Showing titles in United States

The Mississippi River, 1861. When the enslaved Jim overhears that he is about to be sold to a new owner in New Orleans and separated from his wife and daughter forever, he decides to hide on nearby Jackson’s Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father who recently returned to town. Thus begins a dangerous and transcendent journey by raft along the Mississippi River, towards the elusive promise of the free states and beyond.

Free-spirited and easygoing Taylor Vandenberg left her hometown of Faircombe, Tennessee, as soon as she could, and in the twenty-five years since, she has rarely looked back. She wouldn't change anything about how her life has turned out—having traveled to nearly every country, never staying anywhere long enough to feel stifled. Brooke Watson has known Taylor for her entire life, and lifelong knowledge means that Brooke knows she's trouble: irresponsible, takes nothing seriously, and irritatingly attractive.

Melanie Jenkins, newly single and desperate for change, swaps her ER scrubs for a stethoscope and a one-way ticket to Crazy Town. Her destination? The mansion of Rhonda Miltmore—hypochondriac extraordinaire and self-appointed Cupid. Enter Brent Miltmore: Wall Street titan with an emotional portfolio in dire need of diversification. When he takes a tumble (literally), guess who becomes his reluctant caretaker? Yep, his childhood nemesis.

"Call me Ishmael." Thus starts the greatest American novel. Melville said himself that he wanted to write "a mighty book about a mighty theme" and so he did. It is a story of one man's obsessive revenge-journey against the white whale, Moby-Dick, who injured him in an earlier meeting. Woven into the story of the last journey of The Pequod is a mesh of philosophy, rumination, religion, history, and a mass of information about whaling through the ages.

Athena Liu is a literary darling and June Hayward is literally nobody. When Athena dies in a freak accident, June steals her unpublished manuscript and publishes it as her own under the ambiguous name Juniper Song. But as evidence threatens June’s stolen success, she will discover exactly how far she will go to keep what she thinks she deserves. What happens next is entirely everyone else’s fault.

With deftness and skill, journalist Lili Anolik uses Babitz, Babitz's brilliance of observation, Babitz's incisive intelligence and, most of all, Babitz's diary-like letters, as the key to unlocking Didion. Franklin Avenue was the making of one great American writer: Joan Didion, a mystery behind her dark glasses and cool expression, her marriage to John Gregory Dunne as tortured as it was enduring. It was also the breaking and then the remaking - and thus the true making - of another great American writer: Eve Babitz.

Born from Bukowski's columns, the LA underground press of the 1960s, Bukowski defined his early alter ego, Hank Chinaski, as a self-described dirty old man who eyes his defeatist attitude about himself with his clarity to see humor and holiness in others. Addictive and instructive listening, Bukowski delivers the humanity and intelligence of all the unseen. Filled with his usual obsessions - sex, booze, gambling - Notes features Bukowski's offbeat insights into politics and literature, and his tortured, violent relationships.

Tooth and Claw follows Walt and Henry up to Alaska as they look for work after they both return from serving in Vietnam. While working for an oil company in the bitter cold of winter, they soon encounter a ferocious polar bear that seems hell-bent on their destruction. But it’s not too long until they realize that the danger does not lurk outside in the frozen Alaskan tundra, but with their co-workers, who are after priceless treasure and will stop at nothing to get it.

On a cool autumn morning, Torie Nash heads into her village pulling a rickety wagon filled with late-season peaches. As she nears an intersection, a mysterious drifter with grimy thumbs and smudged cheeks and eyes as dark as a raven's wing stops to ask her the way. She could turn left or cross over. But she does not. 'Go as a river,' he whispers. So begins a mesmerising story that unfolds over a tumultuous lifetime as Torie begins to absorb and follow his words.

