Showing titles in Friendship

Gerri can't decide what's more devastating: learning her rock-solid marriage has big cracks, or the anger she feels as she tries to repair them. Always the anchor for friends and her children, she realizes it's time to look carefully at herself. The journey is more than revealing—it's transforming. Andy has come to believe that a lasting love is out of reach. When she finds herself attracted to a man without any of the qualities that usually appeal to her, she questions everything she thought she wanted in life.

Thirty-three-year-old Ruth Henderson and her daughter Maggie have some hard choices to make. Following the tragic death of Maggie’s father, they are left with a mountain of debt and broken hearts. So, despite her vow never to return home after the fall-out from her teenage pregnancy, Ruth can’t see any option other than for the two of them to move back in with her parents.

Sophie Delavallois is the new companion to the ageing Dowager Marchioness, but she also has another reason for coming to the infamous Wyverne mansion, one that will shake the family to their core. Lord Drake left his childhood home many years ago, and only returns now to see his beloved grandmother. He takes little interest in the goings on of the house, until the arrival of Mademoiselle Delavallois. There’s something about her that he can’t put his finger on; it's as if he’s seen her before, but surely, that is not possible…

The last thing Alice expects to see at her husband’s graveside on his birthday is a giant, talking frog. On closer inspection, it’s a grown man dressed as Kermit. Turns out Alice’s husband is buried next to Ben’s older brother Harry, who—as a parting practical joke in his will—insisted that Ben visit his grave each year, on this specific day, dressed in an as-yet-undisclosed pageant of embarrassing fancy dress.

When Lewis Harley has a health scare in his early 40s, he takes it as a wake-up call. So he and his wife, Charlotte, leave behind life in the fast lane, and Lewis opens the antiques shop he has dreamed of. Bonnie Brookland was brought up in the antiques trade and now works for the man who bought out her father's business, but she isn't happy there. So when she walks into Lew's shop, she knows this is the place for her.

As her summer wedding to Jake approaches, Hollie is excited for their new beginning as a family. But when some unexpected news threatens the future she and Jake had hoped for, Hollie will need to find the strength to overcome heartache once more. Single mum Kerry loves her job, but behind the brave smiles and laughter with customers there is a sadness deep within. So when someone from her past re-appears in her life, Kerry can either hide away or face her demons and try to finally move on from her heartbreak. For Hollie and Kerry it promises to be an emotional rollercoaster of a summer.

Abbie Finch loves her job. Unfortunately, her boss doesn’t love her. When she finds herself unexpectedly unemployed, Abbie realises that she’s let all her friendships fall by the wayside and has no one to turn to. Lost and lonely, Abbie decides to leave her comfort zone and join the neighbourhood café’s community table.

When Mackenzie, Sunna, and Maude move into a converted rental house, they are strangers with only one thing in common - important people in their lives have “ghosted” them. Mackenzie’s sister, Sunna’s best friend, and Maude’s fiancé - all gone with no explanation. So when a mangled, near-indecipherable letter arrives in their shared mailbox - hinting at long-awaited answers - each tenant assumes it’s for her.

Lauren and her family—lucky bastards—have been granted the use of a spectacular brownstone, teeming with history and dizzyingly unattractive '70s wallpaper. Adding to the home’s bohemian, grungy splendor is the bar occupying the basement, a (mostly) beloved dive called The Sweet Spot. Within days of moving in, Lauren discovers that she has already made an enemy in the neighborhood by inadvertently sparking the divorce of a couple she has never actually met.

Ronke, Simi and Boo are three mixed-race friends living in London. Everyday racism has never held them back, but now in their 30s, they question their future. When Isobel, a lethally glamorous friend from their past, arrives in town, she is determined to fix their futures for them. Cracks in their friendship begin to appear, and it is soon obvious Isobel is not sorting but wrecking. When she is driven to a terrible act, the women are forced to reckon with a crime in their past that may just have repeated itself.

When Margaret Ives, the famously reclusive heiress, invites eternal optimist Alice Scott to the balmy Little Crescent Island, Alice knows this is it: her big break. And even more rare: a chance to impress her family with a Serious Publication. Pulitzer-prize winning human thundercloud, Hayden Anderson, is sure of the same thing. The proposal? A one-month trial period to unearth the truth behind one of the most scandalous families of the 20th Century, after which she’ll choose who’ll tell her story.

When Cass is asked by her father to take on a rare photography project in the Caribbean islands, she really can't see a reason to say no. But she soon discovers she has more on her plate than photographs, as the remote island has just been hit by a severe hurricane, leaving mass destruction in its wake. And then she meets Ranulph who it turns out is a bit of an expert in finding the rare rock carvings her father wants her to photograph. Ranulph insists they must first help the locals in clearing the island and re-building it before they begin their own expedition.

When her best friend, Emily, asks Stephanie to pick up her son from school, she happily says yes. Their children are classmates and best friends. And five-year-olds love being together - just like she and Emily. As a widow and stay-at-home blogger mum living in suburban Connecticut, Stephanie was lonely until she met Emily, a glamorous and successful PR executive. The trouble is that Emily doesn't come back.

Michael Woodbine was seven years old when a near-fatal fireworks accident scarred him and led to his placement in foster care. Now a college freshman, he is still trying to hide the effects of his trauma from his classmates, his adoptive family, and himself. When Michael signs up for a film class, he meets Robert Dunning, a teacher who wears his own scars unapologetically. Robert encourages Michael to make a documentary that explores body image and self-perception.

In the shared and private spaces of Iowa City, a social circle of lovers and friends navigate tangled webs of connection as they try to figure out what they want, and who they are. At the centre of the group are three dancers: Ivan, tall and stoic, who is leaving ballet for a career in finance; Fatima, whose work ethic earns her both admiration and enmity; and Noah, who 'didn't seek sex out so much as it came up to him like an anxious dog in need of affection.'

Augusta Hope has never felt like she fits in. At six, she’s memorising the dictionary. At seven, she’s correcting her teachers. At eight, she spins the globe and picks her favourite country on the sound of its name: Burundi. And now that she's an adult, Augusta has no interest in the goings-on of the small town where she lives with her parents and her beloved twin sister, Julia. When an unspeakable tragedy upends everything in Augusta's life, she's propelled headfirst into the unknown.

Frank is a miserable old curmudgeon. An agoraphobic recluse and widower whose only company is the 'ghost' of his wife, Marcie. He is estranged from friends and family and is entirely cut off from the rest of the world. That is until he meets Red. Red is six years old. He's a funny, imaginative, and kind little boy who - following the separation of his parents - moves in next door. Red is fascinated by his new neighbour and seemingly oblivious to Frank's grumpy demeanour and strange ways.

Living in flats in a converted house in North London, a group of middle-aged neighbours navigate their careers, love lives and family dramas in this charming sitcom full of heart.

The games and rituals performed by Katherine Heiny’s characters range from mischievous to tender. In ‘Bridesmaid, Revisited,’ Marilee, suffering from a laundry and life crisis, wears a massive bridesmaid’s dress to work. In ‘Twist and Shout,’ Ericka’s elderly father mistakes his four-thousand-dollar hearing aid for a cashew and eats it. In ‘Turn Back, Turn Back,’ a bedtime storxy coupled with a receipt for a Starbucks babyccino reveal a struggling actor’s deception. And in ‘561,’ Charlene pays the true price of infidelity and is forced to help her husband’s ex-wife move out of the family home.

Frances Angel, drunk and disgruntled, arrives in Italy to attend the I Zingari Art School, leaving behind her dazzling career as a successful theatrical impresario and returning to a distant and painful past. She falls into an eclectic group of performance artists, ex-soldiers and a housewife who really just wants to paint something to match her settee.