Showing results by narrator "Shaheen Khan" in All Categories

"How ought one to live?" This is the question that obsesses London-based publisher Ayush, driving him to question every act of consumption. He embarks on a radical experiment in his own life and the lives of those connected to him: his practical, economist husband; their twins; and even the authors he edits and publishes. One of those authors, a mysterious M. N. Opie, writes a story about a young academic involved in a car accident that causes her life to veer in an unexpected direction.

In this comprehensive anthology, former Poet Laureate Andrew Motion has gathered together exceptional poems from the 14th century through to the present day, creating an extraordinary poetic journey for the listener. From the love poems of Shelley and Keats to the grim war elegies of Owen and Sassoon, there is a poem here for every sentiment, each with something different to offer.

Hana has a perfect job, a perfect home, a perfect marriage. It is her younger sister Mira who is a mess. But Hana wants children and her husband is hesitating, and perhaps her control is slipping. Mira dreams of a creative life but she's stuck working at a local café. She hates her flatmate and Hana's dismissal of her writing but she can't find the right inspiration. One night, a fight between Hana and her husband sparks something in Mira: the words ring in her head and she starts typing. But what can you borrow from your sister? And what can be forgiven?

Grand Life Apartments is a middle-class apartment block surrounded by lush gardens in the coastal city of Chennai, India. It is the home of Kamala, a pious, soon-to-be retired dentist who spends her days counting down to the annual visits from her daughter who is studying in the UK. Her neighbour, Revathi, is a thirty-two-year-old engineer who is frequently reminded by her mother that she has reached her expiry date in the arranged marriage market. Jason, a British chef, has impulsively moved to India to escape his recent heartbreak in London.

India, 1855. There are two kinds of magic in Chompa's world. The kind her mother favours: writing-magic, which anyone can do if they take the time. Write a spell in Farsi, and wait. It's calm, controlled, safe, says Ammi. It's slow, frustrating, boring, thinks Chompa. Then there's finger-magic, which only those descended from ancient djinn are born with. Immediate, powerful - and dangerous, for every act of finger-magic leaves a trace, and comes at a price.

With her thirtieth birthday on the horizon, Anna Kotze has accepted that there are some family secrets she’ll never know. While her mother’s Zimbabwean roots are woven into her life, all her father will say is that he was adopted. But when she finds an engraved necklace hidden among his things, a surprise piece of the puzzle finally falls into place: her father wasn’t just adopted—he was abandoned. The only clue to her grandmother’s identity is the inscription, ‘Indira’, Anna’s own middle name. But who was her namesake and where is she now?

The Mahabharata is one of the two major Sanskrit epics of ancient India. It is of immense importance to the culture of the Indian subcontinent and is a major text of Hinduism. Its discussion of human goals (artha or 'purpose', kama or 'pleasure', dharma or 'duty' and moksha or 'liberation') takes place in a long-standing tradition, attempting to explain the relationship of the individual to society and the world (the nature of the 'self') and the workings of karma.

When someone hacks into the systems of eight self-drive cars, their passengers are set on a fatal collision course. The passengers are: a TV star, a pregnant young woman, a disabled war hero, an abused wife fleeing her husband, an illegal immigrant, a husband and wife - and parents of two - who are travelling in separate vehicles and a suicidal man. Now the public have to judge who should survive, but are the passengers all that they first seem?

In a small pocket of the city, between the houses of No.77 and No.79 on Eastbourne Road, there’s a neglected community garden. Once vibrant and welcoming, and a sanctuary for the people when they needed it most, the garden’s gate is firmly closed. But it only takes a small seed of an idea for big changes to happen. And as the neighbours’ need for connection grows, the twilight garden comes out of hibernation.

Amjad cradles his baby daughter in the middle of the night. He has no time to mourn his wife’s death. Saahil and Zahra, his two small children, are relying on him. Amjad vows to love and protect them always. Years later, Saahil and his best friend, Ehsan, have finished university and are celebrating with friends. But when the night turns dangerous, its devastating effects will ripple through the years to come. Zahra’s world is alight with politics and activism. But she is now her father’s only source of comfort, and worries she’ll never have time for her own aspirations.

What if the Western world does not have its ultimate origins in a single cultural bloodline but rather a messy bramble of ancestors and influences? As battles over privilege, identity and prejudice rock the cultural wars, it's never been more important to understand how the concept of The West came to be. This book tells a bold, empowering new story of how the idea of the West was created, how it has been used to justify imperialism and racism, and also why it's still a powerful ideological tool to understand our world.

The chant of 'Azadi!' - Urdu for 'Freedom!' - is the slogan of the freedom struggle in Kashmir against what Kashmiris see as the Indian Occupation. Ironically, it also became the chant of millions on the streets of India against the project of Hindu Nationalism. Even as Arundhati Roy began to ask what lay between these two calls for freedom - a chasm or a bridge? - the streets fell silent. Not only in India, but all over the world.

When Felicity Springer is reported missing after a police training conference, the countdown to find her begins.... On her way home after an exhausting weekend, with colleagues she can’t wait to escape, Felicity notices something odd about the white van in front of her. A hand has punched through the car’s rear light and is frantically waving, trying to catch her attention. Desperate to help, Felicity dials 999 and calls it in. But whilst on the phone, she loses control of the car on the icy road, crashing straight into the vehicle ahead. 

When the body of a homeless woman is found under Bradford’s railway arches, DS Nikki Parekh and her trusty partner DC Sajid Malik are on the case. With little evidence, it’s impossible to make a breakthrough, and when Nikki receives a newspaper clipping taunting her about her lack of progress in catching the killer, she wonders if she has a personal link to the case. When another seemingly unrelated body is discovered, Nikki receives another note. Someone is clearly trying to send her clues...but who? And then a third body is found.

When human remains are discovered under Bradford’s derelict Odeon car park, DS Nikita Parekh and her team are immediately called to the scene. Distracted by keeping her young nephew out of trouble, Nikki is relieved when the investigation is transferred to the Cold Case Unit, and she can finally focus on her family. But after the identity of the victim is revealed, she’s soon drawn back into the case. The dead man is a direct link to her painful past. As the body count begins to rise, Nikki must do everything she can to stop the killer in their tracks before anyone else gets hurt.

Nazia Sami is a celebrated author, but perhaps her greatest plot twist is yet to be produced. In her final days, she wields a pen one last time as she fills her diary with instructions for her sister, Naureen, and writes six letters to be delivered after her death. There is to be no funeral for Nazia. Instead, only six invitees are asked to attend a party, one of whom is a mystery guest. Over the course of an extraordinary evening, secrets are revealed, pasts reconsidered, and lives are forever changed...

When Ugandan President Idi Amin expelled the country's entire Asian population in 1972, more than 28,000 people from Britain's former colony arrived on airstrips around the country and began building new lives - but their incredible stories remained largely hidden. Fifty years later, first and second-generation testimony uncovers an under-explored period of history, touching on colonialism, immigration, identity and modern multiculturalism through the lens of individual experience.

When a body is found at the edge of Chellow Dene reservoir, Detective Nikki Parekh and DC Sajid Malik are quick to arrive. This is the third murder in the space of a few weeks. Each murder has a completely different MO, but there is one common theme...all the victims are teenagers. The dead boy reminds Nikki of her nephew, and she feels more helpless than ever. But then another boy goes missing. And this time his parents have been sent a threatening package, too. The pattern is different again - is the killer just playing a game?

When Detective Nikki Parekh receives a set of threatening postcards, she knows it can only mean one thing… The man who escaped arrest after murdering her mother two years ago is back. Each postcard has a similar message: You’re next Parekh. As the post marks on the cards gradually get closer to Bradford, Nikki must do everything she can to protect her family and catch the killer before it’s too late. But when human remains are found in a remote barn on the icy Yorkshire moors, Nikki’s attention is pulled away from her family. 

Nairobi Noir is an act of excavation, rediscovering the city's ossified past and infusing life to preserve it for future generations. It is also an act of celebration, reminding listeners of the brilliance of the best-known writers to emerge from this part of the world, and heralding the birth of new writers whose gifts, we can safely predict, will shine brightly in the years ahead.