When Elizabeth Middleton leaves England to join her father at the edge of the New York wilderness, she does so with a strong will and an unwavering purpose: to teach school to children of all races - black, white, and Native American. It is December of 1792 when she arrives in a cold climate unlike any she has ever experienced. And she meets a man different from any she has ever encountered - a white man dressed like a native. His name is Nathaniel Bonner, also known to the Mohawk people as Between-Two-Lives. Elizabeth defies her father and shatters convention, but her ultimate destiny, here in the heart of the wilderness, lies in the odyssey to come: trials of faith and flesh, and passion born amid Nathaniel's own secrets and divided soul.

The New York Times best-selling author of seagoing epics now celebrates an American classic.Moby-Dick is perhaps the greatest of the Great American Novels, yet its length and esoteric subject matter create an aura of difficulty that too often keeps readers at bay. Fortunately, one unabashed fan wants passionately to give Melville's masterpiece the broad contemporary audience it deserves.

Evie Porter has everything a nice Southern girl could want: a perfect, doting boyfriend, a house with a picket fence, a fancy group of friends. The only catch: Evie Porter doesn't exist. The identity comes first: Evie Porter. Once she's given a name and location by her mysterious boss Mr Smith, she learns everything there is to know about the town and the people in it. Then the mark: Ryan Sumner. The last piece of the puzzle is the job. Evie isn't privy to Mr Smith's real identity, but she knows this job will be different.

Lost love and a midnight visit from a raven bring one man to the brink of insanity. A classic poem by a master wordsmith. Narrated by Glenn Hascall.

On the shores of this river, all the birds that fly, drink, perch on branches, and disturb siestas with the demonic squawking of the possessed—all those birds were once women. Welcome to Argentina and the fascinating, frightening, fantastical imagination of Mariana Enriquez. In twelve spellbinding new stories, Enriquez writes about ordinary people, especially women, whose lives turn inside out when they encounter terror, the surreal, and the supernatural.

Patricia Campbell's life has never felt smaller. Her ambitious husband is too busy to give her a goodbye kiss in the morning, her kids have their own lives, her senile mother-in-law needs constant care, and she's always a step behind on thank-you notes and her endless list of chores. The one thing she has to look forward to is her book club, a close-knit group of Charleston women united by their love of true crime and paperback fiction. At these meetings they're as likely to talk about the Manson family as they are marriage, motherhood, and neighborhood gossip.

Frank O'Hara was a pioneering modern American poet and playwright - an art critic, a musician, and a curator at the Museum of Modern Art - who defined New York City in its post-WWII heyday. For many these poems defined the city's midcentury zeitgeist.

Enter a vanished and unjust world: Jackson, Mississippi, 1962. Where Black maids raise white children, but aren't trusted not to steal the silver. There's Aibileen, raising her 17th white child and nursing the hurt caused by her own son's tragic death; Minny, whose cooking is nearly as sassy as her tongue and white Miss Skeeter, home from college, who wants to know why her beloved maid has disappeared. No one would believe they'd be friends; fewer still would tolerate it. But as each woman finds the courage to cross boundaries, they come to depend and rely upon one another.

Filled with his usual obsessions - sex, booze, gambling - More features Bukowski's offbeat insights into politics and literature, his tortured, violent relationships with women, and his lurid escapades on the poetry reading circuit. Highlighting his versatility, the book ranges from thinly-veiled autobiography to purely fictional tales of dysfunctional suburbanites, disgraced politicians, and down-and-out sports promoters - climaxing with a long, hilarious adventure among French filmmakers.

Two giants of the theater, five-time Tony Award® winner Angela Lansbury and three-time Tony Award winner James Earl Jones, star in 1988’s Pulitzer Prize-winner for Drama. Driving Miss Daisy is Alfred Uhry’s tale that follows the complicated friendship between a feisty Jewish widow and her Black chauffeur in mid-century Atlanta over the course of 20 years.

Hidden in the heart of the old city of Barcelona is the 'cemetery of lost books', a labyrinthine library of obscure and forgotten titles that have long gone out of print. To this library, a man brings his 10-year-old son, Daniel, one cold morning in 1945. Daniel is allowed to choose one book from the shelves and pulls out La Sombra del Viento by Julian Carax. But as he grows up, several people seem inordinately interested in his find.