Showing results by narrator "Bill Nighy" in All Categories

Fast-paced radio dramatisations of six of Dick Francis's classic racing thrillers, plus bonus documentary.

As the founder of Island Records, fabled music producer Chris Blackwell has discovered and worked with some of the most important musicians of the second half of the twentieth century—from Steve Winwood to Cat Stevens, Bob Marley to Grace Jones, U2 to Roxy Music, plus countless others. He is also widely credited with having brought reggae music to the world stage. Now, as he turns eighty-five, Blackwell takes us back to the island where it all began: Jamaica.

In the absolutely packed Act II, the dark fantasy resumes and the Sandman expands into the French Revolution, ancient Rome, 19th-century San Francisco, eighth-century Baghdad, and beyond. New and familiar characters abound, voiced by a bright mix of performers, including Kat Dennings, Regé-Jean Page, Emma Corrin, Michael Sheen, Kristen Schaal, Brian Cox, John Lithgow, Jeffrey Wright, and so many more, including fan-favorite narrators Simon Vance and Ray Porter.

Somewhere on the frontier between thought and reality exists the Discworld, a parallel time and place that might sound and smell very much like our own, but which looks completely different. Particularly as it’s carried though space on the back of a giant turtle (sex unknown). It plays by different rules. But then, some things are the same everywhere. The Disc’s very existence is about to be threatened by a strange new blight: the world’s first tourist, upon whose survival rests the peace and prosperity of the land.

Religion is a competitive business in the Discworld. Everyone has their own opinion and their own gods, of every shape and size - all fighting for faith, followers, and a place at the top.

Everybody knows there's no such thing as a female wizard. So when the wizard Drum Billet accidentally passes on his staff of power to an eighth daughter of an eighth son, a girl called Eskarina (Esk, for short), the misogynistic world of wizardry wants nothing to do with her.

Vampires have come to Lancre, but they're not what you'd expect. Sure, they drink blood and view humans as dinner, but they're modern and sophisticated. They've got style and fancy waistcoats. And they're not a bit afraid of garlic. The Magpyr family are out of the casket and want a bite of the future. But they haven't met the neighbours yet. Between them and Lancre stand a coven of four - Granny Weatherwax, Nanny Ogg, Magrat and young Agnes - and they don't take kindly to murderous intruders....

The witches Granny Weatherwax, Nanny Ogg and Magrat Garlick are travelling to far-distant Genua to stop a wedding and save a kingdom. But how do you fight a happy-ever-after, especially when it comes with glass slippers and a power-hungry Fairy Godmother who has made Destiny an offer it can't refuse? It's hard to resist a good story, even when the fate of the kingdom depends on it....

On Midsummer Night, dreams are especially powerful. So powerful, in fact, that they can cause the walls between realities to come crashing down. And some things you really don't want to break through.

Three witches gathered on a lonely heath. A king cruelly murdered, his throne usurped by his ambitious cousin. A child heir and the royal crown, both missing.

The Discworld is in danger, heading towards a seemingly inevitable collision with a malevolent red star, its magic fading. It needs a hero, and fast. What it doesn't need is Rincewind, an inept and cowardly wizard who is still recovering from the trauma of falling off the edge of the world. Or Twoflower, the well-meaning tourist whose luggage has a mind (and legs) of its own.

The Opera House in Ankh-Morpork is home to music, theatrics and a harmless masked Ghost who lurks behind the scenes. But now a set of mysterious backstage murders may just stop the show. Agnes Nitt has left her rural home of Lancre in the hopes of launching a successful singing career in the big city. The only problem is, she doesn't quite look the part. And there are two witches who would much rather she return home to join their coven.

Penguin presents the unabridged, downloadable, audiobook edition of The Penguin Lessons by Tom Michell, read by Bill Nighy. 'I was hoping against hope that the penguin would survive because as of that instant he had a name, and with his name came the beginning of a bond which would last a life-time.' Tom Michell is in his roaring 20's: single, free-spirited and seeking adventure.

Bill Nighy, Barbara Shelley and Peter Sallis are among the cast in six classic BBC Radio dramatisations of stories by one of Britain's most popular science fiction authors. 'The Day of the Triffids', first broadcast in 1968, is set in a world in which most people have been left blind after a meteor shower, and lethal carnivorous triffids are roaming the land. 'The Kraken Wakes', dramatised for radio in 1998, is a gripping story of monsters from the deep, alien invasion and ecological disaster.

A master of the psychological crime genre, Patricia Highsmith is most famous for her quintet of best-selling Ripley novels, and her groundbreaking thriller Strangers on a Train (notably adapted as a classic film by Alfred Hitchcock). This extensive collection encompasses her best-known works, as well as selected short stories and three programmes about the author herself and her greatest creation, charismatic anti-hero Tom Ripley.

The Moonraker project has a millionaire backer, the war hero Sir Hugo Drax - a man who, it seems, cheats at cards. With a ballistic rocket at stake, Sir Hugo’s exposure could threaten Britain’s latest defence system, so James Bond is asked to investigate. Moving from London’s most exclusive gambling club to a missile silo on the Channel coast, 007 and his Special Branch assistant, Gala Brand, discover there’s more to Drax than meets the eye.

The stockings are hanging ready, the sherry and pies are waiting by the fireplace - but where is the jolly fat man with his sack? It's not right to find Death creeping down chimneys and trying to say 'Ho ho ho' - but someone's got to bring the little kiddies their presents. Or else they might stop believing. Belief is important in Discworld, particularly on the last night of the year when the time is turning. If the real man in the red suit isn't found by morning, there won't be a morning. Ever again....

Both a portrait of a love triangle - between Tietjens, his beautiful and reckless wife, Sylvia, and the suffragette Valentine - and a depiction of life on the Western Front, Parade's End is one of the greatest fictional works of the 20th century. Ranging from the drawing rooms of England to the trenches of France, and moving between past and present, it is a haunting exploration of identity, loss and memory.

Locked down with his semi-detached wife, Frances, Charles has thrown himself into a new career as a handyman, becoming quite the DIY expert. He's developed muscles, stopped smoking and even cut back on the booze. Then his agent, Maurice, offers him the chance to get back on stage - and in a West End play, no less. The star, Justin Grover, asked for him specifically, but Charles has reservations. Grover was cocky enough when they were both young hopefuls; now, he's the star of a massive TV fantasy series, and the play - a verbatim piece set in a monastery - is dire.

This book, the second posthumous collection of his journalism, brings together pieces from near and far. He was ferociously well travelled, and once wrote that for all our ability to cross the world at will, 'abroad is as foreign and funny and strange and shocking as it ever was, and our need to know our neighbours every bit as great'. This is a book about meeting those neighbours.