The youngest of five siblings, Sara grew up on her father's cattle farm surrounded by dogs, cows, horses, fields and lots of 'cack'. The lanky kid sister - half girl, half forehead - a nuisance to the older kids, the farm was her very own dangerous adventure playground, 'a Bolton version of Narnia'. Her writing conjures up a time of wagon rides and haymaking and agricultural shows alongside chain-smoking pensioners, cabaret nights at the Conservative club and benign parenting.

Chemist Elizabeth Zott is not your average woman. In fact, Elizabeth Zott would be the first to point out that there is no such thing. But it's the early 1960s and her all-male team at Hastings Research Institute take a very unscientific view of equality. Except for one: Calvin Evans; the lonely, brilliant Nobel-prize-nominated grudge-holder who falls in love with—of all things—her mind. True chemistry results.

Canon Daniel Clement is rector of Champton. He has been there for eight years, living at the rectory alongside his widowed mother—opinionated, fearless, ever-so-slightly annoying Audrey—and his two dachshunds, Cosmo and Hilda. When Daniel announces a plan to install a lavatory in church, the parish is suddenly (and unexpectedly) divided: as lines are drawn in the community, long-buried secrets come dangerously close to destroying the apparent calm of Champton. And then Anthony Bowness is found dead at the back of the church, stabbed in the neck with a pair of secateurs.

Helen is a retired teacher living on the Irish coast. She enjoys the peace and quiet—despite the burden of Margaret, her unpleasant sister. Margaret arrived three years ago for a short holiday but somehow managed to stay and worm her way into Helen's life. One day, Helen sees a man struggling in the sea and decides to investigate. She doesn't quite know what it is, but something about it feels very strange.

Nell Stevens’ life is a mess. When her business goes bust and her fiancé with it, Nell’s happy ever after in California falls apart and she moves back to London to start over. But a lot has changed since she’s been gone. All her single friends are now married with children, sky-high rents force her to rent a room in a stranger’s house and in a world of perfect Instagram lives, she feels like a f--k up. 

Liv Brooks is still in shock. Newly divorced and facing an uncertain future, she impulsively swaps her London Life for the sweeping hills of the Yorkshire Dales, determined to make a fresh start. But fresh starts are harder than they look and feeling lost and lonely, she decides to adopt Harry, an old dog from the local shelter, to keep her company. But Liv soon discovers she isn’t the only one in need of a new beginning. 

When pregnant Saffron Cutler moves into 9 Skelton Place with boyfriend Tom and sets about renovations, the last thing she expects is builders uncovering a body - two bodies, in fact. Forensics indicate the bodies have been buried at least 30 years. Nothing Saffy need worry herself over. Until the police launch a murder investigation and ask to speak to the cottage's former owner - her grandmother, Rose. Rose is in a care home, and Alzheimer's means her memory is increasingly confused. She can't help the police, but it is clear she remembers something.

For years, rumors of the 'Marsh Girl' have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be touched and loved.

Three women. Three dates. One missing man. The No-Show is the brilliantly funny, heartbreaking and joyful new novel from Beth O'Leary about dating, and waiting, and the ways love can find us.

Joni never thought she would try online dating. She's so nervous that she posts fake photos—but when she starts talking to Ant, who's desperate to meet her, she doesn't dare come clean. Instead, Joni finds a way to meet Ant without revealing her true identity. It's perfect, it works and she's happy—until a few months in, Joni discovers she wasn't the only one being deceitful: on Ant's phone are intimate messages between him and two other women.

Award-winning actor, creator of a myriad of memorable characters from Lady Whiteadder to Professor Sprout, Miriam Margolyes is a national treasure. Now, at last, at the age of 80, she has finally decided to tell her extraordinary life story. And it's far richer and stranger than any part she's played.

A week at a beautiful chateau in the south of France—it should be a straightforward final job for Dora. She’s a smart, stunning and discreet escort and Daniel has paid for her services before. This time, all she has to do is to convince the assembled guests that she is his girlfriend. Dora is used to playing roles and being whatever men want her to be. It’s all about putting on a front. It will be a last, luxurious look at how the other half lives, before Dora turns her back on the escort world and all its dangers. 

On a perfect August morning, Elle Bishop heads out for a swim in the pond below 'The Paper Palace'—her family's holiday home in Cape Cod. As she dives beneath the water she relives the passionate encounter she had the night before, against the side of the house that knows all her darkest secrets, while her husband and mother chatted to their guests inside.... So begins a story that unfolds over 24 hours and 50 years, as Elle's shocking betrayal leads her to a life-changing decision—and an ending you won't be able to stop thinking about. 

Beth has never stuck at anything. She's quit more jobs and relationships than she can remember, and she still sleeps in her childhood bedroom. It's not that she hasn't tried to grow up, it's just that so far, the only commitment she's held down is Friday drinks at the village pub. Then, in the space of a morning, her world changes.

I love stories. I have mostly told other people's, but now, in telling my own, I realise how all our stories are connected by that great leveller of acclaim, loss, fortitude and fortune: being human. When I look at my life from the alleged halfway point, some patterns are revealed: one, that the story does not necessarily begin or end where it should; two, happy endings are overrated. And three, happy endings are almost never the end. This book is memoir-ish. A tell-most. Largely because there's a lot I don't remember, and a lot that's not worth talking about.