the Flat Earth forever.

Susanna Clarke returns with an enchanting collection brimming with all the ingredients of good fairy tales: petulant princesses; vengeful owls; ladies who pass their time by embroidering terrible fates; endless paths in the deep, dark woods; and houses that never appear the same way twice.

'I started to write short pieces when I was living in a room too small to write a novel in.' So says Angela Carter of this collection, written during a period living in Toyko. These exotic, sensuous stories represent Carter's first major achievement in the short story form. Lush imaginary forests, a murderous puppet show and an expressionistic vision of Japan: each one instantly conjures an atmosphere, dark and luminous in turn, and from the recognisably daring imagination of one of the great 20th-century stylists.

1882. North of Edinburgh, on the edge of an isolated loch, lies an institution of crumbling stone, where a strange doctor collects orphans with unusual abilities. In London, two children with such powers are hunted by a figure of darkness—a man made of smoke.