British Crime Thrillers

When a girl’s body is found strangled, raped, and horrifically mutilated by a boat’s propeller, deep in the heart of the Norfolk Broads, newly arrived Detective Inspector John Tanner is asked to assist with the investigation. At first, all the evidence points to a man who had a multi-million-pound reason to kill her. But when an alibi is produced from an unexpected source, and another body appears at the base of a slipway, Tanner finds himself turning to local girl Detective Constable Jenny Evans for help.

When Blake Barton opens the door to a stranger one morning, he comes face to face with an unimaginable evil. Because this stranger claims to be the devil, and he promises to kill Blake—not now, but in six days, six hours, and six minutes exactly. Plunged into a nightmare race to save his wife and young son, Blake finds himself fighting not only the stranger but an army of young men who call themselves the devil's disciples—men who will do anything to please their master. As time runs out, Blake realizes that in order to fight evil, he must find the devil inside himself.

Detective Sara Hirst has moved from London to Norfolk Police's Serious Crimes Unit. She wants to know the truth about her father, who has connections to the area. Her mother won't tell her the real story. A new job. A new place. Same old problems. Sara's first call-out is to a decomposing body discovered in a ditch on a local farm. How does the murder relate to a recent spate of thefts? Who wanted the victim dead? Then the case grows very personal.

When Matt Ballard was starting out his career, three boys were murdered in the same area, the remote and bleak Gibbet Fen. When the main suspect was killed in a hit-and-run, the killings stopped. But Matt was not satisfied that the real murderer had been caught. Over 25 years later, Matt gets a photo in an unmarked envelope. It's of the Gibbet Fen crime scene. And the picture was taken before the murder took place. More photos arrive, relating to the historic murders, as well as intimate pictures of Matt's very secret private life.

Detective Sergeant Chris Waters got the call at 05.29 that July morning. This is it, said DCI Reeve, you'll be first there, it's all yours, you're the crime scene manager. Suddenly, after months of waiting and wondering, Waters finds himself in at the deep end, and alone at the scene of a puzzling murder. As the investigation proceeds, the detectives at Kings Lake Central find themselves visiting familiar places and talking to some familiar faces, while old enmities reappear in the incident room. Before this is over, Chris Waters will need to make a career-changing decision.

When a body is discovered during the building of the new Govan-Partick Bridge, it forces the reopening of a case that DCI Lomond would rather forget.

When a beautiful, wealthy student is found dead in her room in Oxford's most prestigious college, Detective Inspector Bridget Hart is called to investigate. The murdered girl appeared to have no enemies, yet was killed in a brutal and bloody assault. Haunted and driven by her own personal tragedy, newly promoted DI Bridget Hart has a lot to prove as she leads her first murder case. Her investigation uncovers a tangled web of lies, lust and ambition, and brings her into conflict with powerful interests.

Chesterton's allegorical masterpiece is a surreal, psychologically thrilling novel that centres on seven anarchists in turn of the century London who call themselves by the names of days of the week. The story begins when poet Gabriel Syme is recruited as a detective to a secret anarchist division of Scotland Yard by a shrouded, nameless person. Syme infiltrates a secret meeting of anarchists who are intent on destroying the world and becomes known as 'Thursday', one of the seven members of the Central Anarchist Council.

Early one morning, DS Robin Butler is summoned to a crime scene. Not as a policeman, but as best friend to renowned meteorologist, Dr Finn Mason. The morning after studying an enormous storm, Finn has locked himself in a van. Bloodied, confused, and with no memory of how he came to be there. And alongside him - a dead body.

On Christmas Eve, DCI Mackenzie Jones is called to a shooting at a remote farmhouse. Ralph Mallender believes his father lies dead inside. When three more bodies are discovered, it's clear a festive family gathering has turned into a gruesome tragedy. At first it seems like an open and shut case: a murder suicide committed by Ralph's volatile brother Cameron. Then new evidence makes Mack suspect the man who reported the crime is in fact the perpetrator. But Mack isn't the only one with a stake in the case.

When a young woman is brutally murdered in the Norfolk countryside, the locals blame Black Shuck - a legendary wild dog. There’s only one problem: The wounds weren’t made by an animal. DCI Robert Kett is battling a black dog of his own. With his wife still missing, and the injuries from his last case leaving him in constant pain, everything seems impossible - not least looking after his three young children.

The story opens with the apparently accidental drowning of a sixth form student in the Norfolk countryside. As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex-DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so.

When East-End gangster and 'frenemy' to the Last Chance Saloon, Johnny Lucas, is accused of murdering a London gangland rival in his boxing club, he claims his brother was the killer. The only problem though is that his brother, Jackie, is actually Johnny's multiple personality. Pulled in to prove the case, DI Declan Walsh and his team soon realize that Johnny might be as innocent as he claims, as a new player is in town, claiming to be Johnny's brother Jackie in the flesh, a man who shouldn't exist yet can prove he does, is starting to carve out his own empire.

Halloween, Whitby. DCI Jim Oldroyd’s daughter Louise is in town with friends for a goth festival. But their visit to an escape room ends in bloody murder when one of the group stabs his girlfriend and flees the scene. It’s a crime with three witnesses - but Louise refuses to take what she saw at face value. Oldroyd and DS Carter are called in to solve the case, assisted from the sidelines by Louise. But the closer they investigate, the more complex the web of deceit appears. This is no straightforward crime of passion.

In 1930s London, celebrity psychiatrist Anselm Rees is discovered dead in his locked study. There seems to be no way a killer could have escaped unseen. There are no clues, no witnesses, and no evidence of the murder weapon. Stumped by the confounding scene, the Scotland Yard detective on the case calls on retired stage magician turned part-time sleuth Joseph Spector. Spector has a knack for explaining the inexplicable, but even he finds that there is more to this mystery than meets the eye.

A body caught on the end of a mast, another skewered by a rhond hook, and a chain of evidence Tanner simply cannot accept. As a twisting gale howls its way over Barton Broad, DS Jenny Evans joins a handsome old friend to help rescue the crew of an overturned boat. But when they discover a body, snagged on the end of the mast, one murder soon follows another, leaving DI John Tanner facing a race against time, desperate to prove that the most obvious suspect isn’t who everyone seems to think it is.

They call him the gourmet detective; the only thing sharper than his mind is his palate. When chefs need a rare ingredient, an ancient wine, or simply a new idea to gain that extra Michelin-star boost, they come to the detective's cozy London office and plead for his help. For top-notch cooking, he is always happy to lend his taste buds to the cause.

Struggling with his new role as a detective chief inspector, John Tanner is warned of a convicted psychopath’s early release. When a couple is found later that day; the man stabbed to death, the woman with her throat cut, he's forced to assume the convict is responsible. But when the male victim turns out to be heir to a global pharmaceutical company, and his twelve-year-old son is nowhere to be found, he has to start looking closer at the victim’s family, and their sprawling stately ancestral home.

The options for the penniless daughter of a deceased earl are few indeed in Regency England. So, following the suspicious death of her father, the Earl of Morton, and the discovery that she and her much younger sister have been left without income or home, Lady Caroline takes a post as a lady's companion to the wealthy widow Frogerton. Just as Caroline is getting accustomed to her new position, her aunt, Lady Eleanor Greenwood, invites her and her employer to a house party in the countryside to celebrate her youngest daughter's birthday. But all is not well at the Greenwood estate.

When the dead body of a woman is found on public display, the murder scene bears all the hallmarks of a famous work of art. DI Ian Drake knows he is dealing with a very creative and intelligent killer - one who enjoys having their work showcased for all to see. As more murders take place, each copying a famous work of art, Drake faces a murderer who always seems to be one step ahead